God-level Golden Hand

Chapter 745

It is not uncommon for the guard of the knife to be designed in the shape of a tiger's mouth or a dragon's mouth. Many swords are designed in this way, but the workmanship is not so particular. Only the royal nobles and the rich can afford good craftsmen to carefully Designing and building a dragon-tiger-shaped gauntlet with little practical application effect.

Well, in the professional category, the structure where the front end of the guard connects to the blade and fits with the scabbard is also called the mouth.

There are many swallows in the shape of dragon and tiger. In the antique market, you can still see people selling such scattered small pieces. Many of them are exquisite in workmanship and can be sold for 800 yuan. Xu Jingxing remembered that Comrade Yang had one There are quite a few, but the workmanship is very ordinary, and some are even rusted so that the original shape cannot be seen.

But the mouth of the clearing knife Tang Long took out is different. The workmanship can be said to be very delicate. Although the material is only brass, the carving is very good. It vividly portrays the mighty aura of the tiger. In particular, the opening of the tiger's mouth coincides with the scabbard, which is a bit of a tight fit. This will not only better protect the blade, but also increase the deterrent force of the tiger's head swallowing its mouth.

In particular, the iron gold and silver craftsmanship used in it made him feel amazing.

Pyrene gold and silver is a metal inlay technique popular in the Tang Dynasty. It is somewhat similar to the gold and silver technique. It is to inlay non-ferrous metals such as gold and silver in the form of patterns in the base color metal, and then file it smooth for comparison. The sharp color contrast forms a relatively unique metal craft aesthetic.

However, uranium gold and silver will use chisels to carve a layer of shallow and fine oblique grids on the base, and then chisel out the patterns you want to inlay on the grids, and then put gold and silver and other non-ferrous metals along the lines of the grids. The texture is hammered in and filled, and finally filed and smoothed, and finally coated with iron powder. This will not only fill the gaps and make the pattern look fuller, but also form a more vivid color contrast after the iron powder is oxidized.

From this point of view, the iron gold and silver process is more like a combination of the gold and silver process and the black copper silver process, but the gold and silver process has its own unique technical characteristics, the most notable feature is the layer of fine oblique layers. Chisel grid.

This layer of grid is indispensable in the process of 鄄gold and silver. Without it, it is not 鄄gold and silver. As for its functions, there are two, one: digging grooves on the fine grid to fill gold and silver, etc. Metal will make the edge of the grid and filling metals such as gold and silver form a staggered occlusal structure, making the filling metal more solid, not easy to fall off, and more practical; [-]: With a fine and regular slash grid as the background , can better bring out the smoothness and nature of the pattern, making this tool have a unique visual contradictory aesthetic feeling. If it is done well, it will give people a strong visual impact.

The clearing knife in front of Xu Jingxing has very few parts that are suitable for gold and silver craftsmanship, only a little bit on the mouth, guard, handle, and scabbard accessories, which look unremarkable.

Moreover, this craft is slightly different from the orthodox patrimonium gold and silver craft. The general patrimonium gold and silver craft is to put gold and silver on iron, but here it is to put silver on copper.

Copper and silver are both bright colors, but the contrast is relatively strong. However, the price of the two metals is not particularly expensive, so this copper-on-silver process is very flattering, not only makes this knife look It is more beautiful, and the cost is not too high. The most important thing is that it is beautiful and low-key.

And this is exactly the style Xu Jingxing likes.

But because of this, he couldn't just accept this knife, because it looked like a really good knife, and it should have been used by officers who had been on the battlefield, and it should have been used by mid-level officers for actual combat. Knife, maybe you have seen blood, and this kind of knife is the favorite of all knife lovers. The price in the market is definitely not low, and it is not a problem to sell it for one hundred and eighty thousand.

Of course, this has not taken into account the other value attached to the knife. Although most people can't discover this additional value, he has to take these factors into account when facing two practitioners, Feng Zhihuan and Tang Long.

So when he was observing the appearance of the knife, he quietly opened the eye of truth.

The moment he saw the true face of this knife, he was not calm again. How can I put it, the true face of this knife is not special, it is just a knife, the shape is the same as the knife itself, but it is also very sharp, almost It's substantial, especially the cold shimmering light on the blade that's almost real.

On the handle and the back of the knife, there is even a layer of faint red mist, which is still surging with the trembling of the blade.

What is that red mist?Obviously blood.

What kind of blood?It must not be pig blood or chicken blood, but human blood.

In other words, this is not only a good knife that has seen blood, but also a treasured knife that has seen a lot of blood, so that even the real shape of the knife has condensed a layer of blood mist that can breathe.

However, this truth does not make people feel disgusted or scared. On the contrary, it gives people a strong sense of domineering, as if with such a knife in hand, they can cut off the gods in the sky.

Of course, that was his illusion, but the domineering power of this knife is beyond doubt.

I really don't know who the owner of this sword is, who can raise such a domineering and strong sword.

As for the aura, the amount of aura in this knife is not very large. It can't be compared with the thunderbolt mahogany sword. But think about it, this is just a practical sword from the Qing Dynasty. The aura is also normal.

Of course, that is relative. If compared with objects of the same age and grade, the aura in this knife is still considerable, at least not less than the aura in the gilded bronze statue of Tara that I just bought for Cheng Dehai. .

Seeing this, he really had the urge to accept this apology brazenly.

But he opened his mouth and said with a wry smile: "Boss Tang, you should take this knife back. It's too expensive, so I dare not accept it. If I have the cheek to accept it, I will never have the face to see you and Brother Huan again."

Tang Long's attitude was very firm: "Master Xu, you don't think you can't see this knife, right? If so, I'll take my treasure of the store here," he turned around and left, This is not a gesture to pretend to leave, but to really leave.

If Tang Long really took the treasure of the store, Xu Jingxing would be even more embarrassed.

Fortunately, Feng Zhihuan knew the severity, and stretched out his hand to hold Tang Long: "Can't you talk well? How about this? Let me give you an idea, so that both you and Xiao Xu are satisfied. How about it? Anyway, I I can see that Xiao Xu also likes this knife very much, right?" This question was naturally asked by Xu Jingxing.

(End of this chapter)