Comic cheating, dream-eating life

"I strongly recommend the 11th issue of "Sea Otter"!" Yoshida Koji changed his usual carelessness and spoke quite forcefully.

"Hiramaru is different from ordinary authors. He accidentally saw a jumk on the shelf in the subway. After reading it, he thought that he could draw such a work. He resigned on the same day and submitted a month later."

"With only a comic book, repeated trial and error, and without even knowing how to post dots, he created a character that can be animated. Hiramaru is a genius."

Eiji Niizuma exclaimed: "Amazing! Teacher Hiramaru!"

Yoshihisa Hei ignored Eiji Niizuma and glanced at Minami Shiki: "If it's as you said, it's really worth looking forward to. But what will happen if it suddenly starts serialization?"

For the newcomer, Hei was very worried whether he could maintain his level and keep up with the progress of weekly serialization.

Yahagi also said: "The risk is very high."

Minami Shiki looked at the storyboard of "Sea Otter 11" and laughed out loud.

Facing the surprised eyes of the crowd, he couldn't help but lower his head: "Sorry, although I have read the storyboard of "Sea Otter No. 11", I still can't help laughing when I see it now."

Minami Shiki pointed to the storyboard and continued: "The comics seem absurd, but they also contain philosophy. Mr. Hiramaru's comics have a charm that makes people laugh."

Sasaki nodded: "It is indeed very interesting, and the storyboards are also very exciting. I will include it."

...

"Then next, "Suspect Detective Trap", Ajo Mu Yumeha. [6][9][s][h][u][x][.][c][o][m]"

Aida said: "This work is in charge of Hattori in my group, and it is also a detective comic that won the Golden Future Cup. Everyone may be worried because the author is a sophomore..."

At this point, Aida looked at Minami Shiki and Nizuma Eiji, the two of them were silent as if it had nothing to do with him.

"But I want to make it clear in advance that the two of them can balance their studies and serialization."

When it comes to studies, Minami Shiki frowned.

Yoshihisa Pingzi raised his head: "Where is the evidence you mentioned?"

"In addition to the storyboards for the serialization meeting, they also drew seven serialized storyboards. Five episodes were drawn at the speed of drawing 19 pages of manuscripts every two weeks. It was during the Golden Future Cup."

As soon as this was said, all the editors started to discuss.

Yoshihisa Pingzi sighed: "Ashiro Mumeha is indeed a newcomer different from Heimaru. I am talking about the good aspects. They have been running to the editorial department frequently since junior high school. They are very hardworking."

Yoshida Koji supported his head with his arms and said with a smile: "Their storyboards are really solid, so good that it makes people feel numb in their hearts."

Yahagi worried: "Mystery comics require a lot of accumulation. Can they do it? I am very worried that they will turn into fighting comics halfway through."

Aida replied: "The current 10 storyboards are all very exciting.

"Yeah! Ashiro Mumeha's comics are great!" Nizuma Eiji was very excited to see the 10 storyboards.

Sasaki listened carefully to everyone's opinions and supported his chin with both hands: "The storyboards are very interesting, include them. ”

…

“Then the last comic is coming,” Yahagi looked at Minami Shiki and swallowed his saliva: “Kurama-sensei’s “Giant Clash.” ”

As soon as he finished speaking, Eiji Nizuma slapped the table: “I disagree. “Giant Clash” is boring and has no core ideas of its own. Even if it is serialized, it will probably be cut off soon. It can’t be compared with “Ultraman Tiga” at all.”

Nakano raised his hand awkwardly: “Well, Nizuma-sensei… I haven’t introduced the content yet…”

“I think it’s very interesting,” Aida supported his head with both hands, exhausted physically and mentally after a long discussion: “Kurama-sensei is a very experienced cartoonist. Whether in terms of painting skills, storyboards or plots, there is no disadvantage.”

Yoshida immediately said: “But because he is too old, his ideas are still stuck in the last century, which does not match the readers now.”

Pingzi nodded: “Well, there is a problem. The style has been abandoned by the times. ”

Sasaki kept staring at Minami Shiki, and seeing that he remained silent, he shook his head: "There is no problem with the storyboard, let's include it."

At this point, the screening of all 14 participating works was completed.

"There are a total of 14 works, and 8 have been included. It doesn't mean that all of them can be serialized." Yahagi said, slowing down his speech. He looked at Sasaki until the other nodded, and then made a decision: "So further screening is needed."

Looking at everyone's fatigue, Yahagi gathered the storyboards: "Let's take a break first."

…

Minami Shiki and Yoshida Koji stood together, and there was also Team Leader Aida next to them.

"Tetsuya Hattori did a good job." Yoshida Koji looked down: "Ten storyboards, five finished, you can feel his sincerity."

"You also brought a very powerful trump card," Aida smiled slightly and closed his eyes: "Former salaryman cartoonist."

"Let him serialize! "Yoshida Koji shook his body and said earnestly: "Hiramaru has no attachment to comics. If he doesn't work out, he will give up immediately. Comics can be read by everyone, but people without talent can't draw them! He has talent, and it is a sin to prevent talented people from drawing comics."

Minami Shiki raised his hand: "Do I need to say it here? Let's leave the bathroom first. I want to wash my hands."

"..."

...

It was 9 o'clock in the evening, and the final result was finally released.

The team leaders walked out of the meeting room and urgently called the editors who were responsible for serializing the works in the meeting.

The editors who were playing poker in a tense mood suddenly cheered up!

"8 of the 14 works were included in the joint, but because there were too many works, they were screened again, and finally 5 were confirmed to be serialized."

Among the works confirmed to be serialized, there was Ashiro Mumeha. Hattori Tetsuya's eyes widened!

"Great! Ashiro Mumeha!"

Walking to a quiet corner, he turned on his phone and prepared to tell Ashiro Mumeha the good news.

But it was always busy.

On the other side, Nizuma Eiji made a phone call as soon as the meeting ended.

"Congratulations! Teacher Ashiro Mumeha!"

"Eh?" Takagi Akito was stunned, "Teacher Nizuma, what did you say?"

"The series of "Detective Trap" has been confirmed! I have always liked the works of the two teachers and think they have the ability to compete with me. I have been waiting for you while drawing comics, and now I have finally waited for you, I will not lose!"

"Serial...Serialization!"

Eiji Nizuma said a lot, and Takagi Akito heard the serialization, and there was an amazing cry of excitement over there.

Eiji Nizuma's ears were deafened, and he held the phone away in disgust. After waiting for a minute, he just heard Mashiro Takato say: "I always feel that it is because of Teacher Nizuma that we have the motivation to serialize, please give us more advice next time!"

"Oh!"

The works approved at this serialization meeting include "Detective Trap", "Giant Clash", "Sea Otter No. 11", "Cheese Snacks", etc.

The other works included, such as "KIYOSHI Knight" and "Hideout Door", will have to wait until the next serialization meeting.