I'm really the king of leaks
Chapter 600 Identification Angle
Chapter 600 Identification Angle
last step.
After drying and sterilizing, Uncle Chen put away the tools.
He said to Zhang Yi.
"Xiao Yi, come, take advantage of your good luck, and personally unveil the mystery of the painting below!"
Zhang Yi smiled and nodded slightly.
then.
He walked over.
Carefully pinch the painting on the upper layer and open it little by little.
And the ancient painting hidden inside gradually appeared in the sight of the three of them.
Tang Dayuan stared at the painting intently. The expression on his face changed from curiosity at the beginning to shock when he saw the content of the picture.
goodong...
He swallowed.
At this moment, he smelled the smell of banknotes flying all over the sky.
Uncle Chen, on the other hand, stared at the painting below with the same seriousness.
Even if he is as stable as Uncle Chen, he has seen all kinds of unbelievable Uncle Chen by Zhang Yi's side, and when he saw this painting, he still couldn't help but swear.
"Fuck! Xiao Yi, you... you are so lucky!"
Zhang Yi had heard this sentence countless times, and it made his ears callous.
Hearing what Uncle Chen said, he naturally smiled without saying a word.
This scene.
It had been predicted in Zhang Yi's mind.
There was indeed an element of luck in getting this painting, otherwise, when Zhang Yi went to find Wang Chang, Chen Runfa wouldn't just go to Wang Chang to sell the painting.
for this painting.
Zhang Yi's focus is different from that of Chen Shu and Tang Dayuan. What he pays attention to is the content of this painting.
For a moment.
It's a very familiar feeling.
Because, from the composition of the whole picture to the specific scenery and characters, as well as the inscriptions on the corners, it is basically the same as the imitation outside.
really.
Just as Zhang Yi guessed.
Such a treasured picture-in-picture, because in ancient times, the amount of engineering was very complicated, so the paintings hidden inside are indeed not ordinary paintings.
It is another masterpiece "Visiting Friends in Autumn Mountains" by Tang Bohu, which is reasonable.
And this painting is also a painting clearly recorded in "Ming Shu Hua Ji".
Zhang Yi probably remembered that it was recorded in "Mingshuhuaji" that "A Picture of Visiting Friends in Autumn Mountains" was exiled among the people during the war-torn period in the late Ming Dynasty. There is also a record in the annotations of "Ming Shuhua Ji" in the Qing Dynasty that this painting once entered the court, and then flowed out of the palace because of rewards, and then lived among the people. the unknown.Since then, the authentic work of Tang Bohu's "Visiting Friends in the Autumn Mountains" has disappeared from the eyes of the world.
Since it comes from Tonglutang.
Then, "Visiting Friends in Autumn Mountains" reappeared in front of the world in the form of picture-in-picture, which is indeed the right way.
Zhang Yi stretched out his hand and caressed the screen.
This rice paper, like the moist skin, is indeed top grade.
This is a major feature of authentic works. Since it is a masterpiece, it is absolutely not possible to use a piece of inferior rice paper casually.If it is really a casual work, even if it is an authentic work by Tang Bohu, it is only an authentic work handed down from generation to generation.
The artistry, and the corresponding value, will also be greatly reduced.
of course.
Treasures collected in Tonglutang should not be ordinary items.
Followed.
In Zhang Yi's mind, a voice came.
"Excuse me, is it authenticated?"
"Identify!"
In Zhang Yi's heart, he secretly said these two words.
immediately.
The voice in my head continued.
"A Picture of Visiting Friends in Autumn Mountains by Tang Yin of the Ming Dynasty."
"Tang Yin, whose name is Bohu, and whose name is Ziwei, is Liuru Jushi, Master of Peach Blossom Temple, Tang Sheng of the State of Lu, Immortal Official of Fleeing Zen, etc., a person from Wuzhong, Suzhou Prefecture. According to legend, he was born in the sixth year of Chenghua, Emperor Xianzong of Ming Dynasty. He was born at the time of Yin, Yin, Yin, Day and Yin in the year of Geng Yin, so he was named Tang Yin. Of course, there is no historical record of this matter."
"During his life, Tang Bohu was cynical, cynical, and talented. He was famous for his poetry and prose. He and Zhu Yunming, Wen Zhengming, and Xu Zhenqing were also known as the four great talents in the south of the Yangtze River, that is, the four talents of the Wu family. At the same time, his paintings are even more famous. , together with Shen Zhou, Wen Zhengming, and Qiu Ying, are called the Four Schools of the Wu School."
"In the history of calligraphy and painting in the Ming Dynasty, Tang Yin has a pivotal position."
"This picture of "Visiting Friends in the Autumn Mountains" is inscribed on it, and it is a poem. Barking at the lonely boy under the hibiscus flower fence, he called the mountain boy to see who it was. Reported that the fisherman's friend had arrived, and sent the stingray yellowtail by himself. It will be signed later, Su Tai Tang Yin."
"The content of the painting is written in the poem, and the artistic conception is far away."
"And the final inscription was Sutai Tangyin. The so-called Sutai was called Gusutai in ancient times. The site of Gusutai is now Lingyan Mountain. In 505 BC, it was first built in Helu, King of Wu, and later, it was continued by Fuchai. It took five years to complete the building. The building is extremely gorgeous, the scale is extremely grand, and it cost a lot of money. It was used for the extravagance and entertainment of King Fuchai of Wu. Tang Yin was from Wu County, Zhili, Suzhou, Nanzhou. A commonly used method of inscription."
"In addition, in terms of painting techniques, the mountain rock is dominated by the method of splitting with a small axe. The characters are vivid, vivid and full of the natural posture of a hermit. Qi, therefore, is the work of Tang Yin in his later years."
"The treasures collected in the late Qing Dynasty are protected by the outer frame. Therefore, the degree of oxidation is relatively light, and the state of preservation is also very good. Therefore, no matter in terms of chemical technology or appearance, this painting is an excellent painting. Among Tang Bohu's masterpieces handed down from generation to generation, it is undoubtedly an authentic work!"
Zhang Yi was not surprised by the identification result of this step.
because.
The imitations other than treasures are ancient authentic works, so the possibility of this painting being authentic is already very high.
but.
Uncle Chen and Tang Dayuan are different.
The excitement of the two of them far surpassed that of Zhang Yi.
Looking at the painting, Tang Dayuan couldn't help but say.
"Oh...you really deserve to be a talent from our old Tang family. This painting is really beautiful. Look, the old man above looks so human-like, and this tree still has leaves..."
Uncle Chen couldn't help raising his eyebrows.
He said.
"Mr. Tang, your appraisal angle is really ingenious!"
Tang Dayuan chuckled, didn't say much, but looked at Zhang Yi.
"Master Zhang, I want to ask you something!"
"what's up?"
Zhang Yi asked.
Tang Dayuan's eyes rolled around.
he asked with a smile.
"Master Zhang, what do you think of the self-portrait of Yaoguang real person that I sold you, the artist is pretty good, right?"
Zhang Yi nodded, what Tang Dayuan said was true.
"Yeah, the painter is not bad, what's the matter?"
then.
Tang Dayuan smiled again.
"Master Zhang, in fact, I recognized this painting at a glance. It belongs to my old Tang family ancestor! It looks very familiar to me, and I feel very familiar!"
"Master Zhang, otherwise... Do you think this is okay? When we should recognize our ancestors and return to our ancestors, we have to let them recognize our ancestors and return to our ancestors, let the fallen leaves return to our roots! Since it belongs to our old Tang family, you Master Zhang is also indifferent to fame and wealth, so he should let me take this painting back, bring it to our Tang family ancestral hall, and give it a proper confession, after all, it belongs to my old Tang family ancestor!"
(End of this chapter)
last step.
After drying and sterilizing, Uncle Chen put away the tools.
He said to Zhang Yi.
"Xiao Yi, come, take advantage of your good luck, and personally unveil the mystery of the painting below!"
Zhang Yi smiled and nodded slightly.
then.
He walked over.
Carefully pinch the painting on the upper layer and open it little by little.
And the ancient painting hidden inside gradually appeared in the sight of the three of them.
Tang Dayuan stared at the painting intently. The expression on his face changed from curiosity at the beginning to shock when he saw the content of the picture.
goodong...
He swallowed.
At this moment, he smelled the smell of banknotes flying all over the sky.
Uncle Chen, on the other hand, stared at the painting below with the same seriousness.
Even if he is as stable as Uncle Chen, he has seen all kinds of unbelievable Uncle Chen by Zhang Yi's side, and when he saw this painting, he still couldn't help but swear.
"Fuck! Xiao Yi, you... you are so lucky!"
Zhang Yi had heard this sentence countless times, and it made his ears callous.
Hearing what Uncle Chen said, he naturally smiled without saying a word.
This scene.
It had been predicted in Zhang Yi's mind.
There was indeed an element of luck in getting this painting, otherwise, when Zhang Yi went to find Wang Chang, Chen Runfa wouldn't just go to Wang Chang to sell the painting.
for this painting.
Zhang Yi's focus is different from that of Chen Shu and Tang Dayuan. What he pays attention to is the content of this painting.
For a moment.
It's a very familiar feeling.
Because, from the composition of the whole picture to the specific scenery and characters, as well as the inscriptions on the corners, it is basically the same as the imitation outside.
really.
Just as Zhang Yi guessed.
Such a treasured picture-in-picture, because in ancient times, the amount of engineering was very complicated, so the paintings hidden inside are indeed not ordinary paintings.
It is another masterpiece "Visiting Friends in Autumn Mountains" by Tang Bohu, which is reasonable.
And this painting is also a painting clearly recorded in "Ming Shu Hua Ji".
Zhang Yi probably remembered that it was recorded in "Mingshuhuaji" that "A Picture of Visiting Friends in Autumn Mountains" was exiled among the people during the war-torn period in the late Ming Dynasty. There is also a record in the annotations of "Ming Shuhua Ji" in the Qing Dynasty that this painting once entered the court, and then flowed out of the palace because of rewards, and then lived among the people. the unknown.Since then, the authentic work of Tang Bohu's "Visiting Friends in the Autumn Mountains" has disappeared from the eyes of the world.
Since it comes from Tonglutang.
Then, "Visiting Friends in Autumn Mountains" reappeared in front of the world in the form of picture-in-picture, which is indeed the right way.
Zhang Yi stretched out his hand and caressed the screen.
This rice paper, like the moist skin, is indeed top grade.
This is a major feature of authentic works. Since it is a masterpiece, it is absolutely not possible to use a piece of inferior rice paper casually.If it is really a casual work, even if it is an authentic work by Tang Bohu, it is only an authentic work handed down from generation to generation.
The artistry, and the corresponding value, will also be greatly reduced.
of course.
Treasures collected in Tonglutang should not be ordinary items.
Followed.
In Zhang Yi's mind, a voice came.
"Excuse me, is it authenticated?"
"Identify!"
In Zhang Yi's heart, he secretly said these two words.
immediately.
The voice in my head continued.
"A Picture of Visiting Friends in Autumn Mountains by Tang Yin of the Ming Dynasty."
"Tang Yin, whose name is Bohu, and whose name is Ziwei, is Liuru Jushi, Master of Peach Blossom Temple, Tang Sheng of the State of Lu, Immortal Official of Fleeing Zen, etc., a person from Wuzhong, Suzhou Prefecture. According to legend, he was born in the sixth year of Chenghua, Emperor Xianzong of Ming Dynasty. He was born at the time of Yin, Yin, Yin, Day and Yin in the year of Geng Yin, so he was named Tang Yin. Of course, there is no historical record of this matter."
"During his life, Tang Bohu was cynical, cynical, and talented. He was famous for his poetry and prose. He and Zhu Yunming, Wen Zhengming, and Xu Zhenqing were also known as the four great talents in the south of the Yangtze River, that is, the four talents of the Wu family. At the same time, his paintings are even more famous. , together with Shen Zhou, Wen Zhengming, and Qiu Ying, are called the Four Schools of the Wu School."
"In the history of calligraphy and painting in the Ming Dynasty, Tang Yin has a pivotal position."
"This picture of "Visiting Friends in the Autumn Mountains" is inscribed on it, and it is a poem. Barking at the lonely boy under the hibiscus flower fence, he called the mountain boy to see who it was. Reported that the fisherman's friend had arrived, and sent the stingray yellowtail by himself. It will be signed later, Su Tai Tang Yin."
"The content of the painting is written in the poem, and the artistic conception is far away."
"And the final inscription was Sutai Tangyin. The so-called Sutai was called Gusutai in ancient times. The site of Gusutai is now Lingyan Mountain. In 505 BC, it was first built in Helu, King of Wu, and later, it was continued by Fuchai. It took five years to complete the building. The building is extremely gorgeous, the scale is extremely grand, and it cost a lot of money. It was used for the extravagance and entertainment of King Fuchai of Wu. Tang Yin was from Wu County, Zhili, Suzhou, Nanzhou. A commonly used method of inscription."
"In addition, in terms of painting techniques, the mountain rock is dominated by the method of splitting with a small axe. The characters are vivid, vivid and full of the natural posture of a hermit. Qi, therefore, is the work of Tang Yin in his later years."
"The treasures collected in the late Qing Dynasty are protected by the outer frame. Therefore, the degree of oxidation is relatively light, and the state of preservation is also very good. Therefore, no matter in terms of chemical technology or appearance, this painting is an excellent painting. Among Tang Bohu's masterpieces handed down from generation to generation, it is undoubtedly an authentic work!"
Zhang Yi was not surprised by the identification result of this step.
because.
The imitations other than treasures are ancient authentic works, so the possibility of this painting being authentic is already very high.
but.
Uncle Chen and Tang Dayuan are different.
The excitement of the two of them far surpassed that of Zhang Yi.
Looking at the painting, Tang Dayuan couldn't help but say.
"Oh...you really deserve to be a talent from our old Tang family. This painting is really beautiful. Look, the old man above looks so human-like, and this tree still has leaves..."
Uncle Chen couldn't help raising his eyebrows.
He said.
"Mr. Tang, your appraisal angle is really ingenious!"
Tang Dayuan chuckled, didn't say much, but looked at Zhang Yi.
"Master Zhang, I want to ask you something!"
"what's up?"
Zhang Yi asked.
Tang Dayuan's eyes rolled around.
he asked with a smile.
"Master Zhang, what do you think of the self-portrait of Yaoguang real person that I sold you, the artist is pretty good, right?"
Zhang Yi nodded, what Tang Dayuan said was true.
"Yeah, the painter is not bad, what's the matter?"
then.
Tang Dayuan smiled again.
"Master Zhang, in fact, I recognized this painting at a glance. It belongs to my old Tang family ancestor! It looks very familiar to me, and I feel very familiar!"
"Master Zhang, otherwise... Do you think this is okay? When we should recognize our ancestors and return to our ancestors, we have to let them recognize our ancestors and return to our ancestors, let the fallen leaves return to our roots! Since it belongs to our old Tang family, you Master Zhang is also indifferent to fame and wealth, so he should let me take this painting back, bring it to our Tang family ancestral hall, and give it a proper confession, after all, it belongs to my old Tang family ancestor!"
(End of this chapter)
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