Become a dramatist from today

"Thirteen is reliable." After receiving the affirmative answer, Yu Mo was happy.

Yu Mo added, "Are you hungry? Let's have a midnight snack together."

"..." If you don't talk about food, we are still good friends. Huang Bai said, "I still have some information to sort out, so I won't go."

"Information - I've always heard that Thirteen's information has been published in many core journals," Yu Mo was curious, "Can you show it to me?"

"It's okay, but some parts are handwritten and will be a bit sloppy." Huang Bai said.

"It's okay. My grandfather used to be a doctor. He can see clearly any scrawls. This is because of his family background." Yu Mo took the folder handed over by Huang Baiyou with both hands.

The first document in the brown folder is "Research on Yu Ji's Outfit".

The first copy was typed on a computer and then copied, so it can be seen clearly.

[Comb your "costume hair"

Wearing the "Ruyi Crown"

Wear "costumes"

Cover "Fish Scale Armor (Improved)"

Wearing a "goose yellow cloak"

Wearing the "Mandarin Duck Sword"

The image of Yu Ji in opera can be summarized from her outfit. The cloaks of female characters in Peking opera have different styles, but Yu Ji’s cloak is completely different. The background color is goose yellow, and the edges are dyed lake blue. The color scheme is commonly used in Wudan, and the edges of the cloak are even decorated with rivets. , to emphasize Yu Ji’s heroic spirit. The plum cloak is embroidered with golden pheasants and magnolias on the outside, and mandarin ducks swimming among the reeds on the inside...]

Peking Opera hats are divided into four types: "crowns, helmets and scarves". The Ruyi crown is also analyzed later. This crown was originally created by Mr. Mei Lanfang for Yu Ji, which means that the Ruyi crown is a special hat for Yu Ji.

The shape of the Ruyi crown is based on the emperor's crown, and the other princesses and concubines of the same status all have phoenix crowns with different patterns.

So this means that in Mei Lanfang's mind, Yu Ji is a character with both civil and military skills. Although she is the overlord's favorite concubine, she can accompany him on the battlefield...

Awesome, Yu Mo was dumbfounded, especially one sentence in the document that he very much agreed with, "Cheng Dieyi regards herself as Yu Ji. Being an overlord is not an overlord, but is Yu Ji still Yu Ji?"

By analyzing the image of the drama, we can understand what role Cheng Dieyi took on and why he finally said, "Your Majesty, give me the sword quickly." He really committed suicide like Yu Ji.

There are too few records to know about Yu Ji in real history, and even whether "Yu" is a surname or a given name is controversial.

"It's necessary, it's so necessary to analyze the image of Yu Ji in the drama!" Yu Mo suddenly asked, "Is our Peking Opera costume the one you analyzed?"

"Of course, the opera director our crew hired is a professional one." Huang Baiyou nodded.

As a director myself, I didn't know the cast of the crew well, so I was a little embarrassed. Yu Mo was a little embarrassed, but not much. He suddenly thought, "I have thirteen, but you don't. This is the reason for being willful."

Looking at the next article "Analysis of Yu Ji's Singing", the handwriting is indeed very dazzling, but Yu Mo can understand it all.

[Look at the king sleeping peacefully in his tent with his clothes on. I am here to go out of the tent and let go of my sorrow. He walked lightly towards the deserted outskirts and stood there. He suddenly raised his head and saw the clear blue moonlight...

The singing style is "Nanbangzi". This aria is a cross sentence, and the singing format is 3, 3, 4, that is, the singing format of "Looking at the King", "In the tent" and "Sleeping peacefully in clothes". The falling tone of the first sentence is on 6, The number of boards is 6 boards, which is "qi" in layout.

The singing pattern of the second line is "Here I am", "Outside the tent" and "Let go of my sorrow". The tone falls on 5, and the layout is "Cheng", which conveys the theme of this libretto "sadness"...]

"Thirteen, when we sing, we need someone to dub us. Why do we study singing tunes?" Yu Mo asked.

"Even for dubbing, I know how to sing, and my expressions are more realistic." Huang Baiyou responded.

It's true. You can work hard just for a few details. Yu Mo looked at it and put a lot of effort into the role of Cheng Dieyi.

One after another, the last one - "The Changes of Folk Yu Ji Cultural Symbols"

"Good guy, Shi Sanqian's vision is broad enough, and he focuses directly on cultural symbols." Yu Mo said, to be honest, is this something that an actor should consider?

As for the content, it reminded Yu Mo of his "dizziness" when he was a student.

“The circle of Yu Ji’s cultural symbols also has the basic characteristics of heterogeneity, which means that it is structurally asymmetrical. Among them, the development speed of Yu Ji’s folk cultural symbols obviously lags behind changes in thoughts and ideologies…”

Yu Mo rubbed his forehead. It wasn't that he didn't work hard in class, but that he hated such complex vocabulary.

"I personally feel that actors have three realms." Huang Baiyou said, "To see the world, to see the crowd, to see yourself is to understand what you want to act, to understand your own strengths and weaknesses, and to use your strengths and avoid weaknesses."

"Seeing the world is the world of the play. Every role of an actor is a world. You must understand what kind of roles this world needs and how to express this world. The creator of the world is the director, which can also be said to be the effect the director wants. .”

"Finally meeting all sentient beings, I understand what the audience wants to see..." Huang Baiyou saw that Yu Mo was confused, so he gave an example, "If the Monkey King is played as a despicable monster, is this what he wants to see?"

"I can't accept it. I haven't read the original work, so I don't know what it's like in the original book, but in my heart I believe in the great sage." Yu Mo responded approvingly.

"So even if the script requires a character to perform this kind of performance for some kind of artistic expression, and I happen to receive such a role, then I have to balance what I want to express, what the director wants to express, and what the audience wants to see. The relationship between these three." Huang Baiyou said.

With this kind of vision, if other actors said this to Yu Mo, Yu Mo would just respond with two words: "Bullshit", and he had to both want and want, but from Huang Baiyou's mouth, that was the realm.

Didn’t the clown achieve it? The three aspects of expression of the director, the audience and Huang Baiyou himself.

"You can't live without being crazy." Yu Mo said in a low voice, and he was surprised to find that Huang Baiyou and Cheng Dieyi had something in common.

The acupuncture-like feeling in Yu Mo's heart dissipated unconsciously. He was so fierce on the set today. In the final analysis, he was feeling unsure.

With a director's career on his back, who can be calm? If you don't want to be harsh, Yu Mo himself would tremble, now - Huang Baiyou is the Dinghai Shenzhen!

On this day, Yu Mo had a peaceful sleep.

The next day, the crew and behind-the-scenes staff began to adjust the lighting early in the morning, and now they have to shoot day and night.

Dong Gong came to the set early and was putting on makeup. He closed his eyes and went over the lines he knew so well in his head over and over again.

Playing against Huang Baiyou, Dong Gong still didn't want to pull his crotch.

Miao Jianghe (a capable actor who plays Master Guan), who has no role today, also came to the set to watch the show.

Not to mention the Joker, in The Truman, the proud Jiang Yuliu is enough to prove his acting skills, so no one doubts Huang Baiyou's acting skills.

But seeing is believing. Miao Jianghe and a group of important supporting actors all wanted to see with their own eyes the legend of the new generation of actors.