God-level Golden Hand

Chapter 710 is a counterfeit
Of course Xu Jingxing is not a master of calligraphy and painting at the national treasure level, but he doesn't need to underestimate himself, even if his level is not super first-rate, it is above second-rate.

Of course, there is no need to take Jin Er's flattering words to heart. People in the Jianghu can say a lot of such words without opening their mouths. The credibility is almost zero, and there is no sincerity in the words. arrive.

Naturally, he wouldn't be so coaxed by such a sentence that he couldn't tell the difference between the south, the south and the north. Instead, he smiled and said, "Mr. Jin, tell me about your request."

Jin Er laughed and said: "Actually, I don't have any deep research on calligraphy and painting, and I can't say anything about it. However, I recently got a copy of a painting and it feels very good, so I have been looking for someone to follow that feeling. Draw a picture," he clapped his hands at this point, and said to the woman beside him, "Xiao Tang, quickly bring that painting over, and let Master Xiao Xu give you the palm of your hand."

The cheongsam woman named Xiao Tang smiled slightly, turned around and entered a room, and took out a long box of more than [-] centimeters long after a while, put it on the tea table and opened it one by one, fully presenting the whole painting on the table.

This painting is nearly one meter long and thirty centimeters wide. The color of the painting is a relatively rare turquoise, and it is a relatively cool turquoise, with a relatively light tone. At first glance, Fangfo still has a faint cyan color The luster makes the atmosphere of the whole painting look more serious, even a little solemn.

But the picture is quite unique, the composition is flat and far away, making the picture look quite open, with extremely deep depth, and the picture is even closer from far to near, including almost all the images of landscapes and figures, without appearing crowded.As for the painting techniques, Jie Suo Cun and Lotus Leaf Cun are used, and these two methods are relatively rare and difficult to master. Generally, painters dare not make such an attempt when their skills are insufficient, especially Xie Suo Cun. , If it is used well, it is Jie Suo Cun, but if it is not used well, it is a mess.

Others don't know that Xu Jingxing has never used Jie Suo Cun in his official works anyway, because he was worried that he could not use this Cun brush well.

However, he knew that Wang Meng, the famous returning home in the Yuan Dynasty, was best at using Jie Suo Cun. Wang Gai, a painter in the Qing Dynasty, once praised Wang Meng's Jie Suo Cun in this way: "Using the ancient seal script method to mix it into Cun, such as gold diamonds hugging stones, crane beaks Drawing sand," Ni Yunlin once praised Wang Meng's Xie Suochai, "the pen power can carry a tripod, and there has been no such king in 500 years."

From Ni Yunlin's praise, it is not difficult to see that this Jiesuochai is the most test of a painter's brushwork, because when painting Jiesuochai, a center stroke is required, and the strokes drawn must be extremely sharp and thin, but they must not be too tender or tender. It is too straight, let alone too soft. It is qualified to draw the feeling of combining rigidity with softness.

To use an image metaphor, this solution is like a group of steel wire rope or hemp rope that has been untied. It is necessary to draw all the filaments, but those filaments can neither be as stiff as steel wires, nor can they be as stiff as steel wires. It is as soft as hemp silk, let alone a mess, it is a scattered and orderly state.

To be able to portray such a state really requires a very deep skill, even if the pen is a little softer, it will not be able to draw that feeling.

That is to say, painting Jie Suo Cun requires a lot of attention, wrist strength, and eyesight of the painter, and consumes a lot of energy and physical strength. Therefore, ordinary painters really don't use this kind of Cun Cun specially when they don't need it. Pen.

However, it is such a difficult brushwork, but it is used a lot in this painting, and it is used very well. The brushwork is very skillful, and it vividly portrays the feeling of combining hardness and softness of Jie Suochen.

Masterpiece!

This was his first reaction after seeing this clearly. After a jolt, his body sat upright involuntarily, and there was only such a picture in his eyes, and his mind subconsciously followed that picture and continued to run. In an instant, he seemed to see a white-haired old man in ancient costume writing at his desk.

That feeling is very wonderful, he is like a bystander, he can see the whole process of this painting from a piece of white paper to its current appearance, no, it is all engraved in his mind, he can even remember it clearly How every detail in this painting was created, that memory is even more vivid than his own memory of his own work.

There was even a moment when he thought the painting was his own.

However, this process seems to be very long, but it is actually a time of breathing. When he walked out of the "painting", Jin Er said with a smile: "Master Xu, you can take a closer look." Er didn't know that he "saw" the painting thoroughly during the breath when the scroll was unfolded, and "watched" the whole process of the painting's creation through the long river of time and space.

But now he doesn't have the heart to despise Jin Er, because the shock he received at this moment is even stronger - he is seeing clearly the specific content of this painting at this moment.

In the breath just now, he "watched" the whole process of the painting's birth, but what he saw was the technical content and the artistic conception in the painting, but he didn't "watch" the appearance of the painting, and he came back to his senses After coming, I subconsciously read the inscriptions, inscriptions and postscripts, etc., which can indicate the content of the sequence.

However, it didn't matter after seeing it clearly. After he saw it clearly, he almost didn't jump up, and asked subconsciously, "Why is this painting here?"

Jin Er was a little puzzled, "Is there something wrong with this painting?"

"It's a big problem!" He didn't bother to hide his emotions, "This is the fucking "Autumn Colors of Magpie Blossoms"!"

"I know, "The Autumn Colors of Magpie Blossoms" is just a fake," Jin Er asked mockingly, "Master Xu can't even tell the real thing from the fake, right?"

"Imitation?" He was even more surprised.

"Otherwise? I don't have the ability to bring this kind of national treasure out of Taiwan." Jin Er's tone seemed to be self-deprecating, but in fact he was laughing at Xu Jingxing's poor eyesight. At the end, he pretended to comfort him: "But little Master Xu doesn't have to feel ashamed, this painting is a fake, but it is the work of a master. Let me tell you, it is really a master. He has imitated Zhao Mengfu's paintings all his life. The teachers have all suffered from him, you are so young, it is normal for you to miss it occasionally."

"Imitation?" He was a bit at a loss. If this painting is a fake, then a master figure like Zhao Mengfu would be too worthless. Any imitator can imitate Zhao Mengfu's works almost exactly the same.

Jin Er didn't know Xu Jingxing's feelings, so he nodded triumphantly, "That's right, it's a fake, I can't believe it!"

He stared blankly at the pale turquoise scroll on the table, and suddenly took a deep breath, "Can I take another look?"

(End of this chapter)