Depressed writers, the whole network begs you to stop writing

Chapter 233 The sadness hidden behind the performance!

I saw the sad atmosphere created by Yu Nanabahara.

Qingguchuan was stagnant for a long time.

Suddenly, he felt a touch of moisture on his face.

He subconsciously wiped it with his hand and found that it was tears.

"How is it possible..."

Although he has not read Yu Nanabahara's light novels.

But music has no language boundaries. Even he can hear that Kanbara Yushin's music style is as ethereal as the lakes in the Tianshan Mountains, as if it penetrates a ray of emotion from the bottom of his heart.

Let him deeply feel the love contained in it and the sadness mixed with it.

His expression suddenly darkened.

Is this really an original piece of music by a high school student? I’m afraid it’s just that for a professional?

If not for this scenario.

He has to wonder if the other party is cheating.

"Damn it, I didn't expect him to still have this hand." Qing Guchuan said with an ugly expression.

He knows.

Driven by this piece of music, Kanbara Yushin's popularity may have exploded, and the sales at the autograph session may also have greatly increased.

In this small round, he would probably lose completely.

Had he not been in public, he might have been tempted to pound the table.

But soon, he breathed a sigh of relief again.

After all, Kadokawa has prepared a back-up for him, a back-up that even Kanbaru Yushin cannot make a comeback no matter what.

So let’s let the bullets fly for a while!

…

At the same time, at the judges' table.

Several guest judges were also immersed in Nanabahara Yu's music.

At the end, they couldn't help but applaud Nanabahara Yu.

With the lingering sound lingering in his mind, even Chris Yamada, who was paralyzed, couldn't help but look a little sad.

"Is this an original piece by Kanbaru-sensei? It is indeed a genius that is rare to see in a century."

Chris Yamada couldn't help but sigh.

But he was a little pity.

Because there is no condition for it to be used as a concert hall, if it is in a venue such as an opera house.

The effect of this ensemble may be even better.

It seemed that summer vacation was coming soon, and he suddenly had an idea in his mind.

…

Kamo Kenzaburo on the side also nodded and said: "Yes, now I am slightly impressed by him."

"At least that's the case in the field of music." Immediately, he added secretly in his heart.

Next to him, Kurala Hoshino's eyes were rosy, and tears flowed down her cheeks. The sadness between her eyebrows could not be faked.

As a professional voice actress, she is more likely to resonate with words and music.

In addition, she is a sincere reader of "Four Lies".

My understanding of this piece of music is even deeper than someone like Qing Guchuan who has never read it.

For her, this ensemble and the work "Four Lies" are a perfect match.

Kurara Hoshino: "I have to say that among the ensembles I have heard so far, Kanbara-sensei's performance is undoubtedly the best."

Mai Sakurajima nodded, "Yes, it is indeed very touching."

Her eyes were also hazy and foggy.

Mai Sakurajima takes the acting route, and her understanding of music is not even as good as her sister.

But Kanbaru-sensei’s performance really struck her heart.

It also touched the hearts of everyone present, and he suddenly turned a book signing event into a concert.

"Sure enough, Mr. Kanbaru is a person with strong empathy. Whether it is novels or music, they touch the deepest part of our hearts."

"Well, I hope I can cooperate with him if I have the opportunity."

In her opinion, given Yushin Kanbara's conditions, it is definitely not difficult to make a debut.

Hoshino Kurala took a deep breath and smiled:

"I heard from my agency that "Four Lies" seems to be planning to cooperate with Kyoto Animation. Maybe when the time comes, if Mr. Kanbara becomes the script writer himself, we might actually have a chance to cooperate."

Mai Sakurajima was a little surprised, but she soon felt relieved.

After all, Akita Academy is now facing so much pressure that it may be difficult for animation companies in Tokyo to undertake Yu Nanabahara's works.

"Will Mr. Kanbara also have arrangements for Kyoto? Then I'm really looking forward to it."

Mai Sakurajima looked at the boy on the stage.

His eyes suddenly looked expectant.

…

In addition to the terrifying momentum at the scene, the song also quickly became popular on the Internet.

It has attracted the attention of music lovers regardless, including some real experts of neon.

Hisaishi Joeho is one of them.

As a musician who has collaborated with Mr. Miyazaki all year round, many of the pieces he composed have become classics.

As well as the music for this year's "Firefly" movie version, he will be responsible for it as well.

Although Hisaishi asked Bao, he originally planned not to continue to cooperate.

After all, he and Miyazaki are about the same age.

It’s the age to lie down on a wicker chair and bask in the sun.

However, his granddaughter liked the work "Firefly" very much. In the end, due to her persistence, he had no choice but to accept the invitation, planning to collaborate with his old friend one last time.

After joining the Firefly Production Committee, he naturally knew Yu Nanabahara, who was on the committee as a script writer.

In addition, Miyazaki's words of praise for Nanahara have already created cocoons in his ears.

He has always had some impression of this young man.

However, they are now in their hometown in Nagano, far away from Tokyo.

We haven't really met yet.

Hisaishi Joho couldn't have thought of it.

The first time they met was because of music.

He is just watching this show on TV with his granddaughter.

High school student?

Original music?

At first, he felt that this young man was indeed very ambitious, but he didn't pay much attention to his music.

The other party is a genius light novel writer and scriptwriter, and he probably doesn't have any extra energy to allocate to music.

He doesn't think that the other party can achieve surprising success in the field of music.

Especially the difficulty of original piano music.

Playing various popular famous songs in the world, both in terms of performance and difficulty, is much smaller.

But he actually chose a very difficult original music.

Does he think his music is more exquisite than the music circulated in the world?

He suddenly felt that Nanahara Yuu was a little bit fearless.

After all, it is difficult for young people to create original music without immaturity.

How could a boy of seventeen or eighteen know how to use music to express sadness and love? It is even very likely that Nanahara Yuuji is still in a state of confusion about this kind of emotion.

Not to mention turning it into a piano piece and then playing it.

But after the music ended.

Hisaishi Joe's cloudy eyes were full of tears.

As his old friend said, Nanahara is a real genius.

He can be sure that this is a piece of music that has never appeared in this world.

For more than 70 years, he has never thought that someone can express sadness and love so thoroughly through music.

But now, Nanahara, a young man, has done it.

He couldn't help but sigh: "In recent years, there are very few such genius composers in the field of music in Japan!"

"The National University of Music has no good seedlings recently, and I don't know if Nanahara is interested in music..."

(End of this chapter)

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