Arena of the Heavens: Start of the Infinite Multiverse

[Let's slow down the update speed in the past few days, at present, in supplementing the knowledge of the Dark Tower, Gan En may appear in the inventory in the future]

Ten Thousand Tribulations Calendar, I will temporarily take stock of these

before the explanation I promised you, and then it may be a bit of a headache

Here I use an explanation written by a B station UP: The red gatekeeper

adopted a part of

it I copied it directly, otherwise I have to go to the site to find it

Here I am very grateful to the UP for the information and explanation

!So first of all, I will briefly understand the nouns and various settings that appear in the Ten Thousand Tribulations

, let's start directly!

——Physics

: The laws and laws of the operation of all things in the world

refer to: It refers to the behavior of a thing by name. Things here include all conceptual or non-conceptual existence/non-existence, when a thing can be described even if it is defined as "indescribable", it is counted in Xuanye

: Space Universe: the sum of all time and space, "the upper and lower four directions are called

the universe, ancient and modern times" realm: a specific pronoun, or a special universe (the universe in the current sense, the same below)

world: a monolithic universe, focusing on the time realm: a monolithic universe, focusing on

space

Heaven: Multiverse Set

of Great Heaven: The Multiverse Haotian in the main narrative line: Specifically refers to the top of the building wood, and above the center

is the building wood leaves/canopy

-

幉: Single

Narrative Collection: Multiple Narrative Collection:

Plural multiple narratives, also specifically refers to the main narrative line

The above is the branch of Jianmu, a small narrative ladder, infinitely bad, with unidirectionality, any behavior such as changing time and space/cause and effect internally will not interfere with the development of the original narrative line, but will divide into the if line

Hytoshi: the main trunk of Jianmu, where the world of Yuanfu abandons the sage, and the realm of narrative focus:

the outer layer of Hitoshi is close to the fertile land, and the outer layer of Hitoshi is

close to the extremely thin place of Da Luotian, and the void "penetrates" into the land of Jianmu, and transforms into fertile nothing

Nine Shades

: The foundation of the building wood is the abyss: Under the Nine Shades

, the building of the wood: the grand narrative ladder, the infinity of the whole, the objects located somewhere in it, will produce narrative projections, projecting different "clones" to the surroundings, projecting layer by layer, gradually weakening. And there are corresponding gods in each layer of narrative, but if the "elephant" is destroyed, the things corresponding to the "elephant" will also be affected

very little: the super-narrative place

outside the Jianmu to the Da Luo Tian, not affected by the narrative inside the Jianmu Da Luo Tian: specifically refers to the shell hollow that wraps the Jianmu

: outside the Da Luo Tian, the area inside

the phantom bubble: the folds of the phantom bubble, and

the void outline of the land of the beginning of Thailand: the scene of the beginning of Thailand

Phantom bubbles: The cosmology of different works, basically unless the original author admits it, the things in one phantom bubble cannot enter other phantom bubbles, at most they only enter the delusional realm of the narrative ladder as a projection:

the empty and delusional narrative realm under the real reality, which is filled with countless bubbles. Several bubble sets are a collection of Foundation universes, each bubble represents its own worldview, they refract each other, influence each other, and do not interfere with each other, the same object has different hues in different bubbles, different bubbles do not exactly have what other bubbles have, and some deviate greatly from the prototype

- real reality: the real real world, which is different from the pseudo-reality

in the virtual world. The projection from the real world down becomes the delusional domain, and the reason why the delusional domain can affect the real reality is essentially

the real reality of the people's troubles, the narrative line, which is used to describe the development of the narrative

-

the first ancestor god: the god born before the five tribulations, the innate

god: the ancient god born in the five tribulations

, the god after tomorrow: the old god born in the first hytoshi, the inherited gods: the new god born in the second hytothic

I've talked about these terms so much, and then it's time to talk about the explanation of narrative The

following are all explained by using sites

: [1

] [We first want to talk about metafiction]

There are four in total that need to be talked about, namely meta-narrative, meta-narrative, meta-fiction, meta-consciousness, meta-fictional character meta-narrative

: that is, the narrative about the narrative, focusing on action; In the process of writing, the author takes the initiative to expose his creation as a fictional

narrative technique meta-narrative: that is, the narrative in the meta-narrative, the inner narrative meta-fiction under the outer narrative: similar to the meaning of meta-narrative, but in this article, it mostly emphasizes the fictional attribute of the narrative framework, and also specifically refers to: "(using) the technique (performance) of meta-narrative" meta-consciousness:

that is

, the consciousness of the human subject in a certain level of control, and the elements of the frame, mostly appear in postmodern thought

The metafictional consciousness referred to in this article refers to the metafictional consciousness of the metafictional characters who have a hierarchical perception of the world and the unreal feeling that they are within the control of a certain fictional framework

: This article specifically refers to the characters who have metafictional consciousness and recognize that they are in the "narrative world".

Breaking the frame/breaking the frame: that is, teasing the boundaries of cognitive structures such as conventional frameworks, limiting rules, etc., or breaking through the field of original concepts, etc., and so on

The fourth wall: the border that separates the virtual world from the "real" world. Breaking the fourth wall, that is, the frame of the "reality" level, is mostly expressed in the Foundation as a trans-narrative layer

————

[Pataphysics]

The metaphysics in the Foundation is generally based on the fictional metaphysics of narratology, which is a fictional theory formed after the narrative elements are supernaturalized and actualized

A hypermetaphor is a metaphor of metaphor, a gestalt extension of metonymy based on fictional fiction and a second extension of metaphor. It is further expanded in metaphor,

and in the expansion it forms a new plot ————

[narrative]

defines

the present and present state of a meaningful story

metafictional character, which is equivalent to the narrative world in which it is located

:

language is the foundation of narrative

and exists in the movement of meaning

The narrative world highlights hierarchical control and opposition (the opposition between the author and the metafictional character)

A narrative is equivalent to a set of cosmology and setting, and all the symbols contained in the narrative are ontology, and the world

is the phenomenon————

[

narrative cause] The narrative cause, that is, the basic unit of the narrative, represents a small piece of information about a thing, similar to a meme, which represents the basic information unit

of the culture, which is

close to the "symbol" in semioticsThis conceptual

symbol, that is, the perception that carries meaning, the semantic elements carried by the symbol, are extended in the process of transforming the symbol into another symbol, resulting in the difference between the cognitive differences of the same

narrative and the subsequent deduction There are no symbols that do not carry meaning, and the symbols generally continue the actual original meaning in the context

-

[narrative layer].

The narrative layer, that is, the layering of "stories within stories", can be infinitely subdivided and nested, forming a layered structure or tree-shaped narrative iteration

structure, each layer of narrative is the premise of the next layer of narrative, and a narrative layer can contain multiple narrative echelons in parallel or downward: the horizontal and vertical subordinate narratives are arranged into echelons to describe the structure of the overall narrative, and a phantom bubble contains a narrative echelon

Narrative domain: The scope of a narrative contained in a narrative layer, or the intersection of a narrative and other narratives. These narratives

may be under the same worldview, or they may only be mentioned as

"cross-layered",

that is, from the perspective of metafictional characters, there are so-called "super-physical entities" that can cross the constraints of narrative levels and enter the upper or lower levels of the narrative of their own level, and at the same time, they may also have the ability to destroy

the narrative of the outer narrative: where the narrative act takes place, the level at which the "author" is located

Main narrative: the general term for inner

narrative and meta-narrative, in which the inner narrative is: the narrative of the narrative, the level of the character, and the main place where the story takes placeSub-narrative layer: its concept is similar to the main narrative, but there is this derivation: the main narrative D can be infinitely subdivided into the structure of "outer narrative-main narrative", and these subdivided narrative layers are all extensions of D, and D and its extensions are all in the same narrative layer, that is, the sub-narrative layer

Relatively speaking, the subordinate narrative of D and the subordinate narrative of the subordinate narrative can be regarded as being in the same subordinate narrative of D, which is also the sub-narrative layer under the sub-narrative layer, the meta-narrative of the meta-narrative, and so on

: within a large narrative, the narrative levels of many small narratives within it are relative and mutually subordinate. For example

, the A narrative layer creates the B narrative layer, the B narrative layer creates the C narrative layer, and the C narrative layer creates the A narrative layer, so as to form a closed loop -

the explanation of the narrator will not be moved later, but it will be moved so much for the time being

, and it has been more than 2,500 words unconsciously, there are too many places that need to be explained, and there are still a lot of characters who have not been told, and

I don't want to move anymore, so I will explain so much, and I don't have to move the character explanation

The Nuwa and Fuxi who appear in the Ten Thousand Tribulations Calendar are Yadaboth and the God of Brokenness

-

[Bringing such a lot of explanations, this can barely be regarded as an update, right?].