God-level Golden Hand

Chapter 756

Xu Jingxing smiled and didn't say much about Yin Xiaojing. After entering the room and sitting down, he slowly spread out the scroll on the coffee table.

This painting was finished yesterday, and of course I didn’t have time to mount it. It’s just a big piece of rice paper. It’s two meters long and [-] meters wide. It’s a horizontal axis. Putting the Buddha included the entire Quancheng in the picture scroll in an instant, and almost all the famous scenic spots in Quancheng can see familiar shadows in the picture scroll.

For example, Que Mountain and Huabuzhu Mountain, these two small hills occupy quite a lot of space in the picture scroll, and the image of the mountain top is quite prominent.This is not because he has more preference for these two mountains, but that these two small mountains are relatively more famous, and the physical properties of these two mountains are also relatively strong, and they belong to the top among large and small mountains. The existence of it is second only to a few small hills such as Hero Mountain.

That's right, when he portrayed these landscapes, which mountain can occupy more space and which mountain's image can be more prominent, the main selection factor is none other than the physical properties of these scenic spots.

That is to say, what he painted was not the appearance of these landscapes, but the true nature of these landscapes.

In other words, what he painted is actually the true state of Quancheng. If someone who is familiar with the style and features of Quancheng sees this painting, they will find that there are some differences between the Quancheng in the painting and the actual Quancheng. It's quite big, but the overall feeling is almost exactly the same as Quancheng, just like the "Autumn Colors of Quehua" that people see.

Qianlong couldn't believe that Quancheng had such a towering mountain range when he first saw "The Picture of Autumn Colors in Magpies and Flowers". Spirit, the essence of the present is confirmed," From this sentence, it is not difficult to see that no matter whether Qianlong can directly see the true appearance of Quehua Ershan like Xu Jingxing, he can still feel the towering aura.

But it's normal to think about it. Qianlong was also an emperor at any rate, and his prestige was quite high at the time. His own physical properties should be very strong. The more normal the physical properties of other things can be felt, otherwise he would not be able to write "Shi Xin Bi Ling" Hediling, the current proof is the essence of the soul" This kind of sentence sounds a little goddamn.

And this painting of his is similar to "The Autumn Colors of Magpie Blossoms", both of which are a bit unrealistic at first glance, but when you feel it carefully, you find that everything is so natural, as if the real world should be the same as the world in the painting. The same is correct.

So even when he saw the painting horizontally placed on the coffee table and saw the whole view of the spring city in the painting, he felt a little overwhelmed. He can be regarded as including all the landscapes of the city in one painting, but in reality The number of painters who can do this is actually quite limited. Even in ancient times, such large-scale landscape paintings were rare.

This is not to say that he can already be compared with the ancients of Zhao Mengfu's level. On the contrary, he is still far behind. He can do this mainly because of his special ability, his almost photographic memory Not to mention his memory, the "Eye of Truth", which is close to the legendary Buddhist supernatural power, is also a super cheating device, allowing him to see all the truth of the city in his eyes.

If he can't paint the mountains and rivers of the city well, then he is too sorry for his ability.

Of course, the most shocking thing is not the level of the painting itself, but the materiality and aura he endowed to the painting. In his own feeling, the moment the scroll opened, the whole painting seemed to come alive at once. The misty rain and hazy air instantly enveloped his whole body, pulling him into a dreamy fairyland in an instant.

Coupled with the dense aura permeating it, it makes people feel more comfortable, which is the kind of experience that is very refreshing.

His feelings are very intuitive and sensitive, but Jin Er is going to be a little worse, or a lot worse, but Jin Er is not an ordinary person after all, he closed his eyes the moment the picture scroll was opened, as if quietly Feeling something, it took more than a minute to slowly open his eyes, and only then did he see his gaze on the scroll.

Jin Er nodded while looking at it, and at the same time he was full of praise: "This painting is really good. It has eight percent of the charm of Zhao Mengfu. It's amazing, it's amazing, but what surprised me the most is the quality contained in this painting. , Master Xu, how did you do it?"

Jin Er was very casual when he asked this question, as if he was just asking casually.

But Xu Jingxing immediately became vigilant, because this question involved the biggest secret in him, so he asked in a bit of a daze: "What kind of quality is Mr. Jin asking about?"

Jin Er smiled, "It's the kind of quality that can make people feel immersive. Your painting is the same as the high imitation version of "The Autumn Colors of Magpies and Blossoms". I felt something special."

He pretended to be stunned: "Oh, what Mr. Jin is talking about is the sense of substitution, right? This is simple and easy to say, but difficult to say, describe it carefully, and describe what you see and think in the most reasonable and realistic way. On paper, uh, it can’t be called depiction, but secondary creation. When we make paintings, whether it’s painting mountains or water, what we see in our eyes is actually not necessarily related to what is painted on paper. Borrowing the real landscape as a shell, the shell is filled with the artist's own understanding and cognition of the mountains and rivers. When the content in the shell is more in line with the image of the shell itself, the It brings people into an immersive and unique experience.”

"What do you mean?" Jin Er really didn't understand.

Xu Jingxing snickered inwardly. What he said just now is specious. It is actually a bit one-sided to say that it is correct, but it is okay to say that it is not correct, because there are no fixed standards and ideas in artistic creation, and you can do whatever you want. Well, as long as it can be recognized, it is good art.

What's more, the vocabulary he used inside and outside the words made people unable to find faults and at the same time made people puzzled. One purpose made the other party feel unaware.

Not to mention someone like Jin Er, even a real painter might not be able to fully understand it, let alone find out the flaws in it.

But his face is still very calm, "Mr. Jin, in layman's terms, my paintings will give you a feeling of familiarity and strangeness, and those things you feel are all what I want to express."

Jin Er was silent for a moment, "I was asking how you did it?"

"Is it drawn with a brush? Of course, it is also inseparable from sufficient preparations. Before I started, I traveled around half of the spring city, and I saw all the mountains, rivers and waters here, and remembered them in my heart," said here He suddenly raised his eyebrows, "Mr. Jin, you haven't said that this painting does not meet your requirements."

(End of this chapter)