Chapter 135
So this time the contract was so yellow, Wu Sitong walked out of the building and had a new understanding of his acting skills.
It turns out that the reason why she has been praised by director Lang in the Republic of China Hotel is only the function of the character experience card, because she really understands the role of Lin Lin, so no matter what kind of scene, as long as the director calls action, she can quickly into the play.
If her actual acting skill is 69 now, she usually shows around 70-79, and she may reach a peak of 79 in a flash of inspiration, and her acting skill in playing the role of Lin Lin is close to [-].
Her in-depth understanding of Lin Lin and the experience card of props and characters allowed her acting skills to break through her real strength, and also gave her another experience of entering the play. This experience is the source of her usual performance of 79%.
An excellent actor must be able to play the role alive, making people feel that she or he is the character itself. Generally, there are three schools of acting skills, experience school, method school and expression school.
The experiential school starts from the heart of the character, fully fits with the character, seeks and uses psychological basis to express and shape the character from the inside out.To put it simply, you think this actor is this role, this is the experiential school.
Expressionism is to use external expressions, body, language, and tone control to shape characters. Simply put, you think this actor plays the role like this, this is expressionism.
As for the method school, it was born out of the experience school, emphasizing that the front and backstages maintain the same mental state as the characters, and are consistent with the characters from the inside out.
There is a big difference between expression school, experience school and method school, and the difference between experience school and method school. For example, if you want to play a lily, experience school requires you to really understand that you are a straight person. There is a hidden love for the same sex in women's hearts, but if you are a methodist, you can regard another woman as a man.
The experiential school requires everything to start from the same emotions as the self and the character, while the method school can choose to mobilize the emotions of similar characters from one's own experience to express.
Generally speaking, the core of the method school is still the experience school, which is an extension of the experience school.
Wu Sitong's experience of playing Lin Lin is experiential, and it is the best experience.The biggest problem with the experiential school is that you may not be able to get out of the role after digging deep into the same emotions in your heart as the character, and you will be immersed in the character for a long time, which will lead to depression.
But Wu Sitong has completely grasped the emotions of Lin Lin's life, and this is the best reward for the character after experiencing the cartoon level.After processing, these emotional experiences can become the repository of similar emotions in the method school.
It is impossible for any actor to be limited to these three acting schools. There is no right or wrong for each acting method, only suitable or unsuitable.
When you don’t have the same experience as the character at all, it’s not easy even if you want to experience it, because you don’t know what kind of feeling it is. At this time, expressionism is very suitable for you. The role analysis is clear, what kind of role he is, what kind of background he has, the way of life and characteristics, etc. When you sort out the role clearly, you can perform the role.
Of course, Wu Sitong at this time was completely ignorant of these theories, and she was just instinctively interpreting every situation in her hands with the rudiments of the experiential school and the method school.
As an actor, she is still far behind, which is why the system gave her a fledgling grade.
(End of this chapter)
So this time the contract was so yellow, Wu Sitong walked out of the building and had a new understanding of his acting skills.
It turns out that the reason why she has been praised by director Lang in the Republic of China Hotel is only the function of the character experience card, because she really understands the role of Lin Lin, so no matter what kind of scene, as long as the director calls action, she can quickly into the play.
If her actual acting skill is 69 now, she usually shows around 70-79, and she may reach a peak of 79 in a flash of inspiration, and her acting skill in playing the role of Lin Lin is close to [-].
Her in-depth understanding of Lin Lin and the experience card of props and characters allowed her acting skills to break through her real strength, and also gave her another experience of entering the play. This experience is the source of her usual performance of 79%.
An excellent actor must be able to play the role alive, making people feel that she or he is the character itself. Generally, there are three schools of acting skills, experience school, method school and expression school.
The experiential school starts from the heart of the character, fully fits with the character, seeks and uses psychological basis to express and shape the character from the inside out.To put it simply, you think this actor is this role, this is the experiential school.
Expressionism is to use external expressions, body, language, and tone control to shape characters. Simply put, you think this actor plays the role like this, this is expressionism.
As for the method school, it was born out of the experience school, emphasizing that the front and backstages maintain the same mental state as the characters, and are consistent with the characters from the inside out.
There is a big difference between expression school, experience school and method school, and the difference between experience school and method school. For example, if you want to play a lily, experience school requires you to really understand that you are a straight person. There is a hidden love for the same sex in women's hearts, but if you are a methodist, you can regard another woman as a man.
The experiential school requires everything to start from the same emotions as the self and the character, while the method school can choose to mobilize the emotions of similar characters from one's own experience to express.
Generally speaking, the core of the method school is still the experience school, which is an extension of the experience school.
Wu Sitong's experience of playing Lin Lin is experiential, and it is the best experience.The biggest problem with the experiential school is that you may not be able to get out of the role after digging deep into the same emotions in your heart as the character, and you will be immersed in the character for a long time, which will lead to depression.
But Wu Sitong has completely grasped the emotions of Lin Lin's life, and this is the best reward for the character after experiencing the cartoon level.After processing, these emotional experiences can become the repository of similar emotions in the method school.
It is impossible for any actor to be limited to these three acting schools. There is no right or wrong for each acting method, only suitable or unsuitable.
When you don’t have the same experience as the character at all, it’s not easy even if you want to experience it, because you don’t know what kind of feeling it is. At this time, expressionism is very suitable for you. The role analysis is clear, what kind of role he is, what kind of background he has, the way of life and characteristics, etc. When you sort out the role clearly, you can perform the role.
Of course, Wu Sitong at this time was completely ignorant of these theories, and she was just instinctively interpreting every situation in her hands with the rudiments of the experiential school and the method school.
As an actor, she is still far behind, which is why the system gave her a fledgling grade.
(End of this chapter)
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