As soon as he returned to his residence, Cao Zijian spread his cassock flat on the bed.
After some meticulous research.
Cao Zijian discovered that the cassock was divided into two layers: upper and lower.
If you want to know what is hidden in the middle layer of the cassock, you can only remove all the sewing threads on the four sides of the cassock edge.
Without being sure what was inside, Cao Zijian did not dare to cut it with scissors rashly.
I immediately found a needle and started to remove the stitches.
The so-called disassembly is to use a needle to break the sewing thread at the connection.
This is hard work.
Cao Zijian spent a full hour picking out all the sewing threads on one side of the cassock.
There are three sides left.
Immediately, Cao Zijian continued to operate.
Another hour passed.
As the thread on the second side was cut, Cao Zijian finally saw that there was indeed something hidden inside the cassock.
It is a layer of something similar to a painting.
It was sewn on the four corners of the cassock.
Cao Zijian had no choice but to continue working.
Until twelve o’clock.
All the sewing threads on the four edges of the cassock were cut off by Cao Zijian.
Cao Zijian opened the upper layer of cassock and saw what was inside.
It is a very beautiful painting with various colors intertwined.
There are auspicious clouds in the sky above the painting, the red sun is shining high, and a crane is flying in the sky.
The peach branches below are strong and full of fruits.
Under the tree, there was a radiant and energetic immortal holding a huge flat peach that he had just picked.
Look back with joy and walk vigorously.
On the ground and next to the longevity stone, mushrooms, daffodils and bamboos are full of life.
In ancient times, cranes were regarded as auspicious birds that”lived for a thousand years and were able to swim extremely well”. It was said that flat peaches were planted in the Yaochi of the Queen Mother of the West.
It is a fairy that blooms once every three thousand years and bears fruit once every three thousand years. Eating one can increase your life span by six hundred years.
The combination of the two, and the combination of immortals and longevity stars, symbolizes good luck and longevity, and is often used for birthday celebrations.
Picture of flat peach offering longevity.
However, this is not a calligraphy and painting drawn with pen and ink, but a tapestry calligraphy and painting.
Kesi, also known as”cut silk”, is the essence of the traditional silk art of the Dragon Kingdom.
It is the most traditional silk fabric in Longguo’s silk weaving industry, with its warp and weft picked out, and it is a highly ornamental decorative silk fabric.
Among all fabrics, people in the past thought that the tapestry was finished when it was received.
This is the most advanced.
It was so advanced that there was a saying at the time: every inch of tapestry is worth an inch of gold.
The craftsmanship of tapestry is quite complex.
But it can be summed up in four words: open the warp and break the weft.
Meridians are longitude lines, and they are vertical, just like the vertical lines on the earth are all longitudes.
Latitude is the latitude line, and the equator on the globe is the latitude line.
Weaving is a fabric woven with two horizontal and vertical threads crossing back and forth.
The weft of the fabric itself cannot be broken. If it is broken, the cloth will crack.
The reason why the weft of tapestry is broken is to weave different colors.
After weaving each color, you need to start the weft again.
Therefore, in all Kesi fabrics, there will be some breaks between colors and between the patterns and the neighborhood.
Like a knife carving.
Therefore, Kesi’s Kesi is sometimes also written as carved Kesi.
The tapestry made before the Ming and Qing Dynasties strictly followed the craftsmanship and
[Go to read the novel on the site: https://readwn.com/] used as many kinds of threads as there were colors.
It can make many calligraphy and painting tapestry, which is very beautiful.
But from the Ming and Qing Dynasties, as the demand for tapestry increased, people began to be lazy.
In the Ming Dynasty, dragon robes were still made of tapestry, but in the Qing Dynasty, there were fewer of them.
The most obvious ones are Kesi paintings.
In Song Dynasty Kesi, the characters’ eyebrows and faces were all made out of tapestry, but in the mid-Qing Dynasty, the tapestry only had a big white face.
The eyebrows and eyes are all painted.
It looks similar from a distance, but completely different from a close look.
This picture of flat peach offering longevity is skillfully used in various techniques such as flat sealing, hook sealing, whipping sealing, knotting, long and short knots, and heart-wrapped knots.
Especially the use of colored threads adds to the expressiveness of the work.
Especially this tapestry work actually has a seal on it.
Eight in total.
They are the”Treasures of Qianlong’s Imperial View””、”Appreciation of Qianlong”、”Sanxitang Jingjianxi”、”Yi Zi Sun”、”Jiaqing Imperial Treasure”、”Jiaqing Appreciation”、””Shiqu Baoji” and”The Third Collection of Baoji””
“this…Is this one of the three Song Dynasty tapestry scrolls with peaches offering longevity recorded in the Shiqu Baoji?”Cao Zijian was horrified.
Then he recalled the text description of”Song Kessi with a scroll of flat peaches dedicated to longevity” in”Shiqu Baoji”. (To read Baoshuang novels, go to Feilu Novel Network!) < /span>
“Three feet, six inches and five minutes in length. One foot, four inches and nine minutes across. The tapestry sun appears in the clouds, and the phoenix soars into the sky. Under the peach tree, a longevity old man held peaches to offer. Inside the axis is the imperial seal of Emperor Gao Zongchun and the royal seal of Emperor Qianlong. Qianlong appreciated and appreciated the five gold seals in his collection. The third volume of Baoji.”
Cao Zijian took a measuring tape and measured it, and found that the size, inscription and seal were completely consistent with this item.
Therefore, it can be concluded that , this is the Song Dynasty Kesi painting of flat peach offering longevity.
For such a rare treasure that has been inherited in an orderly manner, even Cao Zijian didn’t know how to estimate its value for a while. This shows how rare it is. But what is certain is that such a huge production costs at least over 100 million. At this moment, Cao Zijian suddenly I want to understand one thing. That’s why there are people in the live broadcast room showing themselves weird things. There is no other reason, just to show off themselves collection. Cao Zijian has this kind of mentality at the moment. He can’t wait to show off to everyone that he got this Kesi fabric. But soon, this thought was forgotten by him
(Nono’s) Because in the antique world, especially as a person, on the road of struggle, you must stabilize your mood and don’t show off.
When you have achievements, there is no need to show off, just be happy secretly.
Keep a low profile when making money and keeping money.
This is the ancient saying that wealth should not be revealed.
After calming down, Cao Zijian simply tidied up the cassocks on the ground.
After all, I spent 2w5 to take this photo. I can find someone to sew it up later and sell it for some money. []
As for the tapestry piece, Cao Zijian put it away, put it in a bag and put it under the bed.
“It seems that I need to change my residence.”Cao Zijian thought secretly.
After all, this rental house is not suitable for storing these things.
Let’s not talk about the preservation issue. What if a thief comes one day?
This is a collection worth hundreds of millions
“I’ll go ask Mr. Shi tomorrow to see if there is any old house in Jingzhao that wants to take action.”
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