Carefree Prince In Tang Dynasty

The classic routines embedded in advertisements appeared on the stage of Datang's drama more than a thousand years in advance.

Li Xin himself felt a little funny.

But how should I put it, the script should be changed carefully. If it is not so blunt, the placement of advertisements may not be so offensive, and even the effect is surprisingly good.

The final result also proved Li Xin’s judgment-the placement of advertising itself may be okay. It is indeed a good form of advertising and creativity, but once it is too rigid, it will cause the audience to play and affect their viewing experience. That becomes the ultimate failure.

In the original "Jade Mandarin Duck" by the first floor screenwriter, the unappreciated love between the rich girl and the poor man really waited for the expected stick beat mandarin duck. The female protagonist is under house arrest by her parents, and she misses the male protagonist and becomes ill. She can only knit a scarf for the male protagonist at the bedside every day. .

The male protagonist immersed himself in studying in a house with only four walls, and finally he was the top pick in high school.

It should have been a clichéd diaosi counterattack story. Unexpectedly, the heroine died of illness before the hero came back, leaving only this scarf.

In the helplessness of everyone, the play ended in tragedy.

The general outline is like this. Specifically, there are naturally many dog-blood bridges. Otherwise, who would like to see such a clear soup?

Li Xin had to admire these screenwriters-how did they reach such a tacit understanding with later generations of dog-blood drama writers that spanned a thousand years? How about writing such a terrible part of the story by coincidence? In other words, whether it is the people of Datang a thousand years ago or the audience in front of the TV of later generations, they are all the same, what they yearn for is this kind of fierce clash of dog blood?

Forget it, not to mention the goodness of the script, anyway, the scarf is a thing that left a very deep impression on the people who have watched the play-the hostess who was locked in the room, crying and knitting the scarf Isn't it too pitiful? At the end of the story, the protagonist who is stroking the scarf and seeing things and thinking about people is too pitiful, right?

The main crowd who often come to the first floor of the Changchun to watch a show are young men and women who yearn for love. As a result, the small scarf quickly became a beautiful symbol of love.

If it is not for the supply of wool that there are still some problems for the time being, it is estimated that giving a scarf will soon become a gesture of love like giving a sachet or a handkerchief.

Li Xin feels that the pace of steady progress is good. People have gradually accepted wool fabrics in their ideas, but there are not enough wool products on the market to exchange them. When Zhao Ke comes back with the second batch of wool, he can use this batch to try the water and see how Chang'an and surrounding areas react to wool products.

If it is good, a trade agreement with Turkistan can be prepared for talks. To use a precise analogy: You can start preparing for the Turkic to sign a work contract and let him start working.

The days passed leisurely like flowing water. The aunts in Lantian County have already begun to feel a little uneasy: Although they can’t start a job because they don’t have wool, Li Xin still pays them their wages—anyway, there are only ten or twenty old ladies. Li Xin is too lazy. Withhold the money to save that little money.

He is generous, but the aunts are reluctant: We are here to help the prince to do the work and share the worries, so how come we become white-collar workers?

Like Datang Xiaoxian Wang, please collect it: (ltnovel.com) The literature of Datang Xiaoxian Wang has the fastest update speed.