A Slave Career Planner Can Be A Successful Profession

- About the conversation that night.

"… must be forgotten sooner or later. At that time, I don't like to hurt you senselessly"

"Sooner or later I forget? Gosh told you about Stella?

"No, I am. Forget my son like no other."

"What do you mean?"

"…. Will Master Toshiki believe this story? The one chosen by Miko will eventually be taken over by Master Malevito,"

"... it's my first ear. What's that supposed to mean?"

"Soon someone else will take over. You live with me (...) as me. And perhaps then, I (...) am disappearing"

"... Stella"

"but if I don't take it on, maybe my son will be Miko"

……

"It may not be so. If I die, I may never play that Miko again."

"... That's a lot of talk"

"... please forgive me"

"I'm not talking about forgiveness or anything like that. But I still understand what it means."

"I mean, there's no point in seeing my son as a mother. I'm going to dedicate myself to Malevito eventually."

"There will be. Whatever the circumstances, Gosh should normally want to see his parents."

"… we just met and we have to say goodbye immediately. Don't you want me to resent you?"

"... I don't know how you feel, but I don't."

"Yes. I want you to remain resentful as you are now."

Gosh doesn't resent Stella.

"You must be resenting me. I dumped that kid. I left it to the chaos of war to throw away."

"... you didn't throw that away, you did because Gosh can't help you if you don't"

"I threw it away. I threw it away of my own free will. I didn't have to throw it away. There was a good way for that kid to help. But I chose to abandon her. If you weren't my mother, you would have taken on Malevito and secretly wanted to die."

"... but Gosh doesn't resent Stella."

"Then I won't see you. I don't have a face to let you see me. If a child doesn't resent even such a terrible mother, I'm sure I shouldn't see her. It's all I can do to take on Marebito instead of that kid and die quietly like that."

"Stella. Just listen to me for a second. I'm not sure about one thing right now, Malevito or Miko. But I think it's a little too much of a decision for us to talk about."

"… please. Please, keep going."

…… Well, I'm not going to be forced to say it. Just think about how Gosh feels. "

"……"

"He said he wanted to accompany his mother's babysitter. I'm sure he wants to hear your voice."

"... my, voice"

"... are you sure you can't talk?

"……"

"Listening to the lullaby didn't seem like a lie. I thought you heard Stella."

"... I heard you..."

"Oh."

"……"

"You're a star. I'm sorry, but I only have a few good eyes. Somehow I can tell what I'm thinking."

"... I heard you."

"Oh, it's a song"

"……. Yes. I did, softly, sing…"

……

"But it just sang, like this, with a voice that can't sing anything..."

"... what do you mean"

"... the voice of the wind"

"The voice of the wind?

"... what I whine about is, always, the voice of the wind..."

"... what is the voice of the wind?

"... it"

…… Who? "

"... Master Toshiki?"

"... that's irritating. You don't have to look. I'm already quite used to the signs perception. The signs of this hand are definitely in Illi"

"… are you ill?"

"Oh. That's where I'm killing my breath.... Plus, with some kind of translation face, I'm going to think about it a dozen years ago. - Right? Ili."

- About the conversation that night. Ili had listened to Toshiki and Stella's conversation in silence, hidden in the shadows.

◆ ◆ ◆

There were circumstances where the musical talent sprouted on Gosh because it was blind and that was the only thing to punch in, but it was bigger than that because he had better ears.

To play a clear sound, you need sharpened ears - it is a natural rule.

Regardless, if you just play the instrument, it may be possible to play even if you don't have good ears, but in the case of Gosh, good ears were helping him a lot. By listening to the sound's jewelry, we were able to perceive the harmony of the sounds.

Whether the harmony of sound can be perceived - this was a very big thing. Gosh is not familiar with music theory. but I can tell by the feeling if the sound is harmonious. Gosh was sharp about that sensibility.

No, I was born with good ears, so my sensibilities grew.

We can hear the mixed sounds not as mixed noises, but as a synthesis of some kind of sound. When that happens, we can now naturally and sensibly understand what is excessive, what is missing, what is in the way, what is in harmony - and as a result, we have cultivated it without knowing the musical sensations.

"I didn't come loaded with music studies."

Gosh, saying so but not stopping his playing fingers, seemed to understand music, not as a music theory, but as his own senses.

(Well, I guess. Ever since I was a baby, I grew up hearing "The Voice of the Wind". Better ears, naturally.)

I thought. The reason Gosh's ears were good was simple. For since I was little, I had heard voices that no man could hear.

(Instead of being blind, I've relied on the "voice of the wind" to live. There is no reason for your ears not to develop)

I thought about it a little bit.

According to Stella, the voice of the wind means "a voice without sound with magic." Even the "voice of the wind" without sound said that the voice was a voice, for example, when chanting "the voice of the wind".

On second thought, you should have noticed that Stella chants and uses witchcraft. I am (chanting is a matter of mood. There was also an explanation that chanting was not necessarily necessary for appraisal skills) and I didn't think deeply about it.

I had no idea Stella was chanting - there was such a "voice of the wind," and I had no idea she was using it. I don't think it's possible to tell you to anticipate - but you might as well have been concerned about the chanting possibilities.

Turning back, it is the voice of the wind.

Iri understood Stella's windy voice.

"Jacopo is the King of Sounds"

It was a statement Ili once made to me, but this sincerity was simple. In other words, the opera leader Jacopo, the former court magician, has a terrible "sound of the wind." That too, as a blowing storm.

I was listening appropriately to Iri's remarks then, but I didn't even think they would connect in this way.

(Was Ili connected to Stella because she was able to hear Stella's voice...)

And Ili hid it softly. Ili, I think, was well by Stella's side. That could also be because she likes Stella, but maybe Ili looked after her a lot because she's the only one who can hear Stella.

"... sir. You look strange, but don't you want to?

"No, go on"

I sent and kept thinking about Gosh's questioning to see what this was all about.

(If you have good ears, you must have not played what I imagine...)

If you can get it and have a good ear, you must adjust the sound with extra deduction, and each sound must play beautiful and harmonious.

And in fact, Gosh was good at playing such polite and delicate.

An exquisite balance where delicate and delicate sounds harmonise so as not to disturb each other. A harmony that can be accentuated so as to maximize the depth of decoration with one single sound at a time.

But if you dare - the other way around, is my image.

The obscene harmony of rhythmic subjects, composed of groovy sensations and nori, was where I aspired.