actor return

Chapter 315 Are you willing?

Rubimov may not necessarily be the most famous and talented in the theater world, but he is definitely the longest-lived.

As a peer of the October Revolution, he witnessed the rise and fall of Russia, and he did not die until the October Revolution was nearly a hundred years old.

And now, only 84 years old, Lubimov is still very strong, not to mention his iconic smile, which is very contagious.

Of course, this is not the kind of artist who lives to a certain age. As early as his youth, he met many masters with his talent and hard work, and won their praise.

For example, Meyerhold, who wrote "On Drama", and met him at the actor's studio founded by Chekhov's nephew, was recruited as an actor when he was under 20 years old, and he also got Meyer Holder's praise is a great honor for any young actor.

Moreover, during World War II, he also got acquainted with the world-class piano master Shostakovich—seems to be the only master who escaped the curse of the tenth symphony at that time. As for others, including Beethoven and Schubert All the great masters died after completing the Ninth Symphony.

And because of his acquaintance with Shostakovich, Rubimov also began to study musicals.

Not only that, because of Rubimov's hobby and talent in acting, he was spared from going to the front line during the war, and worked in the secret security force of S... There are many medals including medals, columns... Defense Battle, Moscow Defense Battle, etc.

At this time, Lubimov was less than 30 years old. After all, when World War II ended, he was only 28 years old.

As an actor, Rubimov at this time already belonged to the pyramid level in the former Soviet Union, and he did not start directing his first play until he was 42 years old.

In the following 50 years, Liubimov wrote and directed more than 100 dramas, and many of his plays have been adapted and performed by numerous national theaters, and are well-known at home and abroad.

Because of his achievements in the theater world, he also brought out a large number of well-known actors behind the scenes. Liubimov was praised by the country and the industry as a living fossil of Russian history in the 20th century. Soviet and Russian art, the artist's experience and spiritual symbols of the past three-quarters of a century.

However, what impressed Ning Yuan the most about him was the drama textbook, which specifically talked about his innovation in the rearrangement of "The Good Man in Sichuan Province" in 57.

It is a wonderful feeling to see a living person in the textbook and an international master in the industry. There is the excitement of chasing stars. Of course, it is not only excitement, but also a lot of unspeakable excitement.

There are related volunteers in each delegation. On the one hand, they provide assistance and on the other hand, they are also interpreters. Because of the arrival of Liubimov, one of the volunteers also acted as a bridge between Ningyuan and Liubimov.

"I really like your state on stage. It's very natural. In fact, as early as last year, Suzuki Tadashi from Neon Kingdom came to visit. You should know him. He gave me a special gift, that is, there are several consecutive JingSeEdo The videotape of the award-winning work of the drama festival was a great surprise to me, and in it, I saw your "Rhino in Love", which was very infectious and moved me."

Hearing Liubimov's praise, Ning Yuan was really flattered. After all, this master who has been in textbooks and is known as a living fossil in Russia.

In Russia, Lubimov's status is higher than that of Zhang Yimou in China. If there is a comparison, Zhang Yimou probably has Mo Yan. After all, Lubimov can write, direct and act, and he can do it in every line top notch.

And even this is not necessarily enough. There are so many people in Russia who are over 80 years old, even if there are many celebrities, but there are very few who can be personally congratulated by the then president.

For example, when the meritorious painter Yefimov was 105 years old, he called to greet him; and the economist Sitarian, the second in command of the last former Soviet People's Assembly, also called to greet him when he was 75 years old.

This is not only because of his lofty status and achievements in the theater world, but also because of his contribution to the development of the theater world - after the age of 40, Rubimov turned to teaching and taught at the Vakhtangov Theater His former alma mater is also the Strukin College under him.

And this Shchukin is also a meritorious figure in the Russian drama world, the first actor to play..., and also the most classic image, all of them are from him, and he has also been praised by Si himself.

The most recognized teachers of Rubimov are these two, Shchukin and Stanislavsky, who have brought him a profound influence, and Rubimov has also cultivated a large number of talents in the school.

And his students have basically become the pillars of the Russian theater world, and many of them have even gone abroad to develop, and they are also famous.

In the 80s, due to the influence of the political situation, Liubimov went into exile in various European countries for five years. During these five years, because he helped various theaters direct dramas, he indirectly cultivated countless people in front of and behind the scenes.

Even the two professors of Ningyuan's school, doctoral supervisors Lin Yinyu and Luo Jinlin, received his teachings in Greece and Sweden respectively during this period.

Because of this, it is not an exaggeration to apply Huaxia's description of 'the world is full of peaches and plums' to him.

However, Rubimov, who had been taught by Stanislavsky, basically opposed this teacher for the rest of his life, not personally, but only from an academic perspective.

After all, "The Cultivation of an Actor" and the experiential school had too much influence in Russia, which led to the same pattern. With the deepening of practice and research, he felt that the plot and the characters themselves should be followed.

And this also coincides with Ning Yuan's thoughts.

"I can see that you, including your director Meng, are trying some new changes, not letting theory restrict the performance, but enriching the connotation of the repertoire through performance. This is what I particularly like."

"Thank you. We have learned your theory in textbooks, such as "The Good Man in Sichuan Province". You have analyzed this aspect. The factions and methods are all for the plot, and the priority cannot be reversed. I also particularly agree with this kind of theory." .”

Ning Yuan also didn't know if there was a difference between "you" and "you" in Russian. Anyway, he said so, how to translate it was up to the volunteers.

Lubimov laughed immediately: "I know, I also know many people in your Huaxia, and I know that you have introduced them in your textbooks, so now I sincerely invite you to participate in my new rehearsal of "Sichuan Province "The Good Man" and set up a challenge to play both sides of the protagonist in one person, I plan to take this play to participate in the three major theater festivals next year."

Looking at Ning Yuan, Rubimov smiled and said, "Are you willing?"

　So much for today, thank you for your support.

　　
　
(End of this chapter)