At the same time, there were seven or eight people sitting around an ordinary round dining table, most of whom were elderly.

A gray-haired man in his fifties held up the tea cup and said angrily:

“Thank you all for your tireless contributions over the past few months, but it’s almost the end of the year, and we still have to make progress on this documentary!”

"Why is this hard work? This year is the 100th anniversary of world cinema and the 90th anniversary of the birth of Chinese cinema. At such a commemorative time, it is appropriate to do something meaningful for the film." A kind old lady said with a smile. .

The man smiled, and then asked another younger, middle-aged man: "Xiao Jia, what did Lao Hou say?"

Xiao Jia put down the tea cup in his hand and replied: "Zhang Institute, Dean Hou sent a student over to help."

Director Zhang nodded and encouraged: "We are all old, so we can use our words, but if we really want to take action, we have to rely on you young people."

"Zhang Suo, what are you saying? Experience is wealth. We young people still have to learn from your valuable opinions!" Xiao Jia hurriedly replied.

Xiao Jia's name is Jia Leilei. He is over 40 this year and is also a chief researcher at their film and television research institute.

This year is a special year for movies. The institute decided to produce a special documentary about martial arts movies, "Dance of Martial Arts - An Overview of Chinese Martial Arts Movies", with Jia Leile as the main person in charge.

But several consultants in his project team have quite a lot of backgrounds.

The person who just spoke was Zhang Baiqing, director of their Institute of Film and Television Arts. He is also a director of the Filmmakers Association, president of the Film Critics Society, and the nominal chief producer of this documentary.

The kind old lady just now is named Ruan Ruolin. Before she retired, she was the deputy director of Yangma and the director of the TV Center. She led the filming of "A Dream of Red Mansions" and "Journey to the West".

The people sitting next to him:

Luo Yijun, former president of the Film Critics Society and chief secretary of the Film Association;

Xue Ruolin, former vice president of the Chinese Academy of Arts and former president of the Chinese Opera Society;

He Guangying, not to mention other titles, is a retired leader of Scissors.

These people are not young yet, but they are getting older and stronger. They are all very excited to be invited to serve as consultants in their project.

In front of these big guys, Jia Leilei naturally became a small Jia, and he could only treat them with caution and respect.

The progress of the documentary was a little slow, so director Zhang Baiqing found Hou Keming and asked him to send someone to help. It would be better if he knew martial arts and could edit.

At one o'clock in the afternoon, Wu Yuchen stood in front of Prince Gong's Mansion at No. 17 Qianhai West Street.

Prince Gong’s Mansion was formerly the residence of He Shen, a famous corrupt official. It witnessed the rise and fall of the Qing Dynasty and was called “a Prince Gong’s Mansion, half of the history of the Qing Dynasty.”

Many outsiders may think that since such an important cultural site must be well protected, people in the capital know that Prince Gong's Mansion has always been used as an office space for government agencies and institutions, and at most eight units were housed in it.

When our beloved Premier Zhou was ill in bed, he also specifically asked about the relocation of units and the restoration of cultural relics in Prince Gong's Mansion. But this delay lasted nearly 30 years, and it was not until 2006 that the relocation of all units in Prince Gong's Mansion was completed.

Wu Yuchen looked at the sign hanging in front of him. The Huaxia Art Research Institute was one of the nail shops in Prince Gong's Mansion. Don't think that this is just a research institution with little status. The president has always been the boss of the Ministry of Culture.

But no matter how awesome he is, it has nothing to do with Wu Yuchen. He has already come to his senses when he comes here today, doing odd jobs and running errands!

After Wu Yuchen walked into the courtyard, he saw a gray-haired old man playing Baduanjin, and there was an old lady playing with orchids in a flowerpot next to him, so he walked over and asked politely:

"Hello, uncle, is Teacher Jia Leile here?"

The uncle stopped his movements and looked at Wu Yuchen: "Where are you inside?"

"My name is Wu Yuchen. Teacher Hou Keming introduced me!" Wu Yuchen introduced himself with a smile.

"Oh, you are the one called here by Lao Hou!"

"The young man is quite energetic!" The old lady next to him straightened up at this time and looked at Wu Yuchen with a smile.

The two of them stopped staying in the courtyard and walked directly into the living room with Wu Yuchen.

"Xiao Jia, Lao Hou's soldiers have arrived!"

At this sound, Jia Leilei, who was sorting out his notes in the room, and several others drinking tea or closing their eyes to relax, all looked over.

Wu Yuchen immediately said respectfully:

"Hello teachers, my name is Wu Yuchen. If you want me to do anything, just ask."

"What did Dean Hou tell you?"

"Teacher Hou just asked me to come over and follow the instructions, but he didn't say anything specific."

Jia Leile smiled and didn't take it seriously, and introduced to Wu Yuchen:

"Xiao Wu, we are making a special documentary about martial arts movies, "The Dance of Martial Arts"..."

Hearing this name, Wu Yuchen was suddenly startled, and thoughts were flying in his mind. This documentary is his favorite documentary, bar none.

Lin Qingxia Dongfang Bubai splits the water with a sword energy and drinks wine freely and freely; the murderer Tang Zhan carries a knife under the desert westerly wind and walks towards the bloody sunset; Huang Feihong leads a group of good men to practice martial arts in the red sun. Top Gun; Princess Zhao Min riding a white horse and suddenly looking back with a charming smile... These scenes reappeared in Wu Yuchen's mind again.

"The Dance of Martial Arts" uses a novel and unique perspective and cultural perspective to make a wonderful and detailed analysis of the origin, characteristics and style of Chinese martial arts movies. The picture concentrates the essence of almost all Chinese martial arts movies before 1995, not only the momentum It is majestic, has strong visual effects, and the content is vivid, extremely informative and cultural.

In his previous life, Wu Yuchen was still in college when "Dance of Martial Arts" was broadcast, and he was shocked when he saw it. Based on the clips and shots in this documentary, I found and watched all the martial arts movies shown in it one by one, which also helped him a lot in later filming martial arts-themed film and television dramas.

Later, the documentary scored as high as 9.5 on Douban, but the resources could not be found online. Someone offered to buy an episode at a high price of 10,000 yuan, but it was not available. I can only cry out for regrets. A good film will become a swan song!

Moreover, the theme song of this documentary "Chinese Martial Arts" is also very good. Wu Yuchen still remembers the majestic music and lyrics:

"One's blood cannot reveal the true character of a hero

Two feet trampled through the long desert river

Three sighs, just for home and country

People from all over the world are chanting majestic songs."

Unexpectedly, the job Hou Keming found for him was to participate in the production of "Wu Zhi Wu". This simply shocked Wu Yuchen, and a feeling of joy and excitement arose spontaneously!

Still rushing to code it out first. There will be a video of "Chinese Martial Arts" in the easter egg, I hope it will pass

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