Tianyan Jianbao

Chapter 96
Tang Bohu's "Li Duanduan Tu", on the surface, it shows five people in total.

In the middle of the picture sits a scholar wearing a literary scarf and a mustache. His facial expression and sitting posture all show a refined bearing and demeanor.On both sides of the black desk on the left are the master's maids.One is wearing a red dress and the other is a white dress. The colors are bright and layered.

On the right is a visitor, a lady holding a white peony.The posture is elegant and charming.Behind is the attendant maid.

The four daughters surround the master, highlighting the importance and status of the master like stars holding the moon.The background is a large screen with mountains and rivers, and a poem is written on the top: "Li Duanduan in Shanhefang. Believe that it can do white peony. Whoever believes in Yangzhou Jinman City, the price of rouge is so poor."

Strictly speaking, the "Li Duanduan Picture" in Wang Haoming's hand shows that the characters' demeanor and behavior are very rigid, and the lines of the characters' clothing are not smooth enough.And the paper used is very poor, the paper is actually cooked paper.

Raw rice paper is also called raw paper. It is used directly after production. It has strong water absorption and ink moistening properties, and is best used for splash-ink painting and freehand painting.The brush strokes are clear, dry and wet.Thick, light, changeable.During the many years from the Ming and Qing Dynasties to the Republic of China.

Calligraphers and painters use mostly raw paper.

But as far as Wang Haoming is concerned, he doesn't know what is cooked paper and raw paper at all, and he can't appreciate what's wrong with the figures in this painting.

What Wang Haoming saw was that there was a thin rice paper painting behind the gold-sprinkled paper, and the spiritual power he sensed was entirely contained in that painting.

This painting should be divided into three layers. The most superficial layer is "Li Duanduan Tu" painted on cooked paper, and the second layer is pasted on the first layer and painted on raw rice paper. "Li Duanduan Picture", there are seven or eight bell seals on it, because the cooked paper is relatively thick and has poor air permeability, so from the surface, it is completely impossible to see that there is still a universe underneath.

After the rice paper was produced, it was pasted according to the traditional method of calligraphy and painting. If Wang Haoming had a little understanding of pasting techniques, he would be able to see that the pasting of this painting was definitely done by a famous artist. very high.

This person not only hides the real painting behind the fake painting, but also uses the "Li Duanduan Picture" on the fake painting to perfectly cover up the red bell print that is easy to be revealed on the real painting. To the point where people lose interest just by looking at it.

In the history of Chinese antiques, there have been four or five periods of prosperity, and the prevalence of these antiques has been accompanied by the emergence of a large number of imitations of screen products, and even some famous artists have faked and made old ones.

But there are also some people who, in order to protect the treasures in their hands, make real paintings into fake paintings. This painting by Tang Bohu is like this.

Moreover, the craftsmanship of this person's quilt is extremely high. I am afraid that the person who originally collected the painting did not know the clues. Otherwise, he would definitely keep it properly and would not end up in this black market auction.

"Okay, the following item is a three-color horse from the Tang Dynasty. The starting price is 5 yuan. If you are interested, you can come and take a look."

Just when Wang Haoming was in a trance, the black market auction also came to an end, and three more objects were auctioned in the middle, most of which were unearthed from tombs.

It can also be seen from this that Lang Jie's goods channels are probably mostly "local masters", but his black market auctions are of relatively low quality, which is also the reason why many well-known people in the collection field can be attracted to participate .

The girl with sunglasses just now cost 65 yuan.I took a set of daily-use gold utensils unearthed from the tombs of vassal kings in the Ming Dynasty.

The middle-aged man sitting not far from Wang Haoming bought a rap figurine from the Han Dynasty at a price of 38 yuan.

Although it was a bit dilapidated, Boss Li still held it in his arms like a baby. Wang Haoming took a casual look and found that there was indeed spiritual power in it, but the appearance of this rap figurine was too poor, many places were incomplete, and the spiritual power was also missing. Almost all of them were lost. Wang Haoming looked down on such objects.

There is also an ancient bronze sword from the Warring States period. The appearance is not bad. The wooden handle on the hilt has all rotted away, but the blade is still shining coldly, with clear lines.

The starting price was not expensive, only 2 yuan. This kid Li Zhi took a fancy to this sword, and kept raising the price until the end.Only he and old man Xie were left, and in the end the sword was bought by old man Xie for 31 yuan.

Although Li Zhi didn't buy it, he still looked smug, while the old man Xie, with a livid face, stared at Li Zhi vigorously. Wang Haoming saw it funny. Sparks are the odd thing.

Seeing that Lang Jie was hard at work introducing Tang Sancai on the stage.Wang Haoming also searched for knowledge about Tang Sancai in his mind.

Tang Sancai began to be produced in the period of Gaozong. During the period of Gaozong, the national power of the Tang Dynasty became stronger and stronger, and the extravagance of the ruling class intensified. Treasures and three-color wares made the trend of thick burials flourish.

Most of the books on appreciation that Wang Haoming read some time ago were about calligraphy and painting, but there were also a few books about ceramic antiques, including the introduction of Tang Sancai.

What he lacks most now is the experience of getting started with antiques. Given this opportunity, he naturally wants to go up and touch it.After handing over the precious painting in his hand to Li Zhi, Wang Haoming also walked to the table with the crowd.

The Tang tri-colored horse on the square table is a Tang tri-colored horse, about [-] centimeters high, with its front legs spread out in a figure-eight shape, standing upright, its rear legs bent slightly, its neck stretched out, and its head bowed. Apricot leaf panels and green trim on saddle shoes come to life.

There is also a moderately sized rectangular bottom plate below, the bottom plate is not very flat, slightly curved and tilted.

The old man Xie and that Mr. Jiang were the most careful, if they weren't allowed to touch them.They all wanted to stick their heads into the horse's mouth, but the fat man came up and wandered around, because he was too big and no one gave him room.

After turning around the square table resentfully, he went back.

Wang Haoming was originally a layman, and he went up to watch the excitement. He had to study this thing for ten and a half months. If he didn't rely on the spiritual power in his eyes, he wouldn't be able to tell Mao Chouyin from it.

But looking at the charm of this tricolor horse, it doesn't look like a fake.

After everyone sat back, Lang Jie said loudly: "What do you think? This three-color piece is immediately available, although many have been unearthed.

But the charm color and appearance craftsmanship of this horse.All of them can be regarded as top-grade works, especially in black. Needless to say, everyone knows the price. The base price is 5 yuan. Interested friends can ask for a price. "

The Tang Sancai works are quite a bit like flowers blooming inside the wall and fragrant outside the wall. Tang Sancai horses are very popular in the international auction market.

Sotheby's International Auction House once auctioned a tri-colored black horse of the Tang Dynasty, which created the highest auction record of Chinese porcelain in the world in London, England.

Compared with auctions in foreign countries, the market conditions in China are still far behind, so these people also have to consider the economic value of their collections.

"Fifty-five thousand yuan."

Old man Xie seemed a little hesitant, as if his reading was not very accurate, but seeing that no one bid, he still called out a price.

"Sixty thousand."

Someone took the lead in calling for the price, and immediately someone followed the price. The one who shouted was that Boss Jiang. He made several attempts today, but all failed. A must-have taste.

"Eighty thousand."

It was the woman in the sunglasses who called for the price. When the gold ware was auctioned just now, it was the man next to her who made the bid. This was the first time Wang Haoming heard her voice, and it seemed that she was not very old.

"One hundred thousand."

Boss Jiang was very firm in his bidding this time, as if he had confirmed that this was a genuine Tang Sancai. You must know that black and white tricolor horses are extremely sought after internationally. Above millions, this million still refers to US dollars.

Old man Xie withdrew unwillingly, he couldn't afford the money, he really couldn't see through this thing, although he had a bad temper, but he wasn't very gambler.

"I'll pay 20 million."

To the surprise of everyone in the tent, Wang Haoming directly raised the price by [-], which attracted everyone to look at him.

(End of this chapter)