The queen of poisonous milk in the entertainment industry

Chapter 218
Hearing that the line style of "Macbeth" did not match the main tone of "Macbeth", the head of the group didn't say much, but played another piece of Albinoni's "Adagio in G Minor".

As soon as this song came out, Mozart's leisurely atmosphere, regardless of the outside world, disappeared instantly.

The heavy bass sounded rhythmically under the melodious and poignant melody, bit by bit, the mood of those who listened to the melody sank.

It's like sunny and rainy days, sunrise and sunset, but you are always walking down the stairs, bottomless and without a goal.

Wu Sitong could clearly feel his depressed mood as the music played, his chest seemed to be suppressed by something, the tragic melody and the bass rhythm hidden in it, a feeling of depression and hopelessness emerged spontaneously.

Although she doesn't understand classical music, she doesn't understand Mozart and Albinoni, but the music is completely different at both ends. She seems to see a Mozart who maintains an optimistic attitude no matter when and where he suffers. with a gloomy Albinoni.

Wu Sitong once again recited the classic line from "Macbeth", "My feet are already in a pool of blood. If I don't go forward with blood, the way back will be equally tiresome."

"We tried everything, but we still got nothing. Although our goal was achieved, we didn't feel satisfied at all.

If, by destroying others, we place ourselves in a joy full of doubts, it would be better for the one we have killed to be carefree. "

The difference came out at once, the helplessness in the lines was vividly expressed, there was a feeling of being exhausted to the extreme and not wanting to continue but wanting to stop here.

When Wu Sitong finished reading his lines again, Head Mao still didn't say anything, but changed to an etude by Chopin's "Revolution".

This is an etude showing a relatively single image.

The whole song runs through the emotions of anger and grief from beginning to end.

The whole music is embodied through the combination of the galloping sound flow of the left hand and the resolute tune of the right hand.

It was as if a person full of grief and indignation poured out his inner pain in the rainstorm.The gradually ascending notes on the dotted rhythm are like shouts, which are repeated in the rapid ups and downs of the accompaniment, making the music more and more emotional.

Wu Sitong didn't look at Captain Mao again, but read the lines again from the beginning.

"Can all the water in the ocean wash away the blood on my hands? No, I'm afraid that the blood on my hands will turn the boundless blue sea into a deep red."

The tone, rhythm and melody blend together. In the faster and higher pitches, this blurted line is full of grief, anger, anxiety and struggle.

Captain Mao smiled, "I should feel this expression soon." '

After Wu Sitong finished reading, he played Beethoven's "Symphony of Destiny" and so on, from bright and bright music to melancholy and sadness, from melancholy to nostalgia, from nostalgia to sternness.
Seeing Wu Sitong's eyes getting brighter and brighter, he smiled lightly, without disturbing Wu Sitong, after playing the playlist in a loop, Mao Xingwen left quietly.

At this time, Wu Sitong didn't notice the departure of Captain Mao at all, she just kept reading her lines.

Sometimes it's hard to understand just by talking, and you can only understand the difference after trying it.

Wu Sitong is no longer limited to what the original Macbeth meant. She used lines to chase the melody in the endlessly looping music.

again and again.
(End of this chapter)