Distinctive System Superstar

After sending Lee Sun-mi away and returning to the apartment, Fang Cheng fell into deep thought.

After chatting with Lee Sun-mi, he found that he thought of fame and popularity too simply.

He applied the thinking of the entertainment ecological environment of the past celestial dynasty to the model of Korean entertainment ecological environment, but ignored the biggest difference between the two-market size.

The Korean entertainment industry’s local market is very small and highly competitive, so newcomers are updated very quickly. Take singers as an example. The combination that was still so popular on TV this year may be replaced by the same type in the second year.

The process of cultivating actors in Korean performing arts companies is also different from that of the celestial dynasty.

There are many ways to select actors in Korea, and the most common is to recruit. Since performing entertainers are currently the most popular career of youngster in Korea, performing companies have never worried about not being able to recruit people, and the competition for examinations is very fierce.

Moreover, after entering the company, I will be Trainee, equivalent to apprentice for a long time, and set different training content according to each person’s strengths. This process is the most bitter in the entertainment industry, and the elimination rate is also quite high. During the training process of Trainee, because of the cultural differences between Korea and the Celestial dynasty, the relationship between predecessors and teachers is quite traditional, and it is very common for Trainee to be beaten.

In the celestial dynasty, Teacher rarely beats students. If Teacher beats students, he may be expelled. Even Principal will be affected. But in Korea, in elementary and middle schools, in entertainment companies, it is open for Teachers to beat students and Sunbae to beat juniors!

To use what Lee Sun-mi’s former company senior Sunbae told her is: of course it is wrong to hit people, but it is not so terrifying. In the rigorous and cruel training, those who can overcome them will not be upset if they encounter any problems in the future. If you can’t do it, it proves to be unsuitable for this business. It is a good thing to quit early and reposition yourself.

Just like Fang Cheng thought, when he signed the contract with the company, the company immediately arranged for him to perform the works, and then he amaze the world with a single brilliant feat, which was very popular. In the Korean entertainment industry, it is not that there is no such situation, but it is only a rare case.

As for the attractive spectacle of many Internet passers-by, the network knight-errant suffers from unwritten rules. Artists want to rely on selling “charm”, relying on unwritten rules to get the upper hand. This probability is also extremely rare.

Slightly sizable performing arts companies are not grass-roots teams, and it’s not that Boss treats artists as they want. In fact, it’s impossible, because it’s pushing itself toward bankruptcy. No normal-minded Boss can do that. .

In Korea, most of the roles won by the way of unwritten rules are trivial small roles. For example, in a company like 3-star, you can be a middle-level cadre at most by sleeping with your boss. Can you be a general manager? It’s difficult. Very few bosses will risk breaking the company in order to sleep with you.

The same goes for the showbiz.

The victims of unwritten rules are often the overwhelming majority who are incapable. If you have insufficient ability, you have to mix in this circle and enjoy the benefits of this circle. Of course, you need to pay an extra price.

And this is just a question before the successful debut.

In Korea, even if an artist makes a successful debut, it doesn’t mean that he will be done once and for all.

As the Korean market is small, celebrity is highly competitive, and it is updated quickly, which puts great pressure on artists and companies. Unlike the celestial entertainers, the probability of singing a song for a lifetime is great, or relying on commercial performance to make a living. In South Korea, if it’s not going to be popular this year, there will be countless artists with the same style as you next year, overwhelming you.

Even if you become a celebrity, the personal issues of the artist must be careful.

Even for superstars who are single on the front line, whether their relationship status is impossible is a personal issue.

In order to maximize the irritation, the brokerage company will make every effort to make use of this topic to hype and search the hottest.

On the other hand, for artists with idol temperament, their fans project their imagination of the other half of the idol on the artist, and others are not allowed to occupy Idol.

Whenever one’s idol’s marriage and love changes, many fans will even get off fans angrily, which is not a good change for the artist’s image itself. In this way, based on the image of the artist and the personality of the fans, concealing the marriage and love situation and staying single is precisely a choice to maximize the benefits: for the parties, as long as they are usually careful, they will still Why not bring new heat?

But this is not the case for artists who are preparing to debut or have not yet become famous. Brokerage companies generally do not spend their energy to help them conceal or cover up, and it is often a one-size-fits-all decision: not to fall in love.

This is why Sunmi chose to break up with Lee Jong-hyuk when she was preparing to make her debut again: on the one hand, pressure from the brokerage company, on the other hand, from prevention after her debut.

The secret life of Korean entertainers not at all looks so glamorous on the surface, because the show business is not heaven after all, but the show business is not hell either, and it will not be company with the devil every day. The showbiz is no different from ordinary human life. There is the helplessness of crying and complaining, and the joy after struggle.

After becoming an artist, the status is not equal.

As far as the group of artists is concerned, the “food chain” is like this: actors> idols, Sunbae> younger generations, overseas popular> only local.

Most of the pressure on Korean entertainers comes from work. There are talents from generation to generation, and new generations are replaced by old ones. This kind of pressure to survive is real.

Especially for TV drama actors, because of the unique production method of Korean TV dramas (production and broadcasting), they are under considerable work pressure. Most Korean TV dramas are broadcast while being produced. The daily ratings of TV dramas are heavy, and the directors and actors can’t breathe.

South Korea has a population of more than 4000 and has a population of more than 10000. There are 3 major TV stations. A TV ratings of 10% is a very average result, and a success above 20% is considered a success.

Therefore, many dramas will collect the opinions of the audience at any time during the broadcast process. UU Reading www.uukanshu. com revises the script at any time before shooting. If the audience asks A and B to marry, the director has to arrange him and her to overcome many difficulties and make all the impossible in the broadcasted plot possible. In this way, the burden and pressure of the actor’s work can be imagined.

As Fang Cheng had previously envisaged, after accumulating enough to sign a contract with a brokerage company, the company immediately arranged for the works to appear, and then quickly became popular as soon as they debuted. In 2 years, they have won numerous awards and become the top celebrity in Korea. It can be said that this situation is basically impossible.

One is the issue of opportunity, and the second is the issue of qualifications.

If you don’t have an opportunity, you can’t meet a high-rated work, no matter how good your acting is, you have to slowly accumulate to become the first line.

As for the question of qualifications, if you don’t work hard in the entertainment circle for a few years, accumulate works, and want to become a actor by relying on one or two works, that is basically impossible. Even if you really have to get the actor status by virtue of superb acting skills, but because of the time of your debut or the issue of popularity, it will not grow for 2 or 5 years. It proves that you can stand the test of time and it is difficult to become immediately. Top celebrity.

The top celebrity not only refers to your status has been raised to a certain height, or your reputation has reached a certain Peak, but also refers to whether you can stand firmly on the peak and stand for a long time.

It is often said in a sentence, “ignorance is a bliss”. The more you understand, the more shallow you feel.

Fang Cheng has this feeling now.

As previously envisaged, temporarily rejecting the interview invitation, postponing his debut, and waiting to accumulate enough before amaze the world with a single brilliant feat. It does not mean that his plan is wrong, but in the Korean entertainment industry, this plan is not Suitable, but not safe.

After listening to Lee Sun-mi’s explanation, he now has only one feeling:

There are many twists and turns in the road ahead and a long way to go.