Daluo Jinxian in the city
Chapter 516
Chapter 516
By the time Qian Xuan and Qian Duo returned to Sky Satellite TV, Qian Xuan had gradually learned about the world under the introduction of Qian Duo combined with real objects.
It has to be said that this grotesque world is still very attractive to Qian Xuan. After all, he is different from Ye Fei. His Taoism is far less stable than Ye Fei's, and his strength is far from reaching the level of Da Luo Jinxian.
With the help of Qian Duo, Qian Xuan understood the world little by little. At the same time, a plan against Ye Fei was gradually taking shape.
……
Since Ye Fei came back from Qian's house, although he didn't get any valuable news, because of the painting, he developed a strong interest in various antiques.
Originally, Ye Fei was not interested in these things, because in Ye Fei's view, some antiques are just things he has experienced in his long life, and these things are very common and have no cultural value. The value of those antiques, in Ye Fei's opinion, belongs to the first-class fame and fortune, and it is not worth looking at them at all.
The only value of these things may be for nostalgia, but it must be something that Ye Fei used before, and there are so many antiques in the world, almost all of them have nothing to do with him, so even if it is nostalgia, Ye Fei also lacked interest and was too lazy to pay attention.
But this time it was different. The practice formula left by Master Immortal Tianzun was actually hidden in that silk painting. Although this formula was only a general outline and lacked specific steps of cultivation, I had memorized it so well that I couldn’t be more familiar with it. It is of little value, but it is master's calligraphy. It is by no means comparable to ordinary antiques, and its significance is extraordinary.
From this, Ye Fei deduced that since the master could leave the general outline of the Immortal Vajra Jue, he must also leave the specific practice steps. Otherwise, how would the person who got this practice practice? I am very familiar with it, and know that the two are actually indispensable. The general outline is the general direction of cultivation, and the specific cultivation steps are all about the details. If the direction is wrong, no matter how you practice, it will run counter to it. If any one of the two is lacking, it is actually a useless formula that cannot be cultivated.
In this way, since there is a general outline of the first part of this formula, there must be a second part, and with the character of the master, this next part must also be in similar things. Thinking of this, Ye Fei's eyes brightened.
Immediately, Ye Fei immediately called Li Chengye.
"Xiao Lizi, immediately bring all the silk paintings of the Spring and Autumn Period you can find to Master. Master is in urgent need." Li Chengye immediately said as soon as the phone was connected.
For Ye Fei, finding the calligraphy left by his master is not for continuing to practice, but for the real nostalgia, to remember the demeanor of the master back then, and to find some memories of studying under the master. For Da Luo Jinxian, it is the most important thing.
Li Chengye suddenly felt very strange when he heard Ye Fei's nonsensical words on the phone, and immediately said, "Master, what is going on, why do you suddenly want to play with these ancient paintings?"
Ye Fei said, "I told you to look for it quickly, so you should look for it quickly, don't gossip, anyway, Master is useful."
Ye Fei couldn't explain what happened for a while, so he had to do so.
Li Chengye had no choice but to agree, and was about to hang up the phone to look for paintings, but at this moment, Ye Fei suddenly said, "Remember, Master wants silk paintings from the early Spring and Autumn period to the Warring States period, not other periods."
According to Ye Fei's estimation, the master should have been in the human world during this period, and if it was later, the master should have ascended to the fairy world, so there will definitely be no more of his relics in the human world. In this way, it can be regarded as greatly narrowing the scope of Li Chengye's search.
Otherwise, as long as Ye Fei wants silk paintings, Li Chengye may not be able to find all of them even if he goes bankrupt.
Even so, this matter is also a big project for Li Chengye, and Li Chengye has to work for a long time.
Fortunately, Li Chengye's contacts in Zhonghai are not accessible to ordinary people. After saying a word, many antique experts are immediately busy.
Li Chengye's sentence, as long as it is an ancient silk painting from the early Spring and Autumn Period to the Warring States Period, I will really buy it, which immediately caused a storm in the antique world, causing the originally relatively stable silk painting market to immediately experience a trend of crazy price increases.
All of a sudden, as long as it is a silk painting from the early Spring and Autumn Period to the Warring States period, no matter whether it is true or not, the price will immediately increase several times. If it is true, it is natural to hear the good news, and if it is false, it is naturally Because I want to take a ride by the way, fishing in troubled waters may also make a fortune.
Li Chengye also hired several antique experts. As long as they are sure that it is a genuine product from the early Spring and Autumn Period to the Warring States Period, Li Chengye will immediately buy it.
In fact, due to the long history, there are not many silk paintings from this period in the world, and many fine works have been damaged in the long history. Otherwise, even Li Chengye may not be able to complete this collection project after a lifetime.
Even so, Li Chengye's funds were spent in the first few days like running water, and hundreds of millions of dollars were gone without blinking an eye, and silk paintings were sent to Ye Fei.
As long as Ye Fei takes it and smells it twice, he can immediately confirm whether it is the calligraphy left by the master. After all, if it is left by the master, there must be some familiar aura on it. Even if it is very thin, Ye Fei can still use it. recognize it.
In fact, Ye Fei didn't have to let Li Chengye spend so much money. As long as he knew the traces of these silk paintings, Ye Fei went to smell them, and immediately knew whether they were left by the master, and then bought them, which would save a lot of money. Ye Fei has no idea about money, he treats it like dung, and it doesn't make any difference to him if he spends more or less, so he didn't save money for his apprentice and continued.
This situation lasted for more than half a month, and Li Chengye's funds also went out more than one billion yuan. Although this amount of money was nothing to him, Li Chengye's subordinates were terrified of seeing it, and they couldn't help but persuade Li Chengye not to do this. But now that Li Chengye has master's order, he doesn't care what others say, so he naturally continues to buy wildly.
It's just that none of these paintings met Ye Fei's goal. Ye Fei saw so many paintings, but none of them had Master's aura, and he felt a little bored at once.
At this moment, Li Chengye suddenly called Ye Fei.
"Xiao Lizi, do you have another painting for Master?" Ye Fei couldn't help asking on the phone.
During this period of time, Ye Fei has been constantly disappointed. Although Li Chengye may have another painting for him to see, he doesn't really want to see it.
"No, master, I have an art exhibition here and I would like to invite you to see it." Li Chengye said on the phone.
(End of this chapter)
By the time Qian Xuan and Qian Duo returned to Sky Satellite TV, Qian Xuan had gradually learned about the world under the introduction of Qian Duo combined with real objects.
It has to be said that this grotesque world is still very attractive to Qian Xuan. After all, he is different from Ye Fei. His Taoism is far less stable than Ye Fei's, and his strength is far from reaching the level of Da Luo Jinxian.
With the help of Qian Duo, Qian Xuan understood the world little by little. At the same time, a plan against Ye Fei was gradually taking shape.
……
Since Ye Fei came back from Qian's house, although he didn't get any valuable news, because of the painting, he developed a strong interest in various antiques.
Originally, Ye Fei was not interested in these things, because in Ye Fei's view, some antiques are just things he has experienced in his long life, and these things are very common and have no cultural value. The value of those antiques, in Ye Fei's opinion, belongs to the first-class fame and fortune, and it is not worth looking at them at all.
The only value of these things may be for nostalgia, but it must be something that Ye Fei used before, and there are so many antiques in the world, almost all of them have nothing to do with him, so even if it is nostalgia, Ye Fei also lacked interest and was too lazy to pay attention.
But this time it was different. The practice formula left by Master Immortal Tianzun was actually hidden in that silk painting. Although this formula was only a general outline and lacked specific steps of cultivation, I had memorized it so well that I couldn’t be more familiar with it. It is of little value, but it is master's calligraphy. It is by no means comparable to ordinary antiques, and its significance is extraordinary.
From this, Ye Fei deduced that since the master could leave the general outline of the Immortal Vajra Jue, he must also leave the specific practice steps. Otherwise, how would the person who got this practice practice? I am very familiar with it, and know that the two are actually indispensable. The general outline is the general direction of cultivation, and the specific cultivation steps are all about the details. If the direction is wrong, no matter how you practice, it will run counter to it. If any one of the two is lacking, it is actually a useless formula that cannot be cultivated.
In this way, since there is a general outline of the first part of this formula, there must be a second part, and with the character of the master, this next part must also be in similar things. Thinking of this, Ye Fei's eyes brightened.
Immediately, Ye Fei immediately called Li Chengye.
"Xiao Lizi, immediately bring all the silk paintings of the Spring and Autumn Period you can find to Master. Master is in urgent need." Li Chengye immediately said as soon as the phone was connected.
For Ye Fei, finding the calligraphy left by his master is not for continuing to practice, but for the real nostalgia, to remember the demeanor of the master back then, and to find some memories of studying under the master. For Da Luo Jinxian, it is the most important thing.
Li Chengye suddenly felt very strange when he heard Ye Fei's nonsensical words on the phone, and immediately said, "Master, what is going on, why do you suddenly want to play with these ancient paintings?"
Ye Fei said, "I told you to look for it quickly, so you should look for it quickly, don't gossip, anyway, Master is useful."
Ye Fei couldn't explain what happened for a while, so he had to do so.
Li Chengye had no choice but to agree, and was about to hang up the phone to look for paintings, but at this moment, Ye Fei suddenly said, "Remember, Master wants silk paintings from the early Spring and Autumn period to the Warring States period, not other periods."
According to Ye Fei's estimation, the master should have been in the human world during this period, and if it was later, the master should have ascended to the fairy world, so there will definitely be no more of his relics in the human world. In this way, it can be regarded as greatly narrowing the scope of Li Chengye's search.
Otherwise, as long as Ye Fei wants silk paintings, Li Chengye may not be able to find all of them even if he goes bankrupt.
Even so, this matter is also a big project for Li Chengye, and Li Chengye has to work for a long time.
Fortunately, Li Chengye's contacts in Zhonghai are not accessible to ordinary people. After saying a word, many antique experts are immediately busy.
Li Chengye's sentence, as long as it is an ancient silk painting from the early Spring and Autumn Period to the Warring States Period, I will really buy it, which immediately caused a storm in the antique world, causing the originally relatively stable silk painting market to immediately experience a trend of crazy price increases.
All of a sudden, as long as it is a silk painting from the early Spring and Autumn Period to the Warring States period, no matter whether it is true or not, the price will immediately increase several times. If it is true, it is natural to hear the good news, and if it is false, it is naturally Because I want to take a ride by the way, fishing in troubled waters may also make a fortune.
Li Chengye also hired several antique experts. As long as they are sure that it is a genuine product from the early Spring and Autumn Period to the Warring States Period, Li Chengye will immediately buy it.
In fact, due to the long history, there are not many silk paintings from this period in the world, and many fine works have been damaged in the long history. Otherwise, even Li Chengye may not be able to complete this collection project after a lifetime.
Even so, Li Chengye's funds were spent in the first few days like running water, and hundreds of millions of dollars were gone without blinking an eye, and silk paintings were sent to Ye Fei.
As long as Ye Fei takes it and smells it twice, he can immediately confirm whether it is the calligraphy left by the master. After all, if it is left by the master, there must be some familiar aura on it. Even if it is very thin, Ye Fei can still use it. recognize it.
In fact, Ye Fei didn't have to let Li Chengye spend so much money. As long as he knew the traces of these silk paintings, Ye Fei went to smell them, and immediately knew whether they were left by the master, and then bought them, which would save a lot of money. Ye Fei has no idea about money, he treats it like dung, and it doesn't make any difference to him if he spends more or less, so he didn't save money for his apprentice and continued.
This situation lasted for more than half a month, and Li Chengye's funds also went out more than one billion yuan. Although this amount of money was nothing to him, Li Chengye's subordinates were terrified of seeing it, and they couldn't help but persuade Li Chengye not to do this. But now that Li Chengye has master's order, he doesn't care what others say, so he naturally continues to buy wildly.
It's just that none of these paintings met Ye Fei's goal. Ye Fei saw so many paintings, but none of them had Master's aura, and he felt a little bored at once.
At this moment, Li Chengye suddenly called Ye Fei.
"Xiao Lizi, do you have another painting for Master?" Ye Fei couldn't help asking on the phone.
During this period of time, Ye Fei has been constantly disappointed. Although Li Chengye may have another painting for him to see, he doesn't really want to see it.
"No, master, I have an art exhibition here and I would like to invite you to see it." Li Chengye said on the phone.
(End of this chapter)
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