Baby daddy's unrestrained life
Chapter 177
hythmical prose characterized by parallelism and ornateness!
It is not that there is no parallel prose in the ancient literature of this world. On the contrary, parallel prose, which is almost the same as in previous generations, also plays an important role in ancient literature and has a far-reaching influence. However, the only pity is that none of the ancient works in this world can shine on the past and present!
Although parallel prose plays an important role in the development of literature, because of its own limitations, most of its articles are flashy and have no profound internal significance, so it can only win by virtue of its rhyme. This is also the place that ancient and modern scholars have always criticized for the far-reaching style of parallel prose, that is, it is too flashy to be true, but it has no profound significance!
The preface to Tengwang Pavilion written by Ye Feng today directly subverts this traditional view《 The preface of Tengwang Pavilion is not only nearly perfect in tone and style, but also purposeful in words, purposeful in writing, beautiful in style and deep in content, which shocked many professors and scholars such as Zhao Huangming!
President Hu's eyes were a little confused and murmured to himself, "Professor Ye, this is not only a lesson for those Japanese people, but also a lesson for our Chinese literary circles."
"I'm afraid that from now on, the literary world's reliance on parallel prose will be redefined because of Professor Ye alone." Dean Dai said softly, "Professor Ye, you are the heaven and man in the world!"
This "preface to Tengwang Pavilion" really brought them too much impact!
That kind of impact, it is the deepest shock from the soul! It's a subversion, a subversion of traditional parallel prose!
With the power of one person and one word, the whole literary world has been subverted!
Zhao Huangming and his Chinese professors are quite calm. After all, this is not the first time they have experienced this kind of thing. Subconsciously, they have a habit of self numbness. But those Japanese scholars, but how can there be such a person as him in this world?
When Ye Feng first talked about journey to the west, he respected Taoism and belittled Buddhism? Monkey king? This kind of problem just caught the Japanese by surprise. But they don't think Ye Feng is really capable. They feel that it's just a kind of opportunistic behavior. When Ye Feng began to talk about nine chapters of arithmetic, Tiangong Kaiwu, Shanhaijing and shuijingzhu, the Japanese were speechless by Ye Feng, but they still didn't like it. They always felt that Ye Feng was going around with them and didn't dare to prove that they were communicating pure literature with them.
What really made these Japanese people face Ye Feng was the poem "nostalgia for Chibi in niannujiao". When this poem was published, all these Japanese people were shocked. It was only at this time that they realized that the young man on stage was not simple!
Now the preface to Tengwang Pavilion gives these Japanese scholars not only shock, but shock!
It's too frightening to react!
They are not foreigners who don't know anything, but scholars and professors who have been immersed in Chinese literature for decades. Like Zhao Huangming and others, they all know what this preface to Tengwang Pavilion stands for!
If ignorance is the most fortunate, then they are the most unfortunate at this time!
After a long time, Miyazaki slowly withdrew his confused eyes and sighed: "Professor Ye studies nature and man, Miyazaki sighs that he is inferior to himself."
"Professor Miyazaki..." at this time, moustache came back to his senses. He was shocked to see Miyazaki admit defeat and said: "he's just opportunistic. When you discuss poetry with him, he writes something. It's obviously wrong. Don't fall into his trap!"
"Forget it." Miyazaki shook his head and said, "poetry, I'm not as good as him."
"How could it be?" Mustache couldn't believe it and said, "your research on poetry is absolutely unparalleled in the world. How can he surpass you?"
Looking at moustache, Miyazaki didn't say anything more. Moustache was about to lose his mind at this time. He wanted Japan to overtake China so much that he forgot Ye Feng's "niannujiao" just now.
At this moment, Miyazaki has already understood the gap between herself and Yefeng. Although she has excellent memory and extensive reading, she has an unmatched understanding and grasp of Chinese classics, but she knows that she can never surpass the person on stage.
Because I can only read classics. But he is the existence of creating classics, even surpassing classics!
One is to follow the footsteps of predecessors, the other is to walk out of the road.
Is there any comparability between the two?
It's a bit of a surprise that Miyazaki Miyazaki has such an awareness. One of the most valuable things for a person is to realize his own shortcomings. I didn't expect that Miyazaki still has such qualities. It's really rare!
"In this case, the class is coming..." Ye Fenggang wanted to announce the end of the class, but the moustache even said: "Professor Ye and Professor Miyazaki on poetry?"
He can't accept that Professor Miyazaki, who has always been regarded as the "proud woman" of Japan, is not as good as this young man!
Professor Miyazaki must be better than him!
Ye Feng frowned. Miyazaki himself had already given up. How could this moustache still shout? Look at this, it's just amazing!
Does he think that the Japanese can really surpass the Chinese in the field of Chinese literature?
Isn't this NIMA whimsical?
This is not realistic at all!
"You want to talk about poetry, don't you?" There is no smile on Ye Feng's face, and his voice is gradually cold.
"Yes! It's pure poetry, not related to other literary genres! " Moustache stressed that he was afraid of Ye Feng's twists and turns.
Next to Miyazaki looked up slightly apologetically at Ye Feng, listening to mustache's words, Miyazaki's eyes emerged a helpless color.
A lot of times, she can't help it.
But Ye Feng ignored her, just looked at the moustache and said in a light voice: "don't worry, discuss poetry, right? Have you seen compendium of materia medica? If you haven't seen it, you deserve to talk to me about poetry? " The leaf breeze sneered, "I" this word bite of very heavy.
"You, you..." moustache is going to vomit blood. What does he say about pure poetry? You son of a bitch! Start talking about something else! Is he not fit to talk about poetry with you without reading compendium of materia medica? It doesn't matter! Ah? Does it matter?
Moustache's mentality is exploding. Ye Feng talks about him one after another. Every time, he makes moustache feel like he can't use his fist to hit the cotton.
Hold back!
Anger!
My heart is full of frustration and anger!
There is no bully like you in malagobi!
What is the relationship between compendium of Materia Medica and other poems? Ah Moustache roared at Ye Feng on the stage, almost hoarse. He really can't stand it. He's never seen such a bullshit like Ye Feng in his life!
It is not that there is no parallel prose in the ancient literature of this world. On the contrary, parallel prose, which is almost the same as in previous generations, also plays an important role in ancient literature and has a far-reaching influence. However, the only pity is that none of the ancient works in this world can shine on the past and present!
Although parallel prose plays an important role in the development of literature, because of its own limitations, most of its articles are flashy and have no profound internal significance, so it can only win by virtue of its rhyme. This is also the place that ancient and modern scholars have always criticized for the far-reaching style of parallel prose, that is, it is too flashy to be true, but it has no profound significance!
The preface to Tengwang Pavilion written by Ye Feng today directly subverts this traditional view《 The preface of Tengwang Pavilion is not only nearly perfect in tone and style, but also purposeful in words, purposeful in writing, beautiful in style and deep in content, which shocked many professors and scholars such as Zhao Huangming!
President Hu's eyes were a little confused and murmured to himself, "Professor Ye, this is not only a lesson for those Japanese people, but also a lesson for our Chinese literary circles."
"I'm afraid that from now on, the literary world's reliance on parallel prose will be redefined because of Professor Ye alone." Dean Dai said softly, "Professor Ye, you are the heaven and man in the world!"
This "preface to Tengwang Pavilion" really brought them too much impact!
That kind of impact, it is the deepest shock from the soul! It's a subversion, a subversion of traditional parallel prose!
With the power of one person and one word, the whole literary world has been subverted!
Zhao Huangming and his Chinese professors are quite calm. After all, this is not the first time they have experienced this kind of thing. Subconsciously, they have a habit of self numbness. But those Japanese scholars, but how can there be such a person as him in this world?
When Ye Feng first talked about journey to the west, he respected Taoism and belittled Buddhism? Monkey king? This kind of problem just caught the Japanese by surprise. But they don't think Ye Feng is really capable. They feel that it's just a kind of opportunistic behavior. When Ye Feng began to talk about nine chapters of arithmetic, Tiangong Kaiwu, Shanhaijing and shuijingzhu, the Japanese were speechless by Ye Feng, but they still didn't like it. They always felt that Ye Feng was going around with them and didn't dare to prove that they were communicating pure literature with them.
What really made these Japanese people face Ye Feng was the poem "nostalgia for Chibi in niannujiao". When this poem was published, all these Japanese people were shocked. It was only at this time that they realized that the young man on stage was not simple!
Now the preface to Tengwang Pavilion gives these Japanese scholars not only shock, but shock!
It's too frightening to react!
They are not foreigners who don't know anything, but scholars and professors who have been immersed in Chinese literature for decades. Like Zhao Huangming and others, they all know what this preface to Tengwang Pavilion stands for!
If ignorance is the most fortunate, then they are the most unfortunate at this time!
After a long time, Miyazaki slowly withdrew his confused eyes and sighed: "Professor Ye studies nature and man, Miyazaki sighs that he is inferior to himself."
"Professor Miyazaki..." at this time, moustache came back to his senses. He was shocked to see Miyazaki admit defeat and said: "he's just opportunistic. When you discuss poetry with him, he writes something. It's obviously wrong. Don't fall into his trap!"
"Forget it." Miyazaki shook his head and said, "poetry, I'm not as good as him."
"How could it be?" Mustache couldn't believe it and said, "your research on poetry is absolutely unparalleled in the world. How can he surpass you?"
Looking at moustache, Miyazaki didn't say anything more. Moustache was about to lose his mind at this time. He wanted Japan to overtake China so much that he forgot Ye Feng's "niannujiao" just now.
At this moment, Miyazaki has already understood the gap between herself and Yefeng. Although she has excellent memory and extensive reading, she has an unmatched understanding and grasp of Chinese classics, but she knows that she can never surpass the person on stage.
Because I can only read classics. But he is the existence of creating classics, even surpassing classics!
One is to follow the footsteps of predecessors, the other is to walk out of the road.
Is there any comparability between the two?
It's a bit of a surprise that Miyazaki Miyazaki has such an awareness. One of the most valuable things for a person is to realize his own shortcomings. I didn't expect that Miyazaki still has such qualities. It's really rare!
"In this case, the class is coming..." Ye Fenggang wanted to announce the end of the class, but the moustache even said: "Professor Ye and Professor Miyazaki on poetry?"
He can't accept that Professor Miyazaki, who has always been regarded as the "proud woman" of Japan, is not as good as this young man!
Professor Miyazaki must be better than him!
Ye Feng frowned. Miyazaki himself had already given up. How could this moustache still shout? Look at this, it's just amazing!
Does he think that the Japanese can really surpass the Chinese in the field of Chinese literature?
Isn't this NIMA whimsical?
This is not realistic at all!
"You want to talk about poetry, don't you?" There is no smile on Ye Feng's face, and his voice is gradually cold.
"Yes! It's pure poetry, not related to other literary genres! " Moustache stressed that he was afraid of Ye Feng's twists and turns.
Next to Miyazaki looked up slightly apologetically at Ye Feng, listening to mustache's words, Miyazaki's eyes emerged a helpless color.
A lot of times, she can't help it.
But Ye Feng ignored her, just looked at the moustache and said in a light voice: "don't worry, discuss poetry, right? Have you seen compendium of materia medica? If you haven't seen it, you deserve to talk to me about poetry? " The leaf breeze sneered, "I" this word bite of very heavy.
"You, you..." moustache is going to vomit blood. What does he say about pure poetry? You son of a bitch! Start talking about something else! Is he not fit to talk about poetry with you without reading compendium of materia medica? It doesn't matter! Ah? Does it matter?
Moustache's mentality is exploding. Ye Feng talks about him one after another. Every time, he makes moustache feel like he can't use his fist to hit the cotton.
Hold back!
Anger!
My heart is full of frustration and anger!
There is no bully like you in malagobi!
What is the relationship between compendium of Materia Medica and other poems? Ah Moustache roared at Ye Feng on the stage, almost hoarse. He really can't stand it. He's never seen such a bullshit like Ye Feng in his life!
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