National Treasure Artist

Chapter 258 Miho Art Museum

Those who dare to use ancient poems as blueprints and dare to declare loudly that they can recreate the Taohuayuan in this world will probably have no one in this world except Davidia involucrata.

The incident was a big mess, not to mention everyone in the island country knew about it, but it was not far behind.

Time passed bit by bit. Not long after the report, Jingmofei went to Tokyo to negotiate with related enterprise groups for MUJI. During the period, he might be worried that Jingmo was alone in a foreign country, but Banxia spontaneously follow to help.

The two girls with very different styles but graceful looks signed contracts in one city after another in the island country. They seemed to be competing intentionally, and no one would give in to the other.
At the same time, the two are also putting themselves in each other's shoes to experience their own joys, sorrows, sorrows, and joys, and unconsciously they feel a little sympathetic to each other.

The Barcelona World Expo is still in full swing.

All over the world, tens of thousands to hundreds of thousands of tourists shuttle between national pavilions every day.

In this exposition with the theme of world art, there seems to be no doubt that China has become the biggest beneficiary, and the China Pavilion is magnificent and brilliant!

Chinese culture and Chinese art are gradually loved and obsessed by more and more people.

But when the four-month-long expo came to an end, it was early August, and events capable of shaking the world's design field were born and recorded in history.

Those are nine experts in the fields of architecture, world expo and urban planning from various countries, more than half of them are from the European classical school area.

Nine experts published an epoch-making paper report with joint signatures.

The content of the report combines the theme of the World Expo, and conducts a comprehensive analysis from the content of the exhibition, information transmission, educational significance, and sustainable development of the city.

At the end, they gave the highest praise and evaluation to the American Pavilion of Barcelona Expo!
They said: "The current architectural form has fallen far behind the needs of the rapidly developing industrial age, and the American Pavilion has undoubtedly made the most perfect demonstration for us!"

The report was too detailed, and every point of view pointed directly to the key points. Once it was issued, it caused an uproar at an extremely fast speed.

More and more architectural critics and designers are beginning to face up to the connection between architectural art and the development of the times.
There are supporters!
Opponents are even more!

In the major media, experts from both sides can be seen every day debating on the core of the US Pavilion!

In the European world, some sensitive people stared at the distant sky, their faces were serious, and they only said in a low voice: "The sky is about to change."

No one thought that at the end of the Barcelona Expo, the influence of the American Pavilion would be opened in such a form, and it would counterattack at such an amazing speed!

All kinds of noise from the outside world did not disturb Bai Gongtong's state of mind in the slightest, he seemed to be at peace with the world.

In just a few months, the scene was depicted bit by bit in the island country.

On this day, in the tea room, Bai Gongtong and Koyama Mihideko were sitting opposite each other.

Two cups of tea on the coffee table emit a faint white smoke, take half a sip, and let out a light breath
"Master Mihideko, these are some concept drawings, please take a look."

Bai Gongtong said, and handed over a blueprint to the leader of Meixiuzi.

The progress of the design of the art museum is not slow, and Bai Gongtong is preparing to report the progress to the big donor.

Seeing Master Meixiuzi browsing the drawings, Gong Tong paused and opened his mouth to explain, his voice was particularly crisp: "The core concept of Meixiu Art Museum is the integration of nature and architecture."

First set the tone, followed Bai Gongtong and continued: "In my design, the art gallery is built on a hill."

"I think, if you look at it from a distance, the roof exposed on the ground should meet the curve of the peaks, like a wave in the rhythm of the mountains. It is hidden in the greenery, in harmony with nature. maintain the proper harmony.”

Mihideko Koyama slowed down her movements and listened intently to Bai Gongtong's words.

"In terms of its space configuration, the art museum should be like the artistic conception of Peach Blossom Spring, with the fun of a Chinese garden tour."

Bai Gongtong pointed to a general plan concept in Koyama Mihideko's hands, and said solemnly:

"As visitors move, it will show different spatial views and experience different artistic conceptions."

"The path of the visit is very philosophical, and it is not unreasonable to compare the whole process experience to the journey of life."

"Walking in a curved tunnel, I saw a faint light at the end of the tunnel, but I don't know where it will lead? How is this not a particularly Zen scene, how can it not make people think about the meaning of life in a short and quiet moment ultimate meaning."

Along the path, the ordinary tunnel is designed to make it a scene in the peach blossom garden.

Through the opening of the tunnel, there is light pouring in, which fits the sentence: "There will be a mountain, and the mountain has a small mouth, as if there is light."

Outside the tunnel, a patch of peach blossom forest is planted, which corresponds to: "Suddenly encounter a peach blossom forest, hundreds of steps across the bank, no miscellaneous trees, fresh grass, and colorful fallen flowers."

Constantly depicting, the leader Mihideko Koyama nodded from time to time, and the peaceful eyes were replaced by the flickering longing.

In the rendering, Bai Gongtong spent a lot of time on the suspension bridge that had to cross the valley, and he developed and designed it exclusively for the museum.

The final suspension bridge can be called unique in the world. Walking slowly from the tunnel connected to it, you will see the main entrance of the museum.

Its entire structure adopts an asymmetric multi-suspension cable structure, with a custom-made curved steel as the main support structure, forming a perfect arc, while implying the magnificence and depth of the art museum in front.

Although the entire art gallery has not yet been completed, every detail is incomparably exquisite, which undoubtedly perfectly shows the uncanny workmanship of the designer!

After a long time, Bai Gongtong closed her mouth and said nothing.

He took a sip of hot tea, and his eyes fell on the leader of Koyama Mihideko.

The leader was in a daze, as if he was imagining what the art gallery would look like after it was established.

Bai Gongtong didn't know how much the leader Mihideko Koyama was really happy with this worldly peach blossom garden after the completion of the art museum, and it really reflected her extreme cleanliness and utopia in aesthetics.

In later generations, there are examples of cleanliness about Mihideko Koyama's aesthetics.

No vehicles are allowed between the reception center of the art museum and the art museum. Even if tourists are transported here, only white electric cars can be used.

Because only the pure white electric car will not pollute the beauty of the place, it will quietly shuttle between the reception center and the art gallery.

Even the driver of a white electric car can only wear a white uniform.
In later generations, there is Mihideko Koyama's utopian aesthetic manipulation of art museums.

There is an anecdote, that is, a car of foreign tourists came to Meixiu Art Museum on a rainy day. When the car was parked, everyone was getting out of the car and holding umbrellas to keep out the rain.

But I saw the staff of the art museum come to stop them. The staff asked everyone to leave their umbrellas in the car, and he sent a whole row of ochre-red umbrellas with Meixiu printed on them for everyone to use.

This is an umbrella that does not want tourists to have colorful umbrellas, which destroys the visual unity of Utopia
Numerous details show Mihideko Koyama's cherishment of this art museum. Even if some people criticize that this is an almost adulterous aesthetic request, they have never received any response from the former.

(End of this chapter)