Big play bone

But the global model is also more careful. Not to believe in the market appeal of Blue Rices, but worry that the rewards are more than the reward, after all, the Blue Roller's reward numbers are too high, they are not sure how the final return is; in addition, whether the blue ceremony is willing to show the sequel is also An unknown, so it is still slightly conserved in the sequel planning, facing the long-term plan of Colin, and the global model has not given more positive support.

In the end, Corin can only temporarily stay in the framework phase and take the lead in writing the first episode.

The script passed the consent of the blue ceremony.

This world appears in the sluggish script, and the completed version of the last generation has changed, the main variables appear on the blue ceremony.

The global model costs such a high allegation, experiencing such a complex twists and turns, which is officially placed on the show, they naturally don't want the blue ceremony to enjoy the Qingfu, or hope that the blue ceremony can increase, will be blue The market value maximizes. The structure of the script also has changed.

On the first world, the male protagonist of "Jurassic World" is the Chris Palat, which has not completed the outbreak. The Owen, which is played in Pradrat, is almost no more than too many background introductions, but only a single place has brought him retirement. The soldiers, and then the safety supervisor of the Jurassic Park, this is all.

It can be said that this is the basic setting of the commercial movie to the hero's protagonist - rarely detailed setting, for the background for character, the lack of a framework, the actor naturally has no development space, and ultimately Just become a historical role.

When "Jurassic World", the image of "Ou Wen" has not been highlighted, and the whole story needs to be alive. The narrative is relatively full, even if there is no role, there is no significant development space. Too boring or empty.

However, when entering the sequential, the plot gradually begins to lack the in-depth, character, and the characteristics of the character, so that it cannot be further expanded and extension, the complement between the character and the plot, the overall view is clear.

This is a paradox for the screenwriter.

When the first part of the series of film is opened, they need to explain the consequences, they need to explain the story background, they need to explain the rotation, but also need to create a continuous or climax of ups and downs in one hundred or twenty-ten-day time, firmly attract the audience Attention, this also makes the space that "role thread" is completely compressed; but the problem is that there is no role development space in the origin story of the series, and how should follow-up stories?

The reason why Mo Wei's adaptation movies can be succeeded, and the most important reason is to give these super heroes, even if it is not a full-minded image, at least it is also possible to impress the feature, "Iron Man" is the most A good example, I finally succeeded at the beginning of the debut. Xiao Robert Downey also gave a character of a character, follow-up development, successfully continued to expand - although the so-called "role connotation" is also limited .

Now "Jurassic World" needs to face different challenge scripts to give Owen more development space.

This is indeed an easy task, but in the eyes of Blue Rise, it is not impossible, and it is still in the end of the director and the screenwriter. If they are willing to make time to settle into such a plot Content, then let the actor can give roles more connotation - this may increase more difficulty for the rhythm control of commercial movies, and may also need to sacrifice more borders.

Now, Blue Gift has enough components that allow the Global Film to allow Colin to do so, and things will naturally becomes water.

1830 role setting

The "Jurassic Park" series restarts the project, which is the second consecutive deployment of commercial movies after "Star Crossing".

During the previous award season, there were a lot of cold ridden sounds on the social network. Now the blue ceremony has begun to reject the art movie, concentrate on challenging their own "money", this self-defeating "actor" actor is final Also can't be seen from the money, then, is the previous heroes are all "people"?

In the Huayinstein brothers, the ignition of the ignition of this negative speech is very market, further interferes with the Blue Rate's Oscar journey first "Jurassic Park", and then "Star Wars Out", one commercial movie After determining the news of the board, the attack against the blue ceremony is getting more and more intense.

But for Blue Rise, there is no need to respond.

After the "bursting drum", there is no clear boundaries between the business and art works, because the art is coming from life and is higher than life, the art impact brought about by commercial movies is also the same. Objective, if the commercial movie is excluded, the art film has no foundation. What's more, for Blue Rise, the most important thing is always that he will return to actor again, stand in front of the camera again, and put it again, this is the most exciting and most exciting, isn't it?

The others can't understand the blue ceremony, but this is nothing to do, because the blue ceremony does not care.

The "Jurassic World" script rewriting and adjustment work can void interesting phenomena between "Commercial Movies and Art Works", of course, because the targeting is different, this is also destined The two have many differences, but in the final analysis, this is a kind of "creation", and the thinking and reflection in the creation process is objective, and it can even be said to be avoided -

Even the most void, the most boring popcorn, such as "Transformers", which also pinned a generation of people who migrant toys, but also hushed the ordinary audience for the sinking of the madness, this It is the charm and influence of movie art.

However, modifying the commercial movie script is not an easy task.

First, it is necessary that the character image and the theme depth of commercial movies is absolutely impossible to compare with art movies, because the goals between the two are different; the same, the actor's performance space is also very different. In such a background, the Blue Rise puts forward opinions, and after Corin is carefully listened, completed the adjustment of the script.

For the image of Owen, in fact, the space he needs is relatively simple. Why is he used to use the dinosaur as a weapon? At the same time, why is he is willing to stick to it, launch confrontation?

Because of love animal protection animals? Because hate war rejection war? Because protecting your lover adheres to belief? Or is it because heroic complex saves the world?

If you want to take a light route, you can choose personal emotions as a support point and starting point, family, friends, and lover, so-called save the world against the enemy, in fact, it is just to protect the people who love yours, and Owen is just like it. The position of this disaster has been forced to become a hero.

The "Jurassic World" on the first world can be such a route.

But unfortunately, even if the emotion is used as a support point, the director and the script have not given a role too much space, and ultimately gives a little pen in the love level of Owen and the heroine Claire, more or in Owen and Xun. Dragon is in the dragon.

This is also emphasized that why Owen can become the protagonist of saving disasters, the problem is that such focus is in the first part, the second part is a little misconduct, not to say the distant third.

Obviously, when Chris Palat served as the protagonist, the global models did not have a sequel; otherwise they can add more ink, between the male lead and the heroine, and between the actor and friends - - These contents are actually a management of commercial movies. Even if the earth is destroyed, the male and female protagonists don't forget to talk about love.

If you want to walk deep route, you can choose war and belief as a starting point. Owen is a former soldiers. He personally experienced the cruelty and bloody of war. He also experienced the pain and fierce of death, which made him live and life Have a different understanding.

Owen and Clare have become the former predecessor, the true kernel is still in the deep pain in Owen, and it is unhappy, and the unhasitation caused by this is the initiative to push Clare. And Clare is also aware of the self-alienation of Owen, and then refuses Compromise, rationally turn around.

It is because it is impossible to find embarrassment in human intimacy, which also enables it to be close to animals under the understanding of the animals, and the inner kindness and softness makes him approach the rise in the rise in step by step, and they have successfully established a trusted bridge, in danger In the case, it has become a relying on each other.

Therefore, when someone is trying to evolve the dinosaur to become a weapon, the hate of the war is close to the rapid dealer, let Owen take the initiative - not passive beaten, but take the initiative, he needs to guard your belief He also needs to stick to his last harbor.

As a starting point for war and belief, follow-up stories can also have many possibilities, a little bit of the image of Owen, especially Owen and Xunlong, the interaction between Owen and Clare, completely has the subject theme Derived to a deeper level.

The most direct reference work is the "Batman" series of Christophern, with Bruce Wesi, to build the "two difficulties" between justice and evil, individual and collective, and then put the whole movie. The core focus falls on this theme of "Dark Knight", indicating that every superhero must sacrifice his tragedy in order to save the world. The "Jurassic World" is so designed to have some different integrity.

Of course, for commercial movies, the director can also choose the narrative approach according to its own style, walk the darkness, then he is heavy and sad, Christopher is the case; walking bright lines, then put the rhythmically controlled lightly, This is the same for the Family movies - as for the performance of those connotation and the heritage, all handed over to the actors.

It must be noted that it is not that the topic is deeply suffering! This is often easily a misunderstanding. For commercial movies, the most important thing is the narrative style, from the image to the light to the lens, and finally there are line contents and performance style, such as such, etc., this is the overall tone of the movie Guan's important role.

So, how should you put it in the commercial movie in the end, but avoid damaging the movie rhythm? At the same time, can you keep the director's personal style?

Similarly, learn from "Iron Man" - For example, Owen and Clare's first reunion, Clare only needs to make a "I don't care about you and your question", "Your problem has not been solved", such as this, hint The relationship between two people is far less simple.

For example, in the interaction of Owen and the rapid dragon, add a lens, reflect the softness of Owen, and the usual haha ​​is different; But it will become firm again.

There is no need to change the movie structure and narrative rhythm in large sections. It only needs one sentence or a lens to explain, through the construction of the lens screen, combine the character image with the story architecture, and leave more the space for the audience. And let the corners of the role began to stand, and it is possible to derive it. This is already enough for commercial movies.