actor return

Chapter 184 On TV

People have their own preferences. Although the aroma of wine is not afraid of deep alleys, more often than not, opportunities and packaging are still needed.

Like palace jade liquid wine?
In fact, Ning Yuan personally thinks that "People on the Journey" was better than "Tai囧".

Just like the emperor's chamber pot, even if it is a chamber pot, it is still precious!
Although it did not meet expectations, it was not bad, and it also achieved the first box office record breaking one billion that year.

On the contrary, Ning Yuan thought the later "Heart Blossoms on the Road" was pretty good.

Not only the rhythm and jokes, but also the interlaced time and space clips at the end. Ning Yuan was lying down at the time, and he could still play like this. In another "Interstellar" that year, there was a similar plot, and the feeling was amazing.

In other words, it would be better for Xu Zheng to be an actor and director, and Ning Hao should come, professional people do professional things.

There are many factors that affect the release of movies, but the most popular among audiences are actors. The greater the fame, the stronger the appeal. Although the future has changed, the big names still have a strong appeal, such as Xiangjiang’s Double Monday [-]%, such as the mainland’s Xu Huang Wang.

If Ning Yuan hadn't won the award this time, if he hadn't been on TV and newspapers, and hadn't been recommended by these big names in the theater circles of the Neon Country, it would have been impossible to have the opportunity to sit in the same room with President Dongbao to discuss cooperation.

Like the previous life, an old man named Kazuo Fukasawa in Neon Country saw this movie by chance, liked it very much, and then returned to China for distribution.

Kazuo Fukasawa did not publish much, and his main identity was animation screenwriter and lyricist. In 69, Osamu Tezuka, the director of "Iron Wall Astro Boy", started his (city) man animation trilogy, the first part "The Story of One Thousand and One Nights" written by Kazuo Fukasawa.

This (city) person is the kind you understand in your mind. Even before Ning Yuan comes back, this work is still very bold, just look at the cover poster.

But this kind of boldness is not limited to those scenes. In fact, those shots are also beautiful and magical. The real boldness is the revelation, or the metaphor.

After Kazuo Fukasawa returned to China, he quickly contacted Yannami Cinema, Toho East and the distribution company, and received the support of Nobuka Ueda, the editor-in-chief of the authoritative film magazine "Xunbao" in Neon Country.

That is to say, this film was jointly released by the four parties in the neon country - Kazuo Fukasawa, Iwanami Cinema, "Xunbao", Toho Towa.

In terms of distribution coordination, they appear to be very skilled.

Since Han Ping did not agree to split the bills at the beginning, they directly bought the distribution rights of the Neon Kingdom from the Forbidden City Sanlian, the general distributor of the movie, and immediately started to collect all the information about the movie, even the birthday of a supporting character .

And this is an inspiration even for future Huaxia movies, but unfortunately few people do it.

In order to cooperate with the publicity, "Xun Bao" specially printed exquisite booklets, and Yanbo Cinema also bought the copyright of six short stories from the original author Peng Jianming, and published a neon book together with "That Mountain, That Man, That Dog" "Peng Jianming's Novel Collection".

In the year when the film was released, in addition to the premiere of [-] copies, it was reprinted five times, each with [-] copies.

Even so, they didn't have an overwhelming and comprehensive release like other mainstream movies. Instead, they took a slow and long-term approach. After a long period of publicity, they were only released in Iwanami Cinemas.

In this small hall with more than 100 seats, "That Mountain, That Man, That Dog" was scheduled for half a year.

That is to say, within half a year, this film will be shown on a loop in this hall, which is longer than other literary films.

Due to the overwhelming response, the film was screened in other regions only after word of mouth opened up, and it took several years for this to be released, including many remote areas that still request additional screenings every year.

And their operation also inspired Ning Yuan, completely following this method.

If a literary film wants to have a good viewing effect, the preparatory work must be sufficient. Of course, the premise is that the quality of the film itself is excellent.

Naturally, the quality of this movie does not need to be repeated. The look in Matsuoka's eyes when he watched Ning Yuan said it all.

At his age, he is actually more eager for family affection than young people.

"My wife is busy with her stage performances. I also have a son and a daughter. The daughter has settled in the United States. She comes back to visit us once a year. Sometimes she brings her grandson with her, and sometimes she comes back alone."

"As for my son, he is busier than me. Not only is he in Neon Country, he also often flies around the world to discuss business. The same is true for his daughter-in-law. Although they are married, they haven't had children yet. Sigh..."

Sighing, Matsuoka looked at Ning Yuan kindly:

"From you and your father—oh, I'm sorry, I haven't fully come out of the movie. From the movie, the relationship between the son and the father, I especially envy you Huaxia's family relationship."

"In the past, on TV and movies, as well as in some news, I often saw a lot of this. The father is kind and the son is filial. For example, four generations live together, and even five generations live together. It is very warm, but this scene, now It is hard to see the neon country in the world."

Ning Yuan felt a little emotional in his heart, this is only the current Huaxia, and it won't be long before the scene you mentioned will also be staged in Huaxia.

More and more young people leave their hometowns, whether they are working or studying, and most of them stay in the city after studying, just like myself.

The pace of life is getting faster and faster, and the distance between family and friends can only be contacted by phone, and we get together for a few days during the Chinese New Year every year. Some people are even busy with work and can't even go back for the New Year.

Ning Yuan himself feels that Chinese New Year is not about letting you rest or something. For the modern meaning, it is more about family reunion, which is similar to Mid-Autumn Festival.

Talking less and less with parents, and relying more and more on mobile phones, the current neon country is not the future Huaxia.

In the following distribution process, Iwanami Cinema is naturally easy to talk about, and Isao Matsuoka has the face, not to mention "Xun Bao", other mainstream TV stations and newspapers have also negotiated reports.

A personal interview with Ning Yuan is also on the agenda.

In addition, Isao Matsuoka personally helped Ning Yuan negotiate with Kodansha about the publication of Peng Jianming's novels, and the royalties are based on the highest 8% royalties for newcomers.

Everything is going on in an orderly manner, and every time the screening of "That Mountain, That Man, That Dog" has moved a group of people beyond their control.

Although Ning Yuan himself finds it interesting, he has to say that sometimes cultural differences are just so strange.

On January 1, Ning Yuan came to NHK TV station to conduct a seminar and exclusive interview on movies.

This morning, when Ning Yuan called home, Ning Daqiang hesitated and said: "It's a young year today, are you still at the Neon Country? Then you...will you come back for the Chinese New Year?"

　Thanks to Cai Cai for the reward of 123 coins, thanks to the monkey [-] who loves oranges for the reward, and thanks to q for reading Mu Yuqingxiao for the reward, continue in the evening.

　　
　
(End of this chapter)