Adventurer of the Elf World

After arranging the escape route, Xiu focused on the back of the door.

This is a hall, with a stone tablet standing in the middle, which is filled with fonts that are different from modern characters, and there are simple paintings on the walls around the hall.

The hall is not the end of the ruins, there are passages extending deeper in both directions on the left and right.

The candle hadn't been extinguished when everyone got here, so Xiu simply put out the candle himself and took out a flashlight to shine it on Casey who was standing aside.

"Help me light it."

As he spoke, he took out his camera and took a picture of the words on the stone tablet.

And of course there are the murals around it.

I waited until the filming was finished and then started to slowly watch it.

"It's the font of the Pocomonian civilization, and it's related to the writing on the Pocomonian stone slab unearthed elsewhere."

Xiu had studied ancient writing, and he could tell the origin of the writing on the stone tablet just by looking at it.

It's just that he didn't quite understand the specific content.

This is the problem with ancient writing. The world has never been completely unified. In the end, it was the establishment of alliances in various places that unified the language and simplified the writing.

The chaos in ancient times led to the emergence of dozens of scripts in one area, and the scripts of different eras are different. There are not many ancient scripts that have been cracked by the industry, and most of them are those that have been passed down.

As for the Pocomnian civilization, which is a rapidly dying civilization, there is not much information left at all.

These words take time to decipher, so Xiu Gang was in a hurry to take pictures of them.

Fortunately, there are murals in the surrounding area, which are more understandable information carriers than words.

Xiu turned on the flashlight and looked at the pictures above. Then he judged the order and started reading from the side of the door.

It can be seen from some places that these paintings were originally in color, but the paint on the paintings could not withstand the passage of time, and now only some simple lines remain.

Fortunately, this can still tell what the painting is.

The first thing that catches the eye in the first painting is a ring painted with gold. Fine golden lines radiate from the periphery of the ring, which is obviously an expression of the sun. Below it is a simple human gathering place with some buildings and people on it.

Because the color is missing, I can’t see anything special about it, so I can only move on to the next picture.

The second frame is divided into upper and lower panels.

The upper half of the grid depicts a square-like place, in which a gold-rimmed figure is standing on a high platform holding something, while below is a large group of people surrounding it. Judging from the simple-drawn movements, Those people should be quite excited.

The content on the lower half of the painting seems a bit strange. It is a strange scene. An elf is fixed on a square plate placed at an angle, and the plate is painted with some strange golden textures, and the gold-painting figure He was standing in front of him holding something, and there were some characters painted around him.

"Why does this immobilized elf look so much like Hu Di? How was he caught?

And the ones floating around the gold-painting man are not unknown totems, are they? "

Xiu had a bad feeling and quickly looked at the next picture.

The third panel is divided into three grids, forming three triangles.

The grid in the upper left corner is a huge Hudi hunting, bringing people countless food and various resources.

The cell in the upper right corner is a Hudi participating in the war and easily defeating the opponent and winning.

The third frame is a city landscape similar to the first one, except that it is more prosperous, and Hu Di is smaller in size. From the angle, it can be seen that it is floating in the air, and its position has replaced the original position of the sun, but The golden threads radiating from Hu Di's body not only did not decrease, but actually increased and became longer.

And the images of the people are no longer as random as in the first picture, they are all kneeling in the direction of Hu Di.

"Good guy! Is this the origin of the Pocamonian civilization's worship of elves?"

Those who have done their homework before coming here will naturally know some aspects of this civilization, such as the extreme worship of elves.

This seemed normal to Xiu before. Human beings of that era would have this tendency to some extent, but I didn't expect that their civilization still had this reason.

And this also revealed that the super-large Hu Di was man-made.

In the first few paintings, Xiu found that some important places were mixed with gold powder as pigment. This is also the reason why those places have not faded after such a long history.

But why is there no gold in the hand of the gold-painting man?

According to the painting, it seems to be the key to creating a super large Hudi. Isn't it very important?

But there are some golden patterns on that square plate. Is it more important than that?

And why did the gold-painting man disappear directly from behind?

There are also those symbols that are suspected of being unknown totems. What do they mean?

And why did this Pocomonian civilization, protected by the super giant Hu Di, suddenly disappear?

Not only did Xiu not feel satisfied after looking at these pictures, but he was also filled with questions.

After the third picture, there is the passage from the hall to the left. Xiu could only cross the entrance of the passage with these doubts and look at the next picture.

There is a huge difference between the fourth painting and the previous one. Before, it was protected by the super giant Hu Di, but this time it is destroying the ring. Human beings are also divided into two types, one kind kneels down without resisting, and the other group was rebellious, and the Barkin appeared again, this time on the side of the revolt.

Compared with the previous Alakazam, this Alakazam has some strange black lines on its body.

Xiu then realized that the super giant Alakazam in front of him did not have those lines, and it was not because of the color fading as he thought.

This discovery deepened Xiu's doubts.

Why is it like this? What happened in the meantime?

What do those black lines represent? How did they appear? Is it because Alakazam betrayed?

And the gold-painted man appeared again...

Xiu felt that these paintings were poisonous. The more he looked at them, the more confused he became. There were more and more questions.

Xiu could only stop for a while to sort out his thoughts, and then look at the next one.

The fifth picture is similar to the second one, and it is also divided into two parts.

The upper part also depicts the weird place, but the difference is that this time it is lying on a four-sided platform, and it is not Alakazam but Gengar on it. There is a figure without gold painting holding something beside it, but this time the patterns that look similar to the unknown totem are gone.

Xiu didn't care too much and looked directly at the lower half.

The lower frame shows a giant Gengar appearing on the field, but its target is not the giant Alakazam, but humans. Humans have no power to resist the giant Gengar, and the scene is extremely tragic.