Culture Conquers Foreign Worlds

The 3D animation movie screen freezes, the time of the whole world stops, and the scene gradually fades to show the original room. A real room, about the size of a basketball court, was empty, surrounded by stone walls, only a photographic crystal floating in the middle released a projected light to form this animated scene.

Harvey's body passed through the phantoms of the king and his wife, and he squatted on the ground to observe Anna's expression carefully.

"Anna accidentally hurt her sister. Her mood should be helpless, scared, worried, and confused." Harvey thought about it and imagined what kind of expression a little girl whose heart was occupied by these emotions would show, animated. The look and body language information can be different from reality, and should be richer, so that the audience can see Anna's current state of mind at a glance.

As Harvey thought, Anna’s expression changed slightly. After adjusting for four or five times, Harvey nodded in satisfaction. Anna’s eyes overflowed with tears, her mouth was pursed, and her brows frowned. There was grievance, whether or not there was any. The help was still scared, and Aisha was unconscious in her arms, except for her hair turned frosty white, nothing changed.

"Next is the scene where the king is looking for books on the bookshelf. The text of the books can use the simplified version of the star text, which is also in line with this world."

The scene faded and disappeared. At the same time, a bookcase appeared in front of Harvey, filled with books of different thicknesses, but there were no decorations or details on the books. This is a scene constructed by the photographic crystal according to Harvey's mind. .

"The wood texture of the bookcase and the texture of the leather cover of the book need to continue to improve the cover of the book, including patterns and text."

The cover of the book on the bookcase is automatically drawn with exquisite patterns and simple star text.

"Then there is the hand. This shot is just a transition and does not require the king's body to appear."

A hand appeared, hurriedly flipping the books on the shelf, and quickly found the thicker one and opened it, and a map fell to the ground to unfold.

Harvey repeatedly tested and perfected this scene. It was not a big scene, and there were not many details, so it was very easy to complete.

"Come here for the time being today, the next big scene will be a bit bothersome to make." Harvey waved his hand tiredly, and all the projected images disappeared to reveal the empty room.

Then the photographic crystal projected an adult version of Anna's model under Harvey’s control. There were about dozens of them, each wearing a different costume and showing a different expression. This part of the work does not require much energy, but it requires Harvey’s input. Concentration is like a sculptor sculpting these models before they can be used for animation.

In addition to Anna's model, there are other characters stored in the photographic crystal, including dozens of passersby guests.

Harvey spent more than half a month on sculpting character models and scene models, making animation is the next step. As long as the model is made and the model information is stored in the photographic crystal, it is much easier to make animation. This process is similar to the [real-time calculation] of the game, Harvey needs to prepare the material to calculate the animation.

"The funding for an animation is not the exquisiteness of the screen, but the supporting role and the background." Harvey sighed, taking the theory of animation production in the previous world deeply. Digini animation is okay. Island animation is in order to save costs. Many animations simply omit passersby and scene details, losing the agility that animation should have.

Harvey smiled with satisfaction again: "But there is no doubt that it is much easier to make animation with magic. The most expensive full animation on the planet can be easily realized here."

The so-called full animation does not refer to full-frame animation. Many viewers mistakenly think that the so-called full animation is 24 frame animation. In fact, judging that full animation is independent of the number of frames, and there is no good standard. The so-called full animation, the correct understanding should be panoramic animation, "panorama" includes character gestures, physical effects, background effects, and so on.

When the wind blows, it is not a blurry special effect but a physical effect that the entire scene is blown by the wind.

When a character speaks, there will be muscle changes, body language, and clothing that will show physical effects along with the character's actions.

The general audience can clearly distinguish the difference between full animation and limited animation with their naked eyes. Most of Diggini's animation films are full animation, and most of the island animations are limited animation.

A long time ago, full animation was the benchmark of the animation industry. However, with the commercialization of animation, it is inevitable to reduce production costs and reduce the amount of painting by the artist. So limited animation was born and was carried forward by the island animation industry. At least before Harvey's crossing, 99% of the island animations that Harvey watched were limited animations. Only the animated films produced by Studio Ghibli used full animation effects.

It is a good thing to use illusion to make full animation effortlessly, and the visual effect of the animation will not appear dull.

If animation flourishes in this world, spellcasters who are good at illusion skills will have a better future as an animator.

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During the lunch break, Harvey came to the studio on the first floor to take a look at the situation. The studio named Digini Comics Studio by Harvey was progressing well. The artists Harvey recruited were of poor character and painters. Most of them are exceptional, otherwise Harvey would not find them.

Up to now, the creation of comics is about halfway through.

Harvey could feel the subtle changes in the atmosphere as soon as he entered the studio. The painters glanced at him and then hurriedly shifted their eyes, for fear that Harvey would suddenly say something, Shirley and her student Niya were still painting seriously. Did not notice Harvey's arrival. Shirley and Niya get along very well. Perhaps it should be said that Shirley has a quiet personality and has nothing to do with Niya, who has always been noisy. As for students' problems, this era is also relatively relaxed. An apprentice has several teachers. It's a relatively common thing.

Harvey walked gently behind Shirley and saw Shirley drawing Anna's body. A few lines had already outlined Anna's look, and the character was very animated in the style of Diggini.

Shirley was able to get started so quickly thanks to the succubus entering Harvey's dream to learn and communicate at night.

Reflecting on what was finished today, Harvey does not intend to continue to interfere with their creation. As for the reasons why the painters feel uncomfortable, Harvey can more or less guess.

The novel version of "Frozen" has been circulated, and the pirated novels have flowed out of the market. The painters are afraid that Harvey will drive them all away when he learns about it. There is food, drink and a high salary here every day. A decent job is a thousand times better than the days they used to live.

Harvey is not so stupid. If he drives them away and spends a lot of time looking for a painter, he will simply wait for them to finish painting and then dismiss them together. At that time, let the Cromwell Chamber of Commerce re-employ a group of stable painters.

With the comic version of "Frozen" as a sample reference, it is not difficult to screen out qualified artists.