Erosion of bones and pets, forensic mad concubine

Chapter 724 What exactly is the consequence of wanting to expose?
Chapter 724 What exactly is the consequence of wanting to expose?
"No copying? Okay, I won't beat you either, let's ask your father to judge."

"Don't, don't tell father!" Rong Qing said hastily.

Liu Xiaoli looked at Rong Qing leisurely, with a calm expression on his face.

Rong Qing knew that there was no way to avoid it, so he could only swallow his tears. He silently sat down in front of the chair, looking at Liu Xiaoli with an aggrieved face.

Liu Xiaoli's response to him was to throw him a pen, then snatch his top, wave his whip, and have fun in the house.

Rong Qing knew that the situation was over, and the tip of his nose felt sore, but the man did not shed tears easily, he wiped his face, and bravely picked up the brush, shaking his fingers, to dip in the ink.

As soon as he got the ink on, he heard Liu Xiaoli's voice behind him: "Remember to imitate my handwriting, do you remember my handwriting?"

Thinking of the fact that this person once painted turtles on the faces of him and his two elder brothers, and also wrote big characters, Rong Qing pursed his lips tightly, and tears of humiliation finally fell. If he had known this, he would not have pretended to be sick. Going to school to study lessons is at least better than copying these things at home.

The teacher will not assign so much homework.

Now that she has something to "play with", Xiao Li doesn't bother her mother anymore.

Liu Wei felt relieved, locked the door, spread out the scrolls, and looked at them one by one.

And looking at it, it really turned out to be suspicious.

In "Spring Hunting", a stalwart man in a dragon robe stands among the courtiers. The man holds a curved bow, his eyes are sharp, and when the bowstring is shaking, he just shoots a big eagle.

When the eagle fell, the ground was stained with blood, and the courtiers were all happy, all smiling.

Liu Wei can guess the plot in this picture, it is probably that Concubine Min followed the emperor to hunt in the spring, and the emperor hunted in the hunting ground, and shot and killed the big eagle, the arrows were all shot, and the majestic posture remained the same. Rong.

At first glance, this painting is nothing, but Liu Wei found that among the surrounding crowd, there was a woman wearing Western Region costumes, and even a gold thread headdress on her head. Looking at it, she was not from the Middle Earth.

Liu Wei looked at the inscription next to it, and understood that this was drawn when the princess of the Western Regions came to pay homage to me in a certain year. At that time, it was spring, and the director of ceremonies prepared a hunting ground, which was also a fun for the visitors from the Western Regions.

Putting this painting aside alone, Liu Wei took out another one.

This is a picture of work and rest, the picture is called "Flower Viewer", and the picture is also a scene that Concubine Min saw, but it is not in Shangyang Palace, but in Zhaoning Palace. The plaque, although somewhat blurred, is vaguely recognizable.

There are charming guests in Zhaoning Palace. The appearance of the charming guests cannot be seen clearly, but what can be seen is that the empress is seeing the daughters of several princes in person. All of these women are handsome, luxuriously dressed, and full of air, and one of them is Liu Wei also recognized that it should be Yu Wenqian, Yu Wenminxin's aunt, and Liu Wei had a relationship with the aunt in Wen's house several times.

The perspective of the picture scroll is a bit like peeping.

But these are also not in the scope of Liu Wei's attention. Liu Wei is interested in the flowers planted outside the courtyard of Zhaoning Palace in this picture.

I don't know if it was intentional or not, but the flower was painted bigger than a person, and it was clear that Liu Wei knew all kinds of plants and flowers, so he recognized it at a glance, it was Manzhushahua.

Manzhushahua, also known as Bianhua, or dead man's flower, grows in the Western Regions and is called Huangquanhua by the local people. Therefore, the flower usually grows on graves or cemeteries, and when it grows, it becomes bright red in patches, and the red is like a drop of blood. Unknown flowers are also regarded as a medium for people to connect with hell.

Many spiritual beings or eminent monks in the Western Regions will use this flower as their main use. Whether it is exorcism or sacrifice, it is considered a wonderful thing.

When Liu Wei was in modern times, she went to Tibet and saw Manjusawa. She found it interesting at the time, and asked the locals if they could send a pot or buy a pot to take home to raise.

The man said that the Bianhua flower cannot be separated from the land here, and once it is separated, even the best flower soil cannot support it.

Liu Wei also said with a smile at the time that someone had obviously raised her.

The man only said that the one raised must not be a purebred manjusawa, but a cross-breed. If you like it, you can go to the flower market to buy it.

But the pure manjusawa must grow in the Western Regions, and it coexists with this land.

The man said something mysterious, and Liu Wei only listened to it as a joke, but because of this, after Liu Wei went back, she really checked this strange flower.

And later, Liu Wei did buy a bunch of plants and found that although the two kinds of flowers are similar, there are some differences in size, color, or shape of petals.

That flower, Liu Wei, died after being raised for a few days, but now, looking at the delicate and unparalleled manjusawa in the picture, Liu Wei seems to think of the flower fields in Tibet, full of blooming eyes.

The manjusawa flower here is a purebred, Liu Wei can almost confirm it at a glance, but why does Zhaoning Palace have this kind of flower?How is it planted?
Liu Wei looked at the inscription on the corner of the scroll again, and found that the date was exactly seven days after the Spring Hunting Picture, that is to say, the envoys from the Western Regions should have not left at that time, so this flower might be a gift from the Western Regions?
Not knowing what happened to the flower later, whether it was raised to death, or what, Liu Wei put down this painting again, and then picked up the third painting.

The last pair is what Liu Wei thinks is the most important, because there is Xiang Yi again.

This painting is called "Mo Wen Going Home", and the content of the painting is in the Shangyang Palace, where the palace is decorated with white flags everywhere, and the sky in the evening is a kind of blood-like pulp red.

Xiang Yi was serving as an eunuch, standing at the door with his head down, no one could clearly see his expression.

The content of this painting is so simple, one person, one room, white lanterns, white curtains, proclaiming that people have died here.

Liu Wei didn't even think that this palace was Changyang Palace, because there was no plaque, but he saw the unsightly tablet in the room under the candlelight.

The name is written on the tablet, which is Concubine Min's name.

This is the painting of Concubine Min when she entered the funeral ceremony. In the painting there is only the Lonely Palace that has lost its owner, and a eunuch who once served in this palace.

It's like a companionship, and it's also like a mourning.

However, the person who made the painting cannot be Concubine Min.

The signature under this painting is also Minfei's name, but how can I paint again when a person is dead.

This painting was deliberately used Concubine Min's seal to see her off, and the person who made the painting, Liu Wei thought, should be the only living person in the painting.

Xiang Yi.

Wrapping the name around on the tip of her tongue, Liu Wei thought to herself.

The person behind the scenes may not be Xiang Yi.

But the people behind the scenes connected Xiang Yi's feelings for Concubine Min through the two paintings "Appreciating Spring" and "Mo Wen Going Home".

Moreover, whether in the painting or in the recent murder cases in the palace, the people behind the scenes specially brought out the "Western Regions".

Looking back in the picture, the envoys from the Western Regions once came to the capital, and less than a year after that, Concubine Min died, and at the same time Xiang Yi had a lot of affection for Concubine Min, which was a bit weird.

What is this series of antecedents and the consequences of wanting to expose?
Liu Wei had a guess in her heart, but it was just a guess.

The only thing that is certain now is that the perpetrators of the recent cases are indeed seeking justice for Concubine Min who died many years ago.

It's just that so many years have passed, why choose this time?

Liu Wei thought of Concubine Chang.

Concubine Min's younger sister, the new owner of Changyang Palace.

So, it was Concubine Chang's death that provoked the murderer to set up the case of Concubine Min again in a fit of rage?

In this way, the relationship between the murderer and Concubine Chang should be very close?
(End of this chapter)