Shanjian Academy

Chapter 61
Gao Miaomiao and the others were playing around, but when they saw Mu Zhengyang painting, they all surrounded him.

Chen Zhihui didn't pay attention to the painting, and a few ink dots stained the blank space, she said a little shyly: "Mr. Mu, this painting is already a piece of waste paper, you can change it to a new one!"

Mu Zhengyang smiled lightly and said, "It's okay!"

These few ink dots seem to be scattered in the blank area, but they faintly conform to certain landform features of Tiannan Mountain.

Mu Zhengyang sketched in Tiannan Mountain before, and he had already put Tiannan Mountain in his heart. It was these few ink spots that gave him the idea to continue painting.

Lu Yuanxing heard the movement of Mu Zhengyang and others, and he and Zhao Shiran came over together, with a smile on his face and said: "Hehe, I just saw Mr. Mu's calligraphy yesterday. I didn't expect to see Mr. Mu's traditional Chinese painting today!"

Mu Zhengyang smiled and calmed down, the whole Tiannan Mountain came to mind.

Lu Yuanxing really wanted to gossip about Mu Zhengyang's level of Chinese painting, but he didn't expect Mu Zhengyang to have a high level of Chinese painting.

After all, a person's energy is limited, and Mu Zhengyang's calligraphy at a young age is at the level of everyone in the world, so how can he have time to paint on Chinese paintings?

Moreover, these few ink dots limit the conceptual layout of the whole painting, Mu Zhengyang seems to be dancing in shackles.

Zhao Shiran clenched his fists, silently cheering Mu Zhengyang in his heart.

Mu Zhengyang seemed to hear the breathing of Tiannan Mountain, remembered the positions of several paints, closed his eyes slowly, and adjusted his breathing to synchronize with Tiannan Mountain.

Draw with your eyes closed?

The thickness of lines and changes in color shades in traditional Chinese painting are very delicate things. You may make mistakes with your eyes open, let alone with your eyes closed?

Lu Yuanxing and others were extremely surprised, and even felt that Mu Zhengyang was a bit overbearing, but they all just watched quietly, fearing that it would affect Mu Zhengyang's state.

Mu Zhengyang reached a state of sobriety, and the whole Tiannan Mountain was three-dimensionally presented in his mind, with a feeling of wanting to erupt from his heart.

The nib falls.

Drawing is slow work, but Gao Miaomiao and others saw that Mu Zhengyang seemed to be doodling on the drawing board.

fast!
too fast!
Gao Miaomiao and others were watching from the side, but the speed of the painting was so fast that they couldn't see it!

Mu Zhengyang forgot everything around him, just wanted to draw Tiannan Mountain in his heart.

After a few minutes.

Mu Zhengyang opened his eyes, and wrote the words Tiannan Mountain on the top of the scroll.

This is a landscape painting in color, with strange peaks rising from the ground, mountain streams rushing down, lakes with rippling water, mountains near and far, verdant vegetation, and fishing boats returning to the bay.

The mountains are lush and green, the mountains are shrouded in clouds and mist, and the villages are scattered at the foot of the mountain. There are still a few people standing on the ridge to enjoy the scenery.

From the perspective of composition, there are guest and host, echo, virtual reality, density, opening and closing, hidden dew, and rhyme. In terms of pen, traditional Chinese painting emphasizes "calligraphy brush", with Mu Zhengyang's personal style of "willow bone charm", and ink with "burnt, thick, heavy, light, clear, dry, wet, thick, light, black, Bai' has clear layers and rich changes, and the technique of each scene is extremely precise, which can be regarded as a rare fine painting.

"Teacher, you are drawing too fast!" Zhao Shiran was stunned.

"It's not just about drawing fast, the key is drawing well!"

"This painting is very similar to those famous paintings in our textbooks. There are also these small figures on the ridge. The painting is about us!"

"Everything Mr. Mu draws with his eyes closed is of this level, woohoo...I feel like a waste..."

Although the traditional Chinese painting techniques of Gao Miaomiao, Chen Zhihui, Lin Jiao, etc. are immature, they still have a good level of appreciation. Staring at this painting in a daze, their hearts were greatly shocked.

Lu Yuanxing's vision is more professional and precise. The difficulty of landscape painting is actually the problem of layers.

Mu Zhengyang used the "accumulating ink method" in this painting, which is to seek layers in the ink to reflect the natural atmosphere of mountains and rivers.

The key is to master the middle tone and solve the black and white relationship of the picture. The black and white relationship of the picture is the relationship between the dark part and the bright part, the relationship between the real and the imaginary.

The opening and closing of the whole picture of this work contains the processing of virtual reality, black and white relationship, which is handled very delicately and elastically.

In the deepness, one can feel a kind of dense air circulating around, and a poetic atmosphere induces people to enter the realm of painting.

Lu Yuanxing looked away from the painting and looked at Mu Zhengyang, "Is this still a human?"

Feeling Lu Yuanxing's gaze, Mu Zhengyang wanted to ask Lu Yuanxing, a professional, for advice, and asked with a smile: "Mr. Lu, you are an expert, can you give me some advice!"

advice?

How does this lead me?

The corners of Lu Yuanxing's mouth twitched a little, and he could only say awkwardly and gracefully: "Looking at this painting, there is movement in the stillness, the mountains, rivers, and lakes complement each other, and the idyllic landscapes are vivid on the paper. Aesthetics, vividly embodies the tranquility and etherealness of Tiannan Mountain, making the viewer feel as if they are on the scene, and their level is far above mine. What's even more surprising is that Mr. Mu actually closed the painting on a discarded painting stained by ink spots. The one who completed this painting with closed eyes is really an eye-opener for me!"

Mu Zhengyang has painted Tiannan Mountain from all angles since he started learning traditional Chinese painting, reaching a state of being able to solve a problem.

The eyes are closed, but the windows of the soul are opened.

Mu Zhengyang may not be able to draw better even with his eyes open, but this technique of drawing with his eyes closed is indeed a bit shocking. He explained: "I have been on Tiannan Mountain all day, and I am very familiar with Tiannan Mountain, so I have some advantages. If it were any other mountain peak, I am afraid the level would drop a lot!"

Since ancient times, literati have looked down on each other, and some people are proud of their talents.

Lu Yuanxing was very moved. What Mu Zhengyang said was somewhat possible, but that kind of technique and vision was real. In addition to admiring Mu Zhengyang's artistic attainments deep down, he admired Mu Zhengyang's clearly peerless personality. He is a talented person, but he is afraid of hurting other people's hearts because his talent is too dazzling, so he deliberately hides his behavior.

Mu Zhengyang wrote a pair of words "indifferent, bright, peaceful and far-reaching" to Zhao Shiran. At that time, Lu Yuanxing had a little idea of ​​coming to the academy, but he felt that his level of Chinese painting should be better than Mu Zhengyang, but now he found that Mu Zhengyang The level of Chinese painting is also better than him, and the desire to leave everything behind and come to Tiannan Mountain to pursue painting is even stronger.

However, reason still made him restrain himself. He is a teacher of Changhe Art Institute, and he came to be a student in an unnamed academy deep in the mountains. This sounds crazy!
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(End of this chapter)