A Slave Career Planner Can Be A Successful Profession

I brought Antoni to my tent after the Count family was able to provide me with a variety of painting materials and an environment where I could paint all the way to my tent.

It's only been two days. The days went on and on between the Count's house and the shop tent, which thrived many times, but that was not to bring in the painting material, but as a result of the time it took for the Ningro meeting.

"I'll take care of you today, my name is Antoni. Bye. Such an old man, thank you very much."

First voice, my slaves welcomed him in favor of being struck in the chest by Antoni's lower back position lowering his head.

Some, of course, had doubts about welcoming themselves as to why they needed to be welcomed. But I preached that it was necessary for my study, and at the same time I told some of its slaves that co-living was indispensable in exploring Antoni and Fauvism.

"It's up to you and Toshiki to train together in painting today. I'll be sorry for the inconvenience."

"No, not at all. Thank you very much for your time."

After having once again exchanged a one-way greeting with Antoni, I paint to explore the way forward.

The slaves, who rarely looked at Antoni, were also turning around on his back wondering what the hell he was going to paint, understanding that from now on he was going to paint. I gave instructions to those slaves to get back to work and I'll show them later.

"Now, what should I draw?"

"Yufi or Hetty, Nell, right? 'Cause they don't work very well."

"Could you tell me each? I can't tell the difference between you and me."

"I understand. It's over there..."

Briefly explain to Antoni.

I wanted Antoni to paint people first. To know what happens when Antoni, unable to understand the meaning of the form, copies and draws as he sees it.

Antoni's painting, which I saw one day in the atelier, had a painting of a woman upside down who had become a tree. That didn't call the woman a model, she said, but failed by portraying the naked woman in the image.

Then if there is a tangible image in front of you, the accuracy of the picture may be much higher. Because simulation is possible even if the meaning of the form is not known.

After all, the reading hit me.

They don't understand the meaning of the shape, and that's what made it a picture with not much 3D, but the shape itself is almost not Perth crazy.

It seems a lot different between painting an image in your head without knowing its shape and painting the color as you see it.

"Oh, you're good. At least I think he's better than when he's painted true green."

"Hey... Antoni is also starting to draw from the gray monochrome of Grizzaille painting"

"Gray is good for monotone. Green felt a little like a zombie, and I was shocked."

Antoni's painting, which takes its outline by drawing a sarcastic shadow from a nappy drawing, doesn't seem like that of someone who isn't very, but doesn't know its shape. This is the moment when I can make him realize once again that his eyes are good.

I don't know where the shape really shadows because I don't know what the meaning of the shape is, and as a result of trying to paint dark places and dark colored places as shadows for the time being, I feel that it is more accurate as a Ningro reality painting.

No, I suppose Antoni's photography is originally pretty good, but should I say that I realized again that the way the shadow is taken looks slightly bold but realistic.

If seen with Antoni's eyes, the nostrils and double eyelids are both the same incisions. For me, the nose is a hole and the double eyelid is a wrinkle, but Hetty's face, where the shadows work deep, looks like both the nose and the double eyelid are cut in.

Unlike me, which complements it with my brain because I know what the shape means, Antoni could also be said to be true in some ways, for portraying it as it is as it sees it.

"Oh, you're very good."

Not so far.

Meena had a question mark on my statement. I guess I don't know where to go from here because I only see Antoni following an almost perfect process so far. Antoni struggles a lot with the task of coloring and creating a sense of 3D.

We had dinner and had a light meeting with the slaves.

Hetty and I are talking about revenue and expenditure for the month. The business income from sales of homemade potions, staff assignments, expenses related to gifts such as alcohol to Arioche Ong, and various expenses such as food are hereby lightly calculated.

Even in this world, where the tax system is not that solid, it varies greatly depending on whether or not you keep these books of account when you get into some financial trouble. I don't care how much I have to stand up for myself. The handling of accounting books is a technique that Uffi and Nell are also trying to master as a matter of priority.

Uffi and I are about how to make a conditioning potion. Until now it has been formulated around healing potions, magic potions, etc., but from now on I am going to have them try a little bit on the antidote that exists in large quantities.

In general, the poison of the world cannot be cured. We have to cure it with a corresponding antidote. However, most cases may not be cured even with the corresponding antidote. The fact is that poison works on the body is a kind of chemical reaction, and it's tough without matching antidotes to neutralize or stop that chemical reaction, and if the timing of stopping that chemical reaction is slow, you'll die before you wait for detoxification.

But it doesn't mean the antidote won't be treasured. The popular poison that demons release well can be handled with a typical antidote.

So I'm currently having Yufi make antidotes for poison per Sabakuhime sasori, Sabakuo oari and Sabaku diougmo.

About the sponsors to Chitta. In addition to "Barry the Butcher," the sponsors we're deciding on now are two more things: "Stubborn Father's Armor Store."

The stubborn father is the armor store I used to take care of when I tailored Norr, Eric and Uso to adventurers. In other words, my appraisal skills allowed me to appraise my craftsmanship and store products, and I fell in love unilaterally with this stubborn father's shop. Since then, we have become so close that we are now one of the best at letting him try new protective equipment every so often or, conversely, wholesale drugs directly to him that seem to be available for protective equipment.

I was comfortable with the length of my relationship with him and when I got to talk to Chitta about a sponsorship deal. Hopefully this will be a plus to his business.

And Chitta also smiled a little lightly, "I'm glad my powers are recognized."

Meena and I are in adventurer business.

Meena, who can no longer help with billboard daughters, accounting, customer service employees, auditorium instruction, and so on, is sitting here when she finds a job because of its high potential.

Although it is only recently that Stella has been hired to lead Stella and Iri in taking care of the slave's surroundings, such as laundry of the slave's clothes, purchase of ingredients and cooking, Meena is nevertheless somewhat in this tent.

As I recall from time to time, when I take on a simple request with the Knolls, I slaughter them to dance with their prior skill in martial arts and dance, and I do the request all the time. "I'm really jealous when I look at him. You're going to get the wrong idea that demons are so easy to hunt," is Cayenne's word for being sent far away to hunt zombies.

Because of my prior knowledge, the paperwork can be done on the same level as Hetty's, so I occasionally have Merchant Guild and others show their faces and do things like "I've submitted a declaration for my next contingent accident insurance."

But I order you to gently "come adventurous" because you are not too adventurous in boulders. "You haven't been nagging at all -" Meena said while complaining.

After a frequent meeting with everyone, dinner was just over. I turned to Antoni this time.

"Well, one more thing today. I asked Antoni to come because of me. I want you to interact well with Antoni.... Excuse me, but it's nice to meet you too, Antoni"

"No, thank you for setting up such a place."

Because we're going to spend some time together, it would be more comfortable to get some company. I thought about it, and I told everyone to introduce themselves and ask more and more questions.