Bijo to Kenja to Majin no Ken

It is for understanding the world view, and does not reflect a fine sense of distance, etc.

The sound of ears splitting and roaring (howling) and metal clashing against each other echoed into the space.

A magical light illuminates a dim place without sunlight.

The magical light source seemed to move (how) according to the movements of those in that space.

And the swinging light is successively changing the expression of the shadow that meshes in its space.

The brightness of the weaving of light and shadow tells the story of the intensity of the struggle taking place there.

"- Grace, protect Sylvia!

"Copy that."

The target flutters, and some big ghosts (orgasms) move on to Sylvia.

I instructed Grace to follow up and try to respond to it.

We are now in a labyrinth (dungeon) near the city of Io, west of Salita, capital of the Land of the Beasts (Loar).

We fought dragon men (Weiss) and leopard men (Lentz) and were allowed to tread the tower of Trial (Salita) and approach the Transition Gate west of Loire.

The Gate of Transfer refers to the Gate of the Dragon Man (Weiss), the Gate of the Devil's Transfer.

If you knock on this transfer gate, the Demon Man says he will never transfer to this world (Florence).

If I knew that, I thought I should raise an army but go beat it, but the leopard man (Lenz) politely answered the question.

"The problem is where the transfer gates are.

The transfer gate is located in the labyrinth (dungeon) that went further west from the capital (Salita) into the city to the west and the labyrinth (dungeon) to the west of Io, from the "dragon hunting ground” just through it.

The problem is going through this labyrinth (dungeon) and the dragon hunting ground.

As you know, the labyrinth (dungeon) is not a place where the army can easily pass through, and the dragon hunting ground is literally where the dragon (dragon) is used as a hunting ground, and if you throw in the army or something like that there, it will feed the dragon (dragon) suddenly.

Dragons are active and dormant, and if you aim for dormant periods, you can't get past them, but it's dangerous to go with multiple people who can't hide themselves and stimulate dragons. "

Having never seen a dragon before, it is difficult for me to understand the marvel accurately, but for now I know that the powerful beasts are invincible when they hang in bundles.

With that in mind, we plan to head to the dragon hunting ground with only four people who can hide behind us in order to make our way to the transfer gate.

But it was also stopped by the leopard man (Lentz).

"Now dragons (dragons) are active.

During the activity period, the labyrinth (dungeon) leading to the dragon hunting ground has also been closed.

So even if demons come through the transfer gates, demons shouldn't be able to come into Roar either.

I think we'll be in dormancy in another month, so you should be sharp enough to get there. "

The enemy Kurt is no longer in the world.

He continued his journey following Kurt so far, fearing that his clues would be lost, and proceeded to be driven.

But from here on out, we should be able to take enough time, get ready and head to the transfer gate.

And then the four of us decided to stay in Io, the western city, for a while.

Near this Io there are two labyrinths (dungeons).

One is a labyrinth (dungeon) that can lead to a dragon hunting ground, and the other is a labyrinth (dungeon) for adventurers, managed by an Io adventurer guild.

The labyrinth (dungeon) for the latter adventurers has a high number of demons (monsters) appearing and is intended for the advanced.

The four of us spent a full month or so here to strengthen our cooperation and train each other.

But...

"Hey, what is this!

How much does it come out!?

Sylvia protested with a panicked look. In front of her, there are a few big ghosts (orgasms).

"If you have time to talk, shoot the magic!

More and more!

When I screamed, Sylvia gave a dissatisfied look and fired a flamebullet (flameball) at the big ghost (orga) in front of her.

When you look around Celestia, who has taken on many targets (targets), there are a bunch of big ghosts (orgasms) who don't know how many. She activated the Fortress (Fortress), a defensive move (Ability) of the Heavy Duty Knight (Tanker), even withstanding attacks from all directions.

"Kay, do something quickly!

We don't have much time left!

Celestia tells me to scream. Her guardian fort (Fortress) has less active time left.

But the Great Ghost (Auga), which the three of us have been knocking down for some time now, kept appearing and growing.

"- Grace, there's no other way.

It involves Ceres, but goes with wind dust (Windstorm). Give me the timing. "

"I understand."

Grace answers as she finishes off the Great Ghost (Auga) headed for Sylvia.

"Ceres! It may hurt, but bear with me!

"Whatever, do it fast!

Hearing that remark, Grace and I glanced at each other and timed to cast the magic of wind and dust (Windstorm) to Celestia's left and right.

The two windstorms were used simultaneously to stabilize Celestia's posture.

For one thing, Celestia could be pulled by activated wind dust (windstorm) and sucked in.

I tried to stabilize Celestia sandwiched between them by simultaneously deploying two windstorms.

- However, Celestia will suffer two wind and dust (Windstorm) damage for that matter.

"Ku -"

In addition to being an anti-attribute of the earthly attribute, the Great Ghost (Auga), the released wind dust (Windstorm) is quite powerful, depending on the magical power of me and Grace.

The two wind dusts (Windstorm) suck in the big ghost (Auga) as they rebel against each other, causing damage in the wind storm.

Celestia seemed stable between the two winds and dust (Windstorm), as intended.

But that look seems to be damaging while meditating on his eyes.

When magic converged a few seconds later, the Great Ghost (Auga) around Celestia was down to about half.

Scattered possession bills (more so) are falling all around her.

More than ten bodies should have flocked to Celestia, so wind dust (Windstorm) alone would have defeated quite a few.

Shortly after, Celestia waved the sword of the Virgin (Jacqueline) toward the Great Ghost (Auga) who remained on the side (buckwheat). The attacked Great Ghost (Auga) is buried away.

However, less than ten seconds after the number of great ghosts (augs) decreased, the number of great ghosts (augs) began to increase again.

I use great healing (elder heel) for my reduced HP Celestia to heal my wounds.

"Is this what you mean for advanced people?

This looks endless (endless)!

I scream as Sylvia shoots down the big ghost (Auga) with flame bullets again (Flameball).

Only for what I defeated earlier, the Great Ghost (Auga) is coming from the back of the room.

Celestia's provocation (towns) requires a slight cooling period (cool-time) and therefore cannot be fired in series.

As a result, the newly emerged target of the Great Ghost (Auga) attack (Target) feels a little flustered.

Perhaps there should be a place in the back of this room where a big ghost (orga) springs up (wah), but I can't even go ahead and make sure because the number doesn't go down.

"- Kay, please move on. I'll keep this one."

Grace suggests it to me as she slashes it to the Great Ghost (Auga).

I accepted Grace's suggestion and went into the back of my room with the magic of secrecy.

"- This one?"

The origin of the Great Ghost (Auga) and the location of the Thought (Obo) Shiki were found without so much bitterness.

Because there was something like a magic formation that emitted light on the floor in the back of the room.

I approach it and try to confirm the magic formation.

- and two great ghosts (augs) were born from the magic formation.

Looking at the way the Great Ghost (Auga) appeared, it looks like he's moving from somewhere else.

I have seen many shifts on paper by returns and gates, but I have never seen shifts by fixed magic groups. For a moment, the idea that this might also be some kind of "metastasis gate" is too overhead.

The two great ghosts (augusts) born of the magic formation seem to be looking out for the kyorokyoro and surroundings and looking for something to target the attack.

I'm hiding in secret (Invisible), so the Big Ghost (Auga) hasn't found me.

But if you attack the Great Ghost (Auga) or try to break the Magic Formation, you will instantly solve the secret (Invisible).

When I confirmed that the two great ghosts (Auga) walked out towards Celestia and showed her back, I broke down the magic formation on the floor with a demon bullet (magic ball). Naturally, the secret (Invisible) is solved and my appearance is exposed.

"- GOOOOOOOOOO!!

Two big ghosts (Auga) looked back at me, showing their backs, triggering the sound of a demon bullet (Magic Ball) playing on the floor. The rising roar (howl) indicates that it targeted me.

When I used the magic of thick fog (mist) in front of one big ghost (orga), I fired a wind blade (windcutter) at the other big ghost (orga).

The wind blade (windcutter) flies curved and chops off both legs of the great ghost (orga).

The Great Ghost (Auga), chopped off his leg, fell on the spot and his leg stopped completely.

But the big ghost (orga) who tried to roll in smoke (kem) with the thick fog (mist) unfortunately keeps pushing through the thick fog (mist) and comes through.

I doubled out the Wall of Demons (Magic Wall), assuming that the Great Ghost (Auga) would come with a blow of a stick in his right hand.

Is the Great Ghost (Auga) unrecognizable of the transparent and difficult to see Demon Wall (Magic Wall), or comes pounding the stick with the momentum as it is.

The sound of Gashan and the Demon Wall (Magic Wall) crushing sounded double, and I took that attack, which weakened momentum enough, with the cage hand (Road Bracer) of the ruler on my left.

"Sorry, but I don't have time for this."

While I squeal (crumble) like that, I slam a demon bullet (magic ball)/extra-large into the big ghost (orga) that's pushing me.

The Great Ghost (Auga), who took the attack at a zero distance into his belly, quickly raised his voice and vanished.

When I gently finished the other big ghost (Auga), which I couldn't move, I raised my voice to sound like three beautiful women.

"We stopped the source of the Great Ghost (Auga)! Please, reduce the number."

In response, a grin returns from Grace and Sylvia.

"Copy that! Then I'll go gunning!

In contrast to Sylvia's response, which is healthy, Celestia is - a little, mostly.

When I hang Celestia on her heel again, I lay her on top of regeneration as well.

After that, alongside Sylvia and Grace, he magically and surely tailored the Great Ghost (Auga) one at a time.

The Great Ghost (Auga) in this Labyrinth (Dungeon) is higher level and stronger than the Great Ghost (Auga) in the Labyrinth (Dungeon) in the margin, but the Great Ghost (Auga) is not a particularly scary opponent unless even the number increases indefinitely.

Gradually the number of great ghosts (augs) decreased, slashing down the last one so that Celestia cleared up her scattered beaten grudges.

"- Phew, it smells kind of bad.

It should have disappeared, but I didn't know the smell would linger. "

Celestia, surrounded by the Great Ghost (Auga), says uncomfortably.

Demons (monsters) don't bleed from wounds.

I didn't really notice, but will the smell remain?

"So you want to take a bath? I'm gonna flush your back off specially, okay?

When I said that, Celestia instantly blushed and resisted.

"Bullshit - don't be stupid!

You're making fun of me again!

Hearing the interaction, Sylvia says as if she was frightened.

"Ceres -.

You're finally starting to realize that you're making fun of me... "

Grace laughed bitterly at the remark.

The four of us returned to the city of Io in the time before the sun fell.

As adventurers, the four of us can earn money by putting the Monster possession in the Adventurer Guild.

I don't prioritize making money, but if I live on a daily basis, I'm usually hungry, and I'm sleepy.

It was also certain that if we were to properly bribe the four of us, we would need a lot of money.

When I return from the labyrinth (dungeon), I settle the possession bill (more so) in the Adventurer's Guild and return to the inn to distribute the income to everyone. He then picks up dinner for the four of us across the break, and after returning to his room, he repeats his life of reading magic books.

It didn't leak much today, and it came on the floor (and so on) in the same pattern.

- But I can't let you fall asleep like this today.

The four of us have become accustomed to the barracks life in the capital (Salita), where we sleep in one large room without being divided into men and women. The reason is simple, because this is more economical. Plus, when the four of us are together, there's no mistake.

However, Celestia, who didn't say anything when she was in the barracks, strangely showed resistance...

When I make sure the other three are asleep, it's time to get out of bed and out of the room.

I also thought about using covert (Invisible) but don't use magic because it can happen the other way with magic moves.

From the bed, I hear "ku" and a cute ibiki that seems to belong to Celestia. Given my usual gap with her, I almost accidentally laughed out loud. Is this why she shows resistance to her room? When I was in the barracks, I didn't care...

With that in mind, I leave the inn and go out into the unpopular backyard.

At night, there's no light around here, it's totally dark.

I have a minimal light source (light) to make sure I'm underfoot so far.

When I looked around and made sure there was no sight, I activated the magic of the gate.

In the book of the night, the magic of the gate creates a pit deeper than the night darkness.

I hit the wedge, and when I jumped into the hole, I transferred it to the desired location.

When you slowly open your eyes, there is a familiar landscape there.

It hasn't been months since then. But why do I feel strangely nostalgic -?

Seeing the flood of "books” spreading in front of me, I accidentally spill a smile.

I struggle here, I sleep here, I play what I told you here, somewhat in the back of my brain.

I used the gate to move to Rene's library.

But I looked over, and at least there's no sign of Lene in the library.

I haven't been here since then.

I haven't come to report either that I defeated Kurt or that I met Clovis - who had changed his name.

That's when Lene said, "When I really need to go back to the library (here)," come back.

Because I thought reporting what I had accomplished was not equivalent to that "when I really need to go back".

But I want to make sure of her today.

When I went to my bedroom, I made sure there was no sign of Lene there either.

If he's not in the library or in the bedroom, is he completely absent?

There is a chance that he is doing something in the labyrinth (dungeon) to manage the labyrinth (dungeon).

But I don't know where she went for it.

Second, I looked over at the library, and I saw the bookcase on the top tier.

There, along with numerous books, is a bookcase surrounded by examples of silver magic formations.

As I ascend to the upper hierarchy to be led by something, I advance my foot to the front of the silver magic formation.

There are many books on the back cover that I don't know much about in front of me.

And there was just one readable, curious book lined up on the back cover called "Clancy and Arabella," just like before.

――――

Rarely irritated by the strange sense of disloyalty, I slowly reached for the book.

I feel like my beat is getting louder and my mouth feels dry.

- At that time.

"-!? An earthquake!

I cling to the railing across the bookshelf and stomped my legs so they wouldn't shake me off.

The big swing up off the ground made me wonder if the surrounding books and bookshelves would fall.

But not a single book pops up to see what kind of mechanism it is.

After a few seconds of shaking, the earthquake slowly subsides and I stroke my chest down.

Even though I feel the shake many times in the original world, when I actually shake it, I get really nervous.

I remembered myself clinging desperately to the railing and accidentally spilled a grin.

"- Lord, what are you doing there?

Suddenly that voice from downstairs made me happy.

The sense of vision in me (Dejavu) and this scene overlap perfectly.

When I smiled, I looked back and looked downstairs.