God-level Golden Hand

Chapter 251

In the production process of Xu Jingxing's 180 four high-relief landscape panels, only An Xin participated in it. The other carpenters also simply cut the materials, and he personally completed the rest of the process.

As for Ding Shuhuai, he never participated or even paid attention to it from the beginning to the end.

It is also because of this that Ding Shuhuai's ability to recognize "The Picture of Alone Fishing in the Cold River" at a glance is enough to show that the old man's eyesight is very unusual.

"Fishing Alone on the Cold River" is one of the famous works handed down from generation to generation by Ma Yuan, a famous painter in the Song Dynasty. The original work is ink and color on silk, and there are few elements in the painting. There are only a leaf boat, an old man fishing with his body, and the surroundings of the boat. There are only a few water ripples, and there are no other elements.

However, it is this simple pattern that reveals a sense of coolness and coolness. A "cold" character and a "du" character are vividly depicted with this blank layout with a strong sense of space. , even if you don't know the name of the painting, you can still feel the bleakness and indifference from the painting.

It can be said that this painting "Fishing Alone on the Cold River" is Ma Yuan's representative work, and it is also Ma Yuan's pinnacle work, because Ma Yuan is known as "a corner of the horse", which means that Ma Yuan is very good at leaving blank space in the painting. There is a large blank space, leaving endless room for imagination.

However, it is still very rare to leave such a large blank area like this "Fishing Picture of Alone on the Cold River". This requires not only extremely skilled brushwork to express, but also extremely clever spatial layout and conception to portray this effect.

It's a pity that this rare masterpiece is not in China, but in the National Museum of the capital of the island country, which makes people feel deeply regretful.

Xu Jingxing liked this "Fishing Alone on the Cold River" very much, because he always felt that the artistic conception expressed in this painting had something in common with the way of doing things instilled in him by his father, so he carved this "Fishing Alone on the Cold River" When he made it, he spent several times as much effort as other patterns.

As for Ding Shuhuai's chapped brush having his own style, he does not deny it.

The original work of this painting uses the iron line drawing technique. The so-called iron line drawing is a kind of brushwork specially used to depict the decoration of clothes in traditional techniques. So there is such an image name.

However, Xu Jingxing did not use a brush to imitate, but used a carving knife to paint. The carving knife is definitely different from the brush. In order to avoid the embarrassment of "painting a tiger is not like a dog", he simply made some slight adjustments to the lines of the pattern. No longer the wire-like circular lines of the original work, it is similar to "war pen water pattern drawing".

War brush water pattern drawing is also one of the line drawing techniques, and it is also used to depict the decoration of the sleeves, but it is mainly used to depict the sleeves of the maids, because this kind of drawing is similar to water ripples, and it is most suitable for depicting that kind of light and thin clothes.

However, he was carved with a carving knife after all, and there are some pauses and breaks in the soft lines, so it looks more changed, and compared with the original work, it is indeed lighter.

So being praised by Ding Shuhuai, he was really a little elated.

Of course, what he is most happy about is finally pulling Ding Shuhuai away from the bloody love story to the art exchange, which made him feel much more comfortable. He is not interested in listening to the love story between an old man and a lonely sister-in-law in her early thirties Woolen cloth.

The two of them just looked at the paintings one by one on the wooden arched bridge, discussing the artistic conception and techniques in the paintings next to each other. When they couldn't see clearly, they even turned on the flashlight of the mobile phone for illumination, and they didn't stop until the phone ran out of battery.

Ding Shuhuai saw the moon in the sky, and laughed, "It's a pleasure, talking to you is a pleasure, and I feel much more comfortable."

"Hey, there will be more opportunities to communicate in the future. It's time to go to bed today, and I won't go back again. Hey, it's time for Sister Fen to come here," he said with a narrow smile.

Ding Shuhuai coughed in embarrassment, "Then what, the tower will be officially built tomorrow, are you confident that it will be done well?"

"Look at what you're asking, do you dare to start construction if you don't have the confidence? Besides, the foundation has been laid, and the materials and components are also ready. Even if you don't have confidence, you have to get on the horse. You can't give up halfway, right?"

"That's that, then go to bed early and get up early tomorrow," Ding Shuhuai waved his hand after speaking, and walked back along the covered bridge.

He was not in a hurry to go back, but lay on the railing of the covered bridge, staring at the misty water in a daze. He thought of many things, including the love story of Ding Shuhuai and Liu Yufen, the entanglement between himself and Yu Hanqing, and The banshee Cheng Lin who appeared suddenly, and the community of wooden towers that will start construction tomorrow, all of this made him feel as if he was in a dream.

It wasn't until An Xin came here to look for him that he came back to his senses, felt the coolness on his head, and reached out to touch it, only to find that his hair was completely wet with thick moisture.

"Master, do you have something on your mind?" Back in the cabin, An Xin wiped his head with a towel, and asked while wiping.

"What can I worry about?"

"Then you..." An Xin hesitated to speak.

"You mean I didn't sleep and went to the bridge in a daze in the middle of the night?"

"if not?"

"Haha, I just thought about tomorrow's work arrangement."

"really?"

"Can this be fake?"

After a moment of silence, An Xin suddenly lowered her voice and asked quietly: "Did Mr. Ding tell you about his relationship with Sister Fen?"

"How do you know?" He asked back in surprise, and then realized that he was a little self-confident, and coughed quickly, "I mean, how do you know about Mr. Ding and Sister Fen?"

"Tch, who doesn't know the people on the construction site? Although they usually keep a certain distance, the friendship between you and me in their eyebrows can be seen even by the blind, so they themselves think that they are pretending well. , and I often run towards them, and I have encountered them holding hands quietly a few times."

"Well, you know it when you know it, but don't say it."

"I know, master, I'm not a gossip," An Xin muttered in dissatisfaction, and then asked gossipingly: "Master, well, they are masters and apprentices, can they really be together?"

"What's the matter? Let alone now, there were many similar examples during the Republic of China. Isn't Lu Xun a typical example? Besides, what era is this? Even gay marriage is legal. What's the point of this nominal master-student relationship?" Big deal."

"Hee hee, that's right," An Xin replied with a beaming smile.

"Hey, I said peace of mind. If it happens, it will be the business of Mr. Ding and Sister Fen. Why are you so happy? Le's eyebrows are raised to the back of his head."

(End of this chapter)