Chronicles of Celestial Origins

Tangning raised her hand and looked behind the stone wall. In front of her was a very narrow corridor with no end as far as the eye could see. The dark matter ran out from here. The answer to all the mysteries should be inside.

He strode across the stone wall. There was a tall stone pillar every few dozen feet on both sides of the corridor. It is not very accurate to say that it is a stone pillar. Its material is neither stone, gold, wood, nor jade, and it feels very smooth. The skin is as beautiful as jade, and the pillars are carved with lines like ghostly symbols.

These lines are completely different from the forbidden seal characters on the outer layer of the underground palace where the ancestors of the Haiyue tribe are buried. Even Tang Ning, who is a complete layman in the art of formation, can see that the lines on the stone pillars are very complex, with layers upon layers and interlocking layers. It looks natural, like one body, very beautiful.

There are many similar patterns and seal carvings on the stone walls on both sides of the corridor. It should be an extremely powerful restraint, but under the impact of the long river of time, it has long lost its effectiveness.

The dim corridor was about several hundred feet long. After walking around a corner, the front suddenly opened up, as if we had entered a huge cave.

The colorful murals on the four walls inside the cave were so lifelike that it was overwhelming. Tangning was attracted by the contents of the murals at a glance.

The first picture in the group is a huge landscape painting. In the painting, among the smoky mountains, forests and lakes, a child with the body of an ape and the face of a horse slowly opens his eyes, and his pupils are blue.

In the second group of pictures, the child with an ape body and a horse face has grown up and is four or five feet tall. It is walking among the mountains and swamps. His blue pupils are very prominent in the picture, and there is a person holding a huge golden wolf fang in front of him. A great tauren covered in black fur.

The child with the body of an ape and the face of a horse hid in the forest on the other side. Then the black-haired tauren appeared again.

In the third group of pictures, a young man with an ape body and a horse face rides on a crane and arrives at a solemn hall.

In the fourth group of pictures, a boy with an ape body and a horse face prostrates himself at the foot of the high stone steps. Above the stone steps, a woman lazily leans on the throne. The woman's white clothes are as white as snow, and she has an independent attitude. You can feel his self-centeredness through the pictures.

When Tang Ning saw this, her eyes widened, her pupils dilated several times in an instant, her breathing gradually became faster, and her body even began to tremble unconsciously.

The woman leaning on the throne in a lazy posture on the mural is none other than Xiao Zhan.

………

He rubbed his eyes in disbelief, and took a few steps closer to the mural as if he was worried that he would be dazzled. He carefully observed the woman in the mural. This look was so familiar to him that he could not mistake it, it was Xiao Zhan.

The ancestor of the Haiyue Clan claimed to be a slave of death and life. The young man from the Haiyue Clan in the mural is most likely himself, so the identity of this woman is already revealed.

Tangning's pupils continued to expand, and thoughts surged in her mind. Thousands of thoughts flashed through her mind in an instant.

The previously unsolved mysteries gradually became clear and connected into a complete line.

So that's the case, no wonder the high priest of the Haiyue tribe mistook him for the messenger of the gods. The source of all this lies in Xiao Zhan.

There is no doubt that there is an inextricable relationship between Xiao Zhan and the legendary death god in the spirit world. If she is not an incarnation, she must be an incarnation of her. It is even possible that she is the death god himself.

In this way, all the unusual things before made sense. The black mist pouring out of the underground palace of the ancestors of the Haiyue clan and the reason why the stone statue guards did not attack themselves may be because they sensed Xiao Zhan's aura.

The fact that she was able to survive in the belly of the white-bone whale must have been due to Xiao Zhan's factors, including the dark matter entrenched in her body, which may also have something to do with her.

The high priest's prediction was correct. From this perspective, he could indeed be regarded as a messenger of the gods...

Tangning's chest rose and fell slightly, and his mood was indescribably surging. He took a few deep breaths, tried to calm down his excitement, and looked at the next mural.

In the fifth group of pictures, a boy with an ape body and a horse face is feeding a huge white-bone whale...

The murals, starting from the left, one after another, are a whole series, telling the life experiences of the ancestors of the Haiyue tribe, including many incredible and shocking secrets...

The ancestors of the Haiyue Clan were born in the Linchuan Daze where the exact location is unknown in the God Realm. They possess the extremely rare ability to predict the future.

The High Priest of the Haiyue Clan must have shown signs of returning to his ancestors and inherited this ability by birth.

The God of Death discovered its specialness, so he took it to his door. For a long time thereafter, it practiced under the teachings of the God of Death, becoming a member of the Temple of Death. It also patrolled the territory as a messenger of the God of Death, and also worked with the heretics. fighting……

Suddenly one day, the divine world was in chaos, and abnormalities occurred in the channels connecting various interfaces. After that, for unknown reasons, wars broke out among many gods one after another.

As a precaution, the God of Death sent an incarnation to the lower world. The ancestors of the Haiyue clan followed him because they had special powers of foresight.

If he dies unfortunately, relying on this external incarnation can preserve a chance of resurrecting and ascending to the throne of God in the future.

At this time, the channels between the God Realm and each interface are already very fragile, and there have been no new bodies from each interface that have ascended to the God Realm for many years.

The ancestors of the Haiyue Tribe were ordered to lead their wives, children, two young white-bone whales, and the clone to leave the divine world through the secret passage controlled by the God of Death. They arrived at another interface below. This interface is one of the worlds ruled by the God of Death. , there are a large number of undead creatures, temporarily becoming the undead world.

The god of death sent his avatar down to the realm of the dead to bury a seed just in case. Unfortunately, the passage connecting the divine realm to the realm of the dead was very fragile. Something went wrong on the way to the realm of the dead. Death The clone of the god was swept into the void by the power of the chaotic space and suffered heavy injuries. Although it successfully arrived in the world of the dead, it was extremely weak and could die at any time.

The ancestors of the Haiyue Clan tried every means to save the clone of the Death God. In the end, although the clone did not completely lose its vitality, it lost consciousness and never woke up.

The ancestors of the Haiyue clan sealed it in a secret place in the world of the dead, hoping that it would wake up in the future.

The passage between the world of the dead and the world of gods was completely destroyed because of this accident. The ancestors of the Haiyue clan could not return to the world of gods, so they could only settle down in the world of the dead.

The world of the dead is a paradise for undead creatures and one of the interfaces controlled by the god of death. However, because the clone of the god of death was severely injured when passing through the space channel, it lost consciousness, and it was unable to completely control the creatures of the undead world. Because of its The rule was too cruel, which over time led to riots in the Necromancer Realm. It was hunted down by a coalition of powerful creatures in the Necromancer Realm, and fled in embarrassment.

Fortunately, it discovered a secret passage leading to the Weapon Spirit World, and then traveled from the Dead Spirit World to the Weapon Spirit World, where it has since spread its branches and reproduced its offspring.

Although the ancestor of the Haiyue tribe was a messenger to the gods, he was still just a mortal. When he was dying, he buried all his secrets in the underground palace and warned his tribe members never to enter the mausoleum.

Because it has set up forbidden magic circles taught by the God of Death in the underground palace, only those who have been taught by the God of Death can pass through these forbidden magic circles safely.

The reason for doing this is because it knows that the death god in the divine world will one day take back this incarnation.

Although it has lost contact with the divine world and cannot communicate the severe injuries to its clone, as the supreme god, it will definitely be able to sense the situation of its external incarnation, and will always find ways to help its incarnation regain its strength in the future.

It left these murals in the underground palace to convey information to the messengers sent by the gods in the future, so that the messengers would know the whole story. As for the stone box in its sarcophagus, it was not only a symbol of its identity, but also a gift to the messengers of the gods.

The two magical powers in the stone box were taught by the god of death and are the key to controlling the world of the dead.

Among them, the summoning of the undead is the supreme method that specializes in dealing with undead creatures. It can summon dead undead creatures to work for itself.

With this magical power, the ancestors of the Haiyue clan did rule the world of the dead for a long time, but because its rule was too brutal, all the undead creatures united to resist.

There are several pictures in the murals that are enough to show their cruelty. In one picture, the ancestors of the Haiyue tribe are sitting in a strict palace with expressionless faces. A group of undead creatures are kneeling on the ground and trembling, while the undead creatures outside the hall are... Mountains of broken bones piled up.

In addition to magical powers that specifically deal with undead creatures, the God of Death also gave it a treasure, which was a black vase. There is a picture in the mural showing the ancestors of the Haiyue tribe sitting in the hall, absorbing and refining. From the contents of the vase, traces of black mist floated out and poured into it.

As expected, the thing in the black vase was the dark substance currently entrenched in his spiritual sea cave.

Because in the mural, there is a picture showing that the ancestor of the Haiyue clan stretched out his hand to condense a ball of black mist and enveloped an undead creature. Then the undead creature seemed to have been drained of its life essence and turned into withered bones.

The ancestor of the Haiyue Clan immediately used his magical power, and the undead creature came back to life again, half-kneeling beside him respectfully.

The black ball in the painting is almost identical to the ball in his palm just now. From this, it can be inferred that it was originally the dark substance in the black vase, which was absorbed and refined by the ancestors of the Haiyue clan and then stored in his body.

After the ancestor of the Haiyue clan passed away, the dark matter did not die. Instead, it came out of his body and existed under the underground palace until he opened the stone door and the dark matter transferred to him again.

This should be a gift specially left for him by the ancestors of the Haiyue Clan, just like the stone box in his arms.

The two magical powers and the mass of dark matter in the stone box were both passed down by the God of Death to the ancestors of the Haiyue Tribe. They were not passed on to their heirs, but were placed in the underground palace of the mausoleum and left for the messengers sent by the God of Death. This was a tribute to The god of death expresses loyalty.

Because it firmly believes that the God of Death will take back his external incarnation sooner or later, it sets up a restriction in the underground palace. Only those who have been taught by the God of Death can pass through the restriction of the underground palace. Therefore, those who can reach the stone chamber must be sent by the God of Death.

As for why it hid the dark substance in the corridor behind the stone door, it may have something to do with the special lines of the seals carved on the corridor.

The strength of the ancestors of the Haiyue clan cannot be known from the murals, but it is certainly not weak. It is estimated that it is at least as powerful as a Mahayana monk. After it escaped from the dead spirit world to the tool spirit world, it never returned to the dead spirit world. He was seriously injured.