The queen of poisonous milk in the entertainment industry

Chapter 201
From being unable to drink to picking up stones and throwing them into the wine bottle to continue drinking, Wu Sitong's performance was amazing. From the beginning to the end, it was like watching a crow do the prescribed actions in a prescribed scene. No one thought it was a simulation.

Many people can't let go of animal simulation when they first come into contact with it. Whether it is physically or mentally, the animals performed in this way are just superficial, and they are still individuals in essence.

And what Wu Sitong learned in the training system is to become one with the character, forgetting his own hands and feet. When playing a bird, he only has wings and claws, and when playing a tiger, he only has limbs.

Finally, Wu Sitong's head began to shake, and then everyone heard the sound of the bottle falling to the ground, even though there was nothing at the scene. Wu Sitong jumped up and wanted to fly, but after flying twice, she landed on the ground, and she turned towards the students crookedly. dance where they are.

Throwing everyone into a jump, quickly backed away.

After retreating, they found that Wu Sitong jumped off the side, so everyone laughed.

When Wu Sitong flew up again, and the whole bird seemed to hit the glass or the wall and fell down, everyone couldn't help laughing.

Wu Sitong stood up from the ground and bowed to everyone, "Mr. Kong, my performance is over."

"Clap clap clap!"

The warm applause rang out, and the students were not stingy with their applause for Wu Sitong's wonderful performance.

Teacher Kong looked at Wu Sitong and thought that this is a good seed, "Very well, you go back first, and you will be in the same group as Li Ya in the next acting class."

"Li Ya, did I hear correctly?"

"I also suspect that I heard it wrong, but Teacher Kong is talking about Li Ya."

"Although she simulates animals well, she may not be good at acting, right? How can she be in the same group as Li Ya?"

As soon as Teacher Kong made a decision, the whole class was full of similar discussions.

At this time, Wu Sitong, who had returned to the student team, also heard other people whispering, and her heart was full of doubts, who is Li Ya?
Li Ya watched Wu Sitong come back, but she didn't make a sound, she was still immersed in Wu Sitong's performance, it was really good.

She was a strong rival, but at this time Li Ya remembered Wu Sitong's performance in dance class yesterday, but unfortunately she couldn't handle her body, this is an actor who rivals her in acting.

But she is not a drama actress. If she has physical problems, she will be fine if she is shooting a TV series, but she needs the director's adjustment and teaching to make a movie.

Moreover, she acted only as an animal. Animals can't speak, but people have to speak, especially in drama.

Basically rely on dialogue.

Li Ya looked at her from behind Wu Sitong, then chuckled, so what if she has some acting skills, the lines are the big problem, even the body can't handle it, let alone the lines.

This month's outstanding student can only be her. Thinking of this, Li Ya looked at another person among the students.

Xiang Chengshuang, he is the only opponent she needs to face up to.

"I believe everyone knows that actors need to observe constantly. Art comes from life and is higher than life. If you don't even understand life, how can you raise life to the height of art." Teacher Kong asked everyone to sit cross-legged.

Wu Sitong also sat on the wooden floor with the others.

"To create a stage image, you must have materials. Where do these materials come from? Observe!

A. Lensky wrote in the article "Facial Expression and Makeup Notes": I think actors should always develop the habit of observation.

Thereafter the habit becomes so powerful that it does not abandon him even in the most difficult moments of an actor's life.

When the actor drops one thing to look at another, he need not fear that he will forget the former completely, for the appearance of the former, with all its features, will surely come to his memory if need be, although the actor can hardly Find out when and where he's seen him, and if he's even been seen.

These stored impressions must be adopted by actors. "

(End of this chapter)