Shushan magic door authentic

Chapter 89
The book is on the shelves today, and the morning update will be moved to after [-]:[-] noon, and the third update will be released at one time. If there are no accidents, we will continue to add updates at night.

I have never written a testimonial before, so I don't know what to say.I think the "feeling" here should have two meanings, one is gratitude and the other is sentiment.

Up to now, what makes me "feel" the most is everyone's support, including my editors and you who read the book, support in the background while supporting in the foreground, with every recommendation, every collection, every push Tickets, every click, every reward, together support the growth of this book.

thank you all!

About two or three years ago, I once said that I would never write Shushan colleagues again.It's not that I'm tired of writing crookedly, but I feel that there are so many colleagues from Shushan that I have written everything I can write, and there is no way to write better than the previous ones.

Generally speaking, there are four routes of Shushan colleagues, namely, the orthodox route, the Buddhist route, the side-door route, and the magic-door route.

The Zhengdao route includes the Emei Zhengdao and other Zhengdao, and the Emei Zhengdao is divided into those who compete with the original protagonist for Taoism, and those who fight soy sauce on the periphery and finally open another Beppu.Other righteous paths include masters of Qingcheng, Wudang, Kunlun and other sects, as well as self-taught ones.

The Buddhist line is more difficult to write. Either the writing is not like a Buddhist disciple, or the writing is disgusting to everyone. Those who can write like a Buddhist disciple without making readers hate it are the minority among the minority...

The path of side sects is relatively general, there are those who engage in extreme chaos, those who engage in sect management and farming, and those who unite everyone to engage in Emei... To sum up, there are mainly two types, one is biased, and the other is biased.

I used to despise the Demon Gate route, because the demon leaders in Shushan used Ji Wuming’s words, “I’ve seen a lot of demon cultivators, even if they are famous, mana power is just that.” It's incomparably amazing, in fact, it's all leeks for the experience of Emei's juniors.

In terms of their usual behavior, all the demon bosses are not human beings. They go around and pick it up. It is difficult to pick out one who looks like a human being. Two people pick one out and one is pulled out first and then questioned. There are basically no unjust, false or wrongful convictions. Many are enough to shoot for two hours.

Based on this point, I used to think that there was nothing to write about the Devil's Cult. Until later, when I was reading the Daozang, I found many teachings about the Five Demons and the Six Heavens from the Lingbao Sutra, combined with the definition of the Devil in Buddhism.I suddenly discovered that demons are not ugly creatures that only kill and harm people, are disgusting, and have no brains in our impressions. There are many other definitions of demons, which can completely rise to the height of Tao. There is a door, and there is this magic door authentic.

The original meaning of the word "mo" is "grinding", which means tribulations on the road of practice, the righteousness of forging trials, and was changed from stones to ghosts by Emperor Wu of Liang, and they all became evil ghosts and ghosts.

Tao, its original meaning is the way, there are immortals, Buddhas, and demons. There are three ways, and all people walking on them are people.Therefore, whether it is a fairy, a Buddha, or a demon, it must be humane, and it is up to humans to cultivate immortals, Buddhas, and demons.If you lose your humanity, you will be degraded. Those who are light will degenerate into mortals, and those who are serious will degenerate into animals. They only have desires, only know how to kill, and are inhuman animals.

The protagonist of this book is a man who walks in the way of the devil, always retains his humanity, and has not fallen into a beast.

He practices magic arts and has very strong magic power, but his character is still the magnification of human nature.For example, he lacked love since he was a child, longed for family affection, and hoped that his family would live together forever and never be separated again. From here, his human nature was amplified and became a demonic nature that hindered all beings from attaining enlightenment.Another example is that he has no sense of security and hopes to control the situation by himself, and then control others. Here, human nature is once again magnified and becomes the demonic nature that dominates the fate of others.

In my opinion, immortality, Buddha-nature, and demon-nature are all magnifications of certain aspects of human nature, such as compassion. Everyone has a compassionate nature for the weak.For example, I like to be unrestrained, not relying on others for anything, and solve all problems on my own. When it is enlarged to the end, it is immortality.And the desire to control, voyeuristic, and appreciation, without restraint, magnified to a certain extent is the devil.

From this point of view, writing about immortals, Buddhas, and demons is actually about people who are walking on the three roads. Those who have really reached the end have no need to write, and there is no way to write, because they don’t know how to write. There is no more story.

There are many characters written in the original book, some of them are full and vivid, and even make people sigh, and many of them tend to be flat and even symbolic.One of the main purposes of my writing this book is to process and paint the people you care about on the basis of matching the original work as much as possible, so that they are vivid and three-dimensional, with flesh and blood, personality and soul, and come alive.Of course, due to limited writing skills, it may not be able to achieve the expected goal, but I take this as my goal and work hard towards it.

Therefore, everyone in this book has more or less, deep or shallow character flaws.

For example, Yu Wa was kind to his disciples and generous, but he was arrogant and conceited.For example, Lin You and Qian Kang are both cautious and cautious, while Qian Kang is softer and knows how to give in, while Lin You values ​​face more.Another example is Chen Ziqin, who was written earlier, and Zhou Meng, who will be written soon. Neither of them is perfect, and the real perfect people are people who have reached the end.

Why did I write that Zhang Sanfeng predicted that there would only be three people ascending in the Daoist sect?Because only those who have reached the end of the three paths can ascend, are worthy of ascending, and must ascend.Others, whether they practice Buddhism or demons, immortals or goblins, still hang around in this world, plotting against each other, killing each other, and even devouring each other.

Under this main axis, there are still many ideas, such as the comparison between Buddha and demon.

In the minds of most people, Buddha and demons are opposites. Buddha can only subdue demons.However, this is not the case in reality. Those who practice Buddhism also have demon nature, and those who practice demons also have Buddha nature.

The protagonist is a demon cultivator, but sometimes he can show a certain amount of Buddha nature, and those who practice Buddha often show considerable demon nature.The original name of this book is Jianmo Baolu, and it is a series with the other two. At present, those two only dug a hole, and only this one is published, because it happened in the world of Shushan, so it is called the current name.

I planned to write according to the routine of Dream of Red Mansions, when the devil becomes a Buddha, the Buddha is also a devil, and when the Buddha becomes a devil, the devil returns to a Buddha.

When it comes to the specific writing method, I read too many traditional books, and the writing method is too traditional.

Traditional literature is usually more reserved, and rarely describes the psychological state of the characters. At most, a few sentences are used through narration, and the rest is left to the readers to guess and taste.For example, the subtle relationship between Song Jiang and Chao Gai, the thoughts of the major factions in Liangshan, the styles of Xue Baochai and Lin Daiyu, etc., you have to put yourself in their shoes to understand, but once you understand it, you will have a taste of sweetness or happiness. The thrill of digging up eggs.

My original style was like this. I almost never or rarely wrote about the psychological changes of the protagonist. Most of the places were foreshadowed. It is easy to write it out, but in fact, it is easy to understand as long as you put yourself in the shoes and think about it.

Later, I also figured it out. Reading books online is different from reading paper books. Many people define online literature as fast food literature and street stall literature. To tarnish literature, the vast majority of people read online literature for entertainment, scanning ten lines at a glance.

I wrote that the protagonist has lived in a certain situation for two years. The word two years passes in everyone's mind, like a few days, or even a few seconds, and it will not form in the mind. The consciousness of time, let alone the idea of ​​what kind of life I have lived in the past two years, so it is difficult to have an emotional connection, and it is basically impossible to bring it in.

Another example is that many readers asked why the protagonist's temperament changed drastically after practicing on Long Night Island. Nothing happened there, it was just practicing.What I actually wrote is that the protagonist has been there for 36 years, and he is in the illusion every day, and it is regarded as an illusion of the real world, running and fleeing in many worlds, getting married and having children in many worlds, and destroying corpses in many worlds Mieji... After 36 years like this, great changes will definitely take place in my mind.

Many editors and authors have told me about my problem, saying that I use writing techniques hundreds of years ago. The biggest problem is that I don’t have a sense of substitution. It looks like a running account. I also think so, but over the years I have developed a habit of writing and writing, so I put the post of that reader on the top, reminding myself at all times, and correcting my writing style.

After all, what I want to write is the Shushan world that everyone yearns for. I look forward to entering that world, cultivating immortals, Buddhas, and demons without restraint and freedom...

I wrote so much without knowing it, and finally, I hope everyone will be happy every day, less restrained, more comfortable, and support genuine reading\(^o^)/.

(End of this chapter)