Become a dramatist from today

"The reason I shook my head was because I felt it was hard." Miao Jianghe said.

Hard? Master Yuan Xiang waited for Miao Jianghe's follow-up.

"The performance you just performed under the moonlight was actor-level, so you keep it." Miao Jianghe said, "Rather than pouring emotions into a certain scene, I prefer a slow-flowing performance mode."

It seems that everyone knows that he is method-oriented, choosing a few important scenes, and performing fishy paddling performances at other times.

Master Yuan Xiang smiled. It turned out that Teacher Miao regarded Thirteen as a method sect.

"Thirteen is not a Methodist, he has his own performance method." Yuan Xiangshi said, "Thirteen should be able to maintain this level of performance."

Miao Jianghe looked like this on the surface, but he didn't agree with it in his heart. He had watched "The Thirteen Langs of the South China Sea", and Cheng Dieyi just compared it to Jiang Yuliu's most glorious stages in the play.

In addition, Nanhai Thirteenth Lang's acting skills are already terrifying, so you can't possibly improve again, right?

The specific details can be seen even in the same crew.

On the second day of the crew, it was Huang Baiyou and Dong Gong who put on a good show, which created a professional atmosphere among the crew.

There is another very important play today, a play performed by Wen Yubing, Mi Gao, Zhang Nuoguo, and a group of young people.

Mi Gao plays the role of Xiao Lezi, and there is also an actor who plays the role of young Duan Xiaolou.

Zhang Nuoguo, a veteran actor in his sixties, plays the role of master (the master's master), and he is also a fan, so this role is just right.

Fifty percent of the cast of "Farewell My Concubine" are half a dozen boys, which adds to the difficulty.

The teenage extras in the venue are students from the Suzhou Drama School (junior college).

The reason why it is important is to test the director's scheduling ability...

While the main actors were putting on makeup and costumes, Huang Baiyou sat aside with a small notebook and a pen in his hand, as if he wanted to record something.

The props group, lighting, and photography are ready!

The extras, including Mi Gao and Wen Yubing, were also up to par. "Start!" the executive director shouted.

The extras are "hanging legs", that is, standing, tying one leg with a rope, and pulling it with their own hands.

This is to stretch the ligaments and stabilize the steps. Another method commonly used in pear gardens is to use a bench. People lie on it, and their legs are tied to the chair with ropes against the back of the chair. By the way, the two legs are tied to form 180 degree, lasting at least half an hour...

The teacher played by Zhang Nuoguo, holding a ruler, said, "Your "Night Run"."

The temperament of the head teacher can be picked out instantly!

Mi Gao, who played the role of the little leper, was excited, "Looking back at the heaven, he ran away in a hurry, not caring about loyalty and filial piety."

"Stop!" the executive director's voice spread throughout the scene, and something went wrong at the beginning.

The character director immediately stepped forward and said, "What's going on? You shouldn't be able to read it out."

"I'm sorry, director, I recited everything when I was nervous."

I've seen people forget their lyrics when they were nervous. This was done after they were nervous. The character director was a little happy, but his face was still serious, "Be careful."

After blessing the actors, the character director asked the extras to return to their places.

Starting again, the faceless group in the background practiced singing, kicking, somersaults, etc.

Zhang Nuoguo held a ruler, and the scene was the same as before, except that Mi Gao withstood the pressure in this scene.

"I can't care, I can't care..." Mi Gao's performance as the little leper got stuck, and he also showed the little leper's lack of effort. He naturally stretched out his hand to be punished by the teacher, with silky movements.

"What can you not care about? You can't care about loyalty and filial piety!" Zhang Nuoguo picked up the ruler and slapped Mi Gao's palm hard several times.

There was a popping sound - the ruler was made of rubber with a relatively high hardness, and it didn't hurt when hit. Later on, I asked the onomatopoeic artist to make a sound that sounded painful.

Onomatopoeia is a common profession now. Everything from broken legs when kicking to walking to leaves are all added later.

Firstly, it is troublesome to record the sound on site, and secondly, many of the sounds are too subtle, such as the sound of kissing. Experienced singles know that kissing requires making such a big noise that your lips will swell.

Zhang Nuoguo walked up to the young actor who played Xiao Shitou (young Duan Xiaolou).

"Think of me, Xiang Yu. I am so powerful that I can dominate the world. The times are unfavorable, but my talents will not fade away. What can I do if my talents are not dying? What can I do if I am worried?"

"OK, word for word, reach out." Zhang Nuoguo nodded with satisfaction, but still slapped Xiaoshi's palm a few times.

"I hit you to make you remember it. You will have to remember it like this next time!"

Dele, a short plot can show that it was difficult to learn art at that time, and you would be beaten regardless of whether you were right or wrong.

Finally, Zhang Nuoguo walked up to Wen Yubing.

"The little nun was only twenty-eight years old, and her head was beheaded by the master in her youth..." Xiaodouzi (played by Cheng Dieyi), played by Wen Yubing, sang something other than "Night Run".

"What's next?" Zhang Nuoguo said with a straight face.

"I, I am a man..." Wen Yubing said hesitantly.

"Huh?!" The teacher played by Zhang Nuoguo was furious.

"I...I am...I am...I am a tomboy——"

Before Wen Yubing finished speaking, Zhang Nuoguo became furious and wanted to grab Xiaodouzi's hand and hit it hard. He corrected him, "You are a female Jiao'e!"

It was a good performance, Huang Baiyou nodded in praise.

"Teacher Huang...what are you recording?"

A female voice came to his ears. Huang Baiyou turned around and saw that it was Wen's mother.

"Sorry for being presumptuous," Wen's mother apologized and added, "Is Teacher Huang giving scores to actors? What score does my soldier get? If there is any room for improvement, tell me immediately."

"Score?" Huang Baiyou explained, "There is no score. I was just observing Bingbing's performance. He played Cheng Dieyi's boyhood. Some of people's habits are maintained from childhood to adulthood, so I observed and recorded them."

"Okay, so that's it. Teacher Huang is really serious." Wen's mother breathed a sigh of relief. She was still worried that her child would not perform well.

"Did Teacher Huang observe any habits?" Wen's mother asked curiously.

Huang Baiyou said, "I have some ideas. I should watch two more scenes tomorrow and the day after tomorrow."

Yu Mo decided to keep one shot for this scene. The simple understanding is that the scene just now was shot well, but he was not satisfied with some aspects and wanted to shoot another backup shot.

Many directors like to protect one thing, such as a director named Wen on Earth, who is known as Wen Baobao.

The emotion is not strong enough, which is the reason to keep it. Wen Yubing's performance is excellent, but it is still not ready to achieve the "self-gender recognition" carried by the plot.

It's normal. It's really difficult for a mentally healthy teenager to understand the proposition of "self-gender recognition".

It was past six o'clock, and the crew served dinner.

The biggest privilege of the creative team during filming is that they can "order meals", that is, if you tell the producer your tastes and taboos, you can get special care. As for the rest, you can eat whatever is given to you.

The entertainment industry itself is a very hierarchical place. Fortunately, the content of today's film and television dramas transcends the circle itself.

The poor must be harsh and mean to harm the protagonist, while the uneducated are mischievous and arrogant. The female protagonist and the male protagonist either have a good family background or are poor, but they are not poor at all in terms of food, clothing, housing and transportation.

By the way, ugliness and beauty are also the standards used by current idol dramas to classify morality and status...