Albrecht's Chronicles

Hello, I'm Wave.

Do you know what my nickname means? It's not just the waves, it's the technology of Dragon Ball Taopipi. It's just an illusion. It doesn't mean anything. Blah.

In the writer's words, I wanted to bring the world to life, but I wanted to write a first part with a theme. even if it doesn't fit with genre fiction.

So, I've been thinking a long time ago about what I'm going to write about, and I decided to write about a great hero.

And I suddenly wondered, what is greatness? First of all, a great historical figure, Alexander the Great, Genghis Khan, Charlemagne, these great people. Most of them are conquered states.

What were those great people like back then? It was a great slaughter. It's just that, from a contemporary point of view, there's nothing to blame, because it's an age where identity society and human rights have no concept at all.

I just couldn't bring myself to put it into fiction. It doesn't matter if you just slaughter people, conquer lands, enjoy luxury and pleasure.

So the theme of this novel is, although it's based on medieval fantasy, it does modern reinterpretation of greatness, and where does that greatness come from?

There may be many answers, but what I wanted to show you in the Albrecht world is that greatness comes from dignity. And again, dignity comes from innocence.

In case you've noticed, the name Albrecht means "glow nobly." That's why the title of the novel was also given to the front.

But no matter how medieval or ancient people went from medieval to medieval, it seemed impossible to mount a modern ethic.

That's why I put in the memories of the modern people. Structurally, it's what makes the world look at the modern world, and when it comes to topics, it's what troubles the protagonist.

I know many of you are disappointed in this. There were a lot of questions about why we put modern people's memories in there.

If we could extract ammonia from nitrogen and make nitrogen fertilizer to increase production, where would we get the materials right now, and I couldn't figure out how to get the equipment.

The conclusion I've come to is that most of modern civilization cannot be created by myself. So we purposely ruled that out as best we could. Except sometimes he writes cheeky like a bank.

And like Margingá Z, the modern man's memory could go up in his head and take control of it, but I didn't want to do that.

because I thought, you know, it's natural to have someone else's memories in your mind go crazy. So at the beginning, I wanted to show the protagonist coming and going.

So I wanted to paint a picture of 15 years old, 30 years old in a way.

This was a really hard part. I've searched psychology books, but unless I'm an expert, it's really hard to solve novels. So I just decided to give it over quickly, and then it got a little bit harsh.

If you look at my novel, everybody but Randolph has a conscience. Herman cut the belly of the maid and smashed the head of the child, Carpen killed his brother, and Rosamund slaughtered thousands of prisoners.

But they behaved differently than the main character. Hermann was just stuck in a tin can trying to die, and Carfen left and went back to religion, and Rosamund volunteered and struggled with guilt.

What was different about the protagonist was that he actively intervened in the world and tried to change things. And of course, that's why we had to suffer another contradiction of conquest and genocide.

Anyway, my conclusion about where dignity comes from is purity. I think innocence is different from innocence.

For example, it's a losing world when you make honest money, but there are many people who have a sense of mission and work honestly. I think what these people have is pure.

Rather, they were accused of being fingered, stupid, or stubborn by people around them, but in any field, they thought they deserved respect.

In other words, if you don't build an empire like the protagonist of a novel, everyone who works with pure passion in their place is great. My novel is a kind of dedication to those people.

The protagonist's purity is when he goes to Lloyd Beck to rescue Elisa. I knew it was a trap, and I wasn't sure how I felt about her, but I went to save her, and I risked my life.

Elisa killed herself not because Albrecht was strong, but because of a pure passion she had never had in her life.

This purity is not what modern people had, but what Albrecht had in the world.

It was pure psychopathy. I wonder how terrible it would have been if it wasn't for modern memory.

Anyway, in my novel, the main character is a shell. The real essence is that the purity of Albrecht and the ethical compass of the modern people come together in a noble and great way.

In conclusion, in modern civilizations that are already past the Middle Ages, where morality and ethics are alive, anyone can walk the great path. You don't have to remember anyone as uncomfortable as the protagonist.

And of course, in reality, you might be fingered for being foolish. Just as the protagonist has suffered and suffered, so can reality.

But meeting someone as good as Randolph and being friends might be a little comforting, and most of all, this novel cheers them on.

That's it.

p.S. is the story of villains like Root and Michael. It's gonna be a little dark. So if you don't like the dark stuff, you don't have to see it. Foreign currency war is free of charge. Serial smoke is irregular.

End