A Slave Career Planner Can Be A Successful Profession

"Be aware of your lazy voice!

"Yes!"

"When you make a treble, you push your voice out of your throat and you're conscious to speak out from the top of your head!

"Yes!"

Time is night, when the moonlight and the starlight shine brightly upon the earth.

The sale of meat stir-fry, the performances of dances and songs are over, and the work of the slaves is only about the night police fire anymore.

This no-one night time has become our song practice time.

"Yes Voice Practice, Nose to Clear Aye Let's go! Breathe out! Breathe in, 1, 2, 3, Keep it! Nose to Clear Aye, Go!

The basic training for songs mainly breaks up into: vocalization exercises, slip tongue exercises, back voice exercises,.

Within it, vocalization exercises are exercises for voicing powerful voices.

A powerful voice is subtly different from a loud voice and refers to a voice that is sharp and powerful. Without straining your throat, the technology of sounding far away is very important in opera plays that don't use microphones or anything else.

"Next Voice Practice! Cut ae!"

Three little ones who give their essence to vocalization practice, Marielle, and Hetty. Meena trains spears and is not here.

(I also have to work hard to sharpen my singing skills Lv.1 more)

My singing skills in the cautionary position are not too high, because I won't be dressed up. Whatever, Ili is Lv.3, Nell and Uffi are Lv.2, they're both better than me.

By the way, Hetty remained Lv.0. Poor Hetty. Let's make fun of him next time.

"Next up is slip tongue practice!

There is nothing particularly noteworthy about slippery tongue practice. Because there is nothing in particular to do at this stage.

So, considering the possibility of being tested for line turning on stage, it fits to the point of practicing a little quick-mouth language at best.

"Come on, back voice practice!

The last back voice exercise is to widen the voice range.

Being backed up and conscious of making "ho," high and low sounds efficiently builds the circular thyroid muscles of the throat (so-called, muscles that change the high and low sounds).

While coaching back voice practice, I thought.

(... Marielle's voice is a good one to have from the beginning. I feel comfortable with the firmness and momentum in the voice of Maisosoprano - Alto.... if I give up being a singing princess)

If you think calmly, this voice of Marielle would be a good one if it were normal.

But it's hard to be an opera.

The opera's singing princess is almost the voice of a soprano, depending on which opera she plays.

Light quality but high and yet unkinky singing of Reggero Soprano, a textured voice that still echoes on the side of the audience that you hear in the high voice of Soprano Lirico. If you get to the soprano dramatico, even though it is the voice of the soprano, the vibration of the voice will be transmitted to the customer.

This is all the width of Soprano's voice. Most heroines in the opera can be expressed only by soprano. Therefore, screenwriters tend to place the princess of singing roughly on the soprano.

(... Marielle's voice is the Maisosoprano Dramatico, no matter what you think. Unless you have an opera of a passionate female protagonist, but if not, you'd be an enemy woman, like Amneris in 'Aida' or something)

Does she also realise lightly that she is desperately going into training to expand her voice range in an attempt to improve her voice quality somehow?

(... but I don't have too much time, I can't believe it's just a week at the flea market)

Desperate terms. But still, I didn't quit mentoring.

Unlike the reality I know of in this world, there is the protection of skills. The last hope was to believe it and punch it in.

* * *

"It's cold at night."

"Yeah, that's why I always drink warm water like this."

The predetermined curriculum instruction is over and the other slaves have already returned to their respective tents.

All that's left is Marielle and me, and the slaves on the night shift. I'm pretty much a nocturnal person, so I train at night to detect signs and stuff. Lv. I'm trying to raise it, but Marielle's awake, I guess, simply because I don't think she's trained enough.

I think he's a hard worker.

"Um, Mr. Marielle, don't push it"

"No, because I don't have much time left. And it's fun."

"Fun, is it"

"Yes, because there's someone who can mentor me and I can't believe I've ever had a solid training"

When I look at her smiling so much fun, I think you apparently really like to sing.

"... opera, you want to leave at all costs"

"Yes."

A voice of determination that doesn't change the phase either. I decided to cut out my concerns while watching the night flames with Marielle.

"The voice of the opera's singing princess is soprano. Marielle's voice is Maisosoprano Dramatico."

"Yes."

"People's voices are not easy to change"

"... Yes"

"Let me know why you want to be a singing princess."

When I asked, Marielle showed a slight hesitation. You must have noticed, the way this story is cut out is like, why don't you give up being a singing princess, that there's a nuance I'm suggesting.

In fact, in my head, I think it would be very easy if we just put Marielle on the opera. It's perfect for an enemy woman.

The strong voice of the core born has grown into a passionate voice after life experience.

But Marielle will want a singing princess. I'm sure of it.

Revenge.

It is in that word that Marielle has it all.

"... I want to be the heroine of the opera. That's everything."

"You're not an opera character, you're an opera heroine."

"... even the characters are good though. Then I'm sure it's not enough."

"You have to tell the captain why it's missing."

Go on and take another step to Marielle, who answers "yes" to my words.

"Why it's not enough. In the daytime you said revenge, is that...?

"... hehe"

If you noticed, Marielle's expression was dead. No, the slightly raised corner of the mouth indicates that dim whirlpool of emotions.

The eyes are dark.

"You're right."

"I want to be a singing princess," he said.

"... you can't be a heroine with this ugly body. Can't believe there's too little salvation in your life"

Standing up as she did, she shrugged like every wow, "Yeah, I am," she said.

"This facial wound is cursing everything in my life. He stripped everything from me, the nobleman of Durone."

……

"My presence was to be hidden when a woman with a scratch on her face would not be satisfied to catch a man as Durone's heir"

"It's …, I guess in my heart"

"Since then, my life has been a life of making money by spectating facial wounds and being seen with strange eyes." Yeah. "

The pompous and spilled word was "terribly miserable".

"It was fun, but it was fun assuming I was going to be humble. At the end of the fun of showing people to dance, it's a spectacle everywhere I go, and I know the limits."

"… Limits"

"Yep. It's fun to have you watch me dance, yes. At the end of the task of deceiving me, what the audience is looking for is the odd fun of having a Wounded Woman dancing, not my dance. … at the end of the day, I lost sight of the dance"

She spoke in a whispering voice. I had to keep my mouth shut for a while because of the weight of the word.

……

That's when someone caught on to the sign detection. An unexpected person when you confirm that person with your appraisal skills. I dared to keep this conversation going.

Lutz and Nell. Interesting combination.

Whatever Nell is, Rutz, I'm sure he won't listen. The more painfully for him, this Marielle story is too stabbing.

Still, I wanted him to hear. This Marielle story is bound to make sense to the difficulties Lutz will face sooner or later. I think it's worth listening to.

"... then, if it's an opera, it has to be"

"... hehe"

To my words, Marielle gave it back with a strange grin.