God-level Golden Hand

Chapter 805
Of course, if it was just like this, Xu Jingxing would not carry this set of screens back from Zhou Junming like a fool. The more important reason why he fell in love with this set of screens was that the physical properties of this set of screens were a bit strange.

In Zhou Junming's home, he found the physical properties of this set of screens a bit strange as soon as he entered the door.

At first glance, there is nothing magical about the physical properties of this set of screens. It is not much different from ordinary antiques. The physical properties are not much different from the antiques themselves. It looks like a set of virtual screens, and the strength is average, not fully condensed. The cost phase is just a phantom.

But in his feeling, this set of screens actually isolated his six senses like a wall, and the isolation effect was stronger than a real wall.

With the strength of his six senses, it is difficult for ordinary walls to cause any obstacles to him. For example, now, he can hear the young couple next door who are making love during the day through two walls. Couples are depressing enough.

This is the side effect of ear consciousness enhanced to a certain extent.

However, with his super-strong sense of hearing, when faced with the double-sided painted porcelain screen of Zhushan Bayou, it was completely ineffective, as if there was a black hole behind the screen that could not even let light through.

This is a bit interesting, he has never seen such an object before.

Let's just say, physical properties are indeed miraculous, and he has seen even more miraculous ones, but this is the first time he has seen this kind of human screen that can actively isolate the six senses.If it's just like this, it's not worth making a fuss about, but neither Zhou Junming nor Lin Xiaoya has discovered the magic of this set of screens. Is it because they didn't pay attention at all?Or is this set of screens not working for them?
No matter which possibility it is, it is enough to prove that this set of screens is really not ordinary. If he can understand the mystery of it, wouldn't he be able to make some invisibility props specially for people with strong six senses?

It's just that he also knows that the possibility is very small, because he is just a layman in this respect, and most of the practitioners in this world are also laymen, all of them are crossing the river by feeling the stones, and the kind of people he imagined The props are already very mature and similar to magic weapons in novels. If they were made by him so easily, would the legendary gods still be so valuable?
Facts have proved that his hunch was right. After studying the screen for a long time, he found nothing, and he didn't even see the slightest mystery. Fangfo's ability was born with this screen.

In the end, he could only attribute this ability to the existence of physical properties.

Physical properties are inherently magical, possessing a variety of special attributes, and the effect of screens in architecture and decoration is to isolate the line of sight and divide space. It is not so unbelievable that the physical properties of screens have some similar magical effects.

When it was dark, he packed up the screen and went to pick Yin Xiaojing up from get off work.

He had coaxed Yin Xiaojing just now, so he naturally wanted to strike while the iron was hot, so as not to let the young man think about anything else.

And Yin Xiaojing didn't pay much attention to the extra screen in the room, she just looked at it for a while and praised "it's so beautiful" and then it was over, because she didn't notice the abnormality of the screen.

But it's normal, even a Buddhist master like Zhou Junming and a gifted existence like Lin Xiaoya can't detect the abnormality of the screen, if Yin Xiaojing can see the clue, then something is wrong.

That night without Lin Xiaoya's big light bulb, the two of them had a good fight, and Yin Xiaojing endured it for a long time, and Yin Xiaojing also missed her.

The next day, Yin Xiaojing was sent to work, while he was leisurely, strolling around the city, looking at the scenery, mountains and rivers, people and flowers, and would look at something interesting for a while. In his eyes, the world is completely different, and there are too many interesting things.

The only downside is that his aura is limited and he dare not squander it.

If the aura is sufficient, he really wants to wander around with the "eye of truth" open all the time, I believe it must be a completely different experience.But even if you can't keep your "eye of truth" open all the time, it's still an unparalleled experience.

Three days later, he walked around Qianfo Mountain twice, and then began to retreat to paint, and finished the painting that the little monk wanted, with Qianfo Mountain as the theme.

After another three days, the painting was completed.

He created this painting with the technique of Xiaoxiyi, without using any dyes, a brush, a piece of pine smoke ink, a clear clay inkstone, a water bowl, a pair of paperweights, a piece of rice paper, a basin of water, That's all the tools and materials he used.

However, this painting was the one he was most satisfied with this year.

The entire painting is 25 centimeters long and [-] centimeters wide, but the entire Thousand Buddha Mountain is contained in the picture scroll, but the Thousand Buddha Mountain in the picture scroll is almost completely different from the Thousand Buddha Mountain in the eyes of the world.

The Thousand Buddha Mountain he described resembles a reclining Buddha. The several protruding hills are the head, shoulders, crotch, feet and other parts of the reclining Buddha, and the continuous curve is the body curve of the reclining Buddha when he is lying down. , but Buddha statues of different shapes, but from a distance they look like flowers and trees in landscape paintings.

As for the scenic spots on the mountain and some more notable topographical features, they are also solemn or kind or mighty or murderous Buddha statues.

In other words, every plant, tree, scene, and thing on the Thousand Buddha Mountain is all Buddhas, all Buddha statues.

Among them, the largest Buddha statue is about eight centimeters in the picture scroll, which is very conspicuous. It is a Maitreya Buddha. The aura is also extremely strong, as if he is the Lord of Thousand Buddhas in Qianfo Mountain.

The smallest Buddha statue in the picture scroll is only the size of a grain of rice. Ordinary people may not be able to see the outline of this Buddha statue clearly without a magnifying glass, and will only think it is a dot of ink.

In the whole picture scroll, there are exactly nine hundred and ninety-nine Buddha statues like this, big and small, but it can also be said to be exactly one thousand, because there is one Buddha statue that he did not draw, but wrote. Yes, it was written on the left side of the scroll, and on the left side he wrote the three characters "Thousand Buddha Mountain" in plump and elegant Soviet script.

It was a normal character, but it was also full of Buddha rhyme, especially the "Buddha" character in the middle, which has a graceful posture and a dignified structure, but the character "亻" next to it looks like a person with folded hands The little monk, when put together, gives the impression that a respectful little monk is piously paying respects to the Buddha with his hands folded.

Where is the Buddha doing the ceremony?
Of course, there are large and small Buddha statues all over the mountains and plains.

(End of this chapter)