Dancing Circles on the Horizon of Events

-10.5-20 People and Demons 20

"... Dear Waltz. I have a favor to ask. Would you stop by my hometown of Olija?

Beatrix speaking respectfully, in an unusual way. Her appearance, speaking with her shoulders down and embarrassed as she tided her cheeks, "poor flower" if anyone sees it.... especially for Teresa, it just seemed like a sheep-skinned jackal or something.

On the other hand, for Waltz, although it just didn't look like a jackal... She seems to have thought something of herself.

"... I don't know what you're nervous about, but it would help if you could talk normally?

She wasn't a demon or a goddess, just a town girl. For her, she didn't like to be treated like an eye-catcher.

I'm not sure I guessed that, but Beatrice opens his mouth again and says it again.

"Then Master Waltz. Would you please stop by my hometown of Olija?

"... hasn't changed much, but it seems harder than this..."

…………

"Stopping by Olija... of course, not just looking out of the sky, but going all the way inside the town of King's Capital, right?

"Yeah, if it's possible. As a matter of fact... the history of the Kingdom of Orija itself should be ancient, but within the course of several wars the likeness of history books has been lost, and the only thing that describes the history of the past is the words inscribed in the works of art. But now, even that doesn't make it possible to decipher...... Our country is losing its past. So if I could, I'd like to see the country's past in person."

"You know what's going on? I mean, that's it, right?... I stopped by South Fortress, the town of Forn, Acerdyne, all sorts of things, and it's not good enough to stop by our country, is it?

"I won't say that much, but polarity, is that what you mean?

"... don't say it inside"

Waltz wrapping his inner heart, tongue, in front of a beatrix that speaks of his own hope without covering it up. Such a creation of her heart is undisputed Japanese.

"Actually...... That's what Beatrice would say. I thought of the answer in advance."

"What?"

"No, not just Beatrice, but everyone else could say, so I figured out how to answer for when someone says they want to stop by their hometown."

"So what's your answer...?

"No."

"What..."

"That's what I thought when I first came to this age? But in many places, things happen... After knowing that history wouldn't change so easily, I decided to change my mind. So --"

"Bye!

"I knew it was a no, huh?

"What..."

"Precisely, conditional no.... No, should I say conditional yes?

And Waltz smiles bitterly as he says. He thought it was not a good idea to abuse too much about the corny and complexion-changing beatrix. Well, I'm the same age.

"What are the conditions?

"You know you can't do anything, right?

"Yep. If you behave badly, you might change your future, right?

"Yes. So the big premise is not to act in a way that will change the future. And don't act selfish to keep everyone out of trouble --"

…………

"... Yes, no. Hey, my stomach just hurts...... Well, anyway, once we get down to the ground, it's an absolute condition that we can all leave safely, okay? So no selfish behavior. When you do something, be sure to act with two or more people and when you are in a dangerous situation, contact me or Cortex or someone who can go help you right away and ask for help. If you can drink this, you can go to Olija--"

"I'll take care of it! Come on, Teresa? I'm coming! [incomprehensible]

"... I don't know if I can do this anymore..." Slowly

Before I heard Waltz's words to the end, did the tension come up, Beatrice holding Teresa as a princess and turning her heels back and starting walking. Apparently, she's willing to disembark now, even though it's midnight. It should be noted that right now, Energia was not flying over Olija and was flying at an altitude of 11,000 metres, so it is not possible to come down.

Well, that's as I realize when I try to disembark... The problem was with Teresa. It seemed that her being treated like a doll was becoming more and more pathetic, even as a waltz.

"Oh, yeah, Beatrice? There's only two more conditions, right?

"What? What is it?

"Ma (...) zu (...), my story is to hear it to the end. And treat Teresa a little nicer. She's not a doll, she's a human being."

As soon as that happens ——

"Wah, waltz......!/(adv, adv-to) (uk) (uk) (uk) (uk) (uk) (uk) (uk) (uk) (uk)

—— Teresa storing large tears in her eyeballs.

Then she leaves Beatrice's custody and says, "Wah, luh, tuh!" I try to run out on the spot, raising my voice...

Gashon!

The reality is harsh...... Ruthlessly at her present, the bridge door closed. Be strong, too.

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