Big play bone

Garis is a direct directive that is very good at using ray variations to mobilize space.

We all know the easiest examples, the larger the window in Chaoyang, the stronger the indoor space; it is, the indoor spatial sense will become narrow.

In the movie, this is called "lens language", from the light to the motion trajectory to the picture composition, including color, location, and background, etc., the use of a large screen picture, which makes the director to present the picture The changes in psychological hints, such as the "desperate driving" starring Ryan Gausslin, Director Nikolans - Wen Ding-Ryvern's use of giant lights, created in Los Angeles vertical, high, high, high, Alleviated light, create the loneliness and emptiness of the whole city, this is the lens language.

The same is true of Garis, and "Costla" can feel his use of light and color, and you can first see anything in today's first play.

Garis closed all the main lighting of the meeting room, leaving only the light comes with the computer or instrument; in addition, the blue-green neon fluorescery is set by the conference room background to ensure the fireflies; the most unscrupulous, undoubtedly Place a rice-white energy-saving lamp in the positive central groove of the circular conference table, and the hood is on the mist, weakened, and reaches a blurred halo effect.

In this way, the main color of the entire meeting room is still dark, creating a mysterious and resolved underground effect, suggesting the status quo of the anti-army, and can also apply invisible pressure, laying the foundation of the movie to open the idea, and cast The whole movie tragic tone.

So what should the actor show? I can't let the audience look for the face and expressions in a volatile.

At the location of each actor, the lightthists set a single lighting according to the angle, give the micro-light gathering in the side, allowing the actor's expression to be present in the effect of Garis - more times It may be partial expression, but it is already enough.

In other words, every actor stands below "spotlights", but overall, the light of the entire scene is dark.

In addition, compared to close-up and close-up, Garis wants to capture the slightly tight atmosphere, medium scenery and panoramic perspective. So, this has formed a contradictory feel: On the one hand, the light is focused on the actor's face, although it is a micro-light; on the other hand, the lens is capturing the medium scenery and panorama, the distance is relatively far.

The above is provided.

Only by truly grasping the layout of the lens and the changes of the scene can be adjusted according to the actual situation, especially should be more communication with the director. For example, Blue Rich knows the overall idea of ​​Garis, he still hopes to show a magnificent texture, because the story background of "Grand Theft A" is space; also because the whole story is telling a group of people to a common goal And the struggle, compared to a hero individual, he still hopes to show a whole, showing the entire group.

What does all these all do you mean?

The performance needs to be simple and profitable, and the mood will minimize layers, but the precise place until it is: flustered. anger. tension. Such this. Of course, every kind of emotions can not be purely straightforward, such as panic, often with fear and nervous, those derivatives are inevitable, which means that the actors must clarify their own performance, then delicate And complicated ways, simply presented the whole emotions.

Any excessive modifications and extensions, including exploration and deepening, which are the performance of the sloppy, not only destroy the integrity of the picture, but also lost in the lens of Garis - the medium-sight or vision lens can't capture these Details, the actors on the screen will only be like a fool.

If the blue ceremony is in the performance of "bursting drum" or "stellation", put it in the "Grand Theft One", it will be a complete disaster.

Now, the crew is facing such a problem.

Garis can't know how to know the problem, because he is very little about the performance; but even if he knows, he can't determine how to adjust, because this is an actor's professional problem, even an actor, it is often an uncomfortable - experience at this moment It became very precious, Mc., Folinde and Blue Rich have had a large-scale performance, they will have a lot of comfort, but they still need time adjustment.

The problem did appear in Fili, but it is not only a problem with Filih.

First of all, Fi Lihe's performance was too delicate. She continued the way of performance in independent movies, and the emotional processing was very in place, but all the shots "ignored", but the rhythm of her performance is derailed, the entire shooting process It seems that the ger is not in, as if each of the gears are not aligned.

Of course, it is not just the problem of Filihi, but the performance rhythm of other actors is not right.

In addition to Philipi, Blue Rise, Angus-Wright and Mei Bell has a line, and four of them constitute the core of this play.

However, the performance of Agus is too staged. It basically maintains the instrument and tone above the stage. It is only wrong from the way to debut, and the whole picture is another painting style - although said "Star Wars series "It is known as" Space Opera ", but it is not a real opera.

Mei - Bell's performance is too tight, the most basic mood can not be passed to the position, so that the entire screen has a clear imbalance.

Even if you don't need to wait for Blue Rise to debut, basic adjustment is wrong.

2273 mutual help

Today is the first play since the "Grand Theft I", everyone is exploring rhythm, looking for state, including Blue Rich and Garis.

So, some snacks appear, which is inevitable, it is understandable. It is not available, this requires a process.

Even if it is blue, he is now in a ponder stage. He can faint approximately to capture a context, probably know the unhamined situation of rhythm changes, but he also takes time to adjust and run - the main actors are all from independent movies or drama stage, and some are good things, some It is a bad thing, this is also a double-edged sword.

It is more interested in Blue Rice. When I first filmed the "tomorrow," his feelings did not have such a clear, what is the reason?

Because the crew member is more tacit? Still because the actor's card is more powerful? Al or the director style is more flat-off? But the blue gift is more inclined to another possible: he is not mature enough, more understanding of the performance, more or limited to his own an acre of three-pointed field; and now, after growing up, it is more comprehensive and more comprehensive. What I can't feel before, I have now started.

No wonder people always say: learn no end.

After shooting again, Blue Rise thinks fine, now the problem is that he knows if the crux is located, but it is not sure if the solution is correct.

Since the entire picture is a whole, then adjust the performance and rhythm, you need to make adjustments from different angles, with the light and angle of each role position, find out the way of performance, and finally consist of other actors. A complete whole.

As an actor, the blue-row line can see the content and scope or relatively limited - the side can also intuitively feel the difficulty of the director position, controlling the overall situation, but also pay attention to details, and find a balance point, Passing out your own inspiration and point of view ... Waiting, etc., not anyone can become an excellent director.

Now the blue ceremony is thinking about whether his performance should be slightly thick. Sometimes, understand how to converge, but can release more information. What's more, in this play, Garis also left Blue Liyao lamp, illuminated the left side face, the whole person is in a semi-spherical state, if the emotions are too miscellaneous, but they seem to have a streamlined Cohes up the strength, so that it has more impact.

Blue Rich couldn't help but think of "Batman: Dark Knight" in Double-sided people Allen - Akhart (AN-ECKHART).

At that time, the clown of Heath Rajo was able to grab the wind, won all praises, so that Allen's performance can not trigger too much discussion; but in fact, Allen gives a double-sided person a kind of evil , the struggle with the struggle and transitions of this role are dripping.

So, can he make a lot of the power of the light, showing a different kind of evil similar to the double-sided people, gives Caisan - Ando Shang more might?

In the original script, Kasan's image is relatively weak, just, blood, bold, tough, brave, and is unable to fight for the cause of the anti-army. On the one hand, this is a traditional hero image. It is also a compromise under the many status of the role. It is also a lot of space for the actors. On the other hand, this is also boric. If you don't have any surprises in the class.

At the last world, Casso's Mexican actor Diego-NA, in fact, a very unique temperament actor, that is also the back of the emperor, behind the book, the exquisite and delicate acting It is not good. But unfortunately, the script did not give too much space, and Diego's performance was submerged in the "Grand Theft No. 1".

At this time, because in reverse repeated shooting multiple times, Blue Gifts have gradually breed a special idea: he can injection into Casso into the dark-

It is not a darkness that is ferocious and evil or walked into the magic, but in order to resist the empire, in order to save the hometown, the darkness of almost paranoid. This also makes Casso often in the face of the piano - croso, often with an eager and executive, even quite unreasonable, invisible to the piano - crossed pressure; but in the process of rear It gradually understands each other, then converges with spikes at a point, support each other, righteousness, righteousness, righteousness, is rushing to his own beliefs, such as the moth fires the fire.

In this way, Cassoyo - An Du's image is full, but it will not be too complicated and deep, showing a reasonable development curve in the framework of the movie script.

How should I presented from the performance level?