Dungeon Master Makeup Money

There is a difference in reach between Sylvia equipped with a dagger and Isla equipped with a long sword.

In order for Sylvia to fight in her favor, she needs to jump into Ira's pocket and fight at a difficult distance with her long sword.

The prospect is a brilliant success, and Ira, meat-pressed by Sylvia, is daggered to the neck.

This is a simulated battle, so if you can strike a sword where it can be fatally wounded, it will be a victory. For that reason, Sylvia was going to inch him before the blade hit his neck.

"Huh...?

But Silvia's gripping dagger was played by Ira's long sword, which was swung up just before it was stopped.

The sword as it was swung up is swung down to Sylvia's shoulder.

Of course, Ira stopped me because I know it's a mock fight.

"That's it."

For once, I voluntarily decided to serve as referee because I thought I needed a referee, but the result was still Sylvia's loss.

However, Sylvia doesn't seem convinced.

"One more time...... one more time please!

"Fine."

Two people who distance themselves again and leave.

Instead of Sylvia retrieving the dagger this time, she throws the two daggers she had. Instantly remove a new dagger from the storage ring to activate the double-edge technique.

The dagger thrown had been thrown towards Ira's shoulder to avoid fatal injury.

But the thrown Ira waves her sword like she knew she could throw it there and slaps down two daggers.

I was just a little shocked that I got slapped down, Sylvia, but when I go around behind Ira with my status fully open, I aim for my shoulder and wave the dagger just like the dagger I threw.

Ira was taking it with her sword without looking back.

"How do you know where to attack yourself? What a face."

……

Sylvia, who was pointed out, was speechless and surprised.

I don't know exactly from the side, but perhaps even I would know where the attack would come from if I confronted the front.

"I'll tell you why. Your attacks are honest."

"Honest?"

Ira wields her sword sharply, and sometimes Sylvia thinks and she unwittingly collapses.

But we don't imitate what we chase.

Sylvia again takes the weapon out of the storage ring as she rolls down the ground.

"I see. Apparently, the equipment is first-class. I thought you'd admit to losing if you dropped your weapon, but it doesn't make sense how much you dropped."

"Yeah, what do you mean by that earlier than that?

Honestly - the meaning of the word.

"You, your status seems pretty high, and your experience in fighting demons... probably loaded up in the labyrinth, but you only have a little bit about interpersonal experience"

As Ira points out, Sylvia's interpersonal experience is only about Davis the Assassin.

Assassin Davis wasn't originally the kind of person who fights across from the front either, and it should have been his real way of fighting to get close and deadly with a blow to his defenseless body without being noticed because assassinations are specialized.

However, Sylvia's ability to detect prevented her from hiding, and when she decided she was no match for her power, she used it to escape all of her abilities.

He believes that the battle for his father's revenge made him an experience of fighting people without cowardice, but not interpersonal combat. That's why the mock battle with Ira, who fights me from the front, was a ship across the street.

And I'm talking about interpersonal combat, but I don't have much experience with interpersonal combat either.

Even my experience fighting people was when I defeated the adventurers who did the banditry thing right after I became a labyrinth lord and when I dealt with real bandits at the merchant's escort request I received in the Adventurers Guild.

In fact, I don't have enough experience to evaluate it.

Still, thanks to a status nearly ten times that of Sylvia, I could see in detail what Ira was doing.

"Where are you going to attack when attacking, and where are you going to attack in advance with your gaze? If you follow that line of sight, it'll be easier to deal with an attack faster than mine."

Where are the attacks coming from?

I can act first with one or two hands just knowing that.

"Then you see the difference in the battle between demons and people?

"Difference, is it?

"Demons strike me as instincts, but in the case of humans, there is both a struggle and a fear. When people fight, they always need to think about things and move their bodies. Conversely, you need to read what the other person is thinking and fight."

"Huh?"

Now Ira rushes out and approaches Sylvia.

Step on your left foot to protrude your sword towards Sylvia as you approach it, and pull the sword you had in your right hand in parallel.

As soon as I saw the motion, I set up my dagger like a shield so that Sylvia could jump back and take Ira's sword.

But those actions were designed for Ira to do so to Sylvia.

Instead of sticking out the sword on the spot, pushing forcefully forward pushes the sword against Sylvia's shoulder.

"Here's the thing."

Sylvia got hooked up with Ira's feint so much that she decided she would be stuck out her sword. As a result, dealing with poking became a priority, unable to respond to swords swept up.

"I knew it wasn't just a high status, it was a matter of skill. You have excellent ability to detect."

Ira's feint, but Sylvia's level of skill has put her into action faster than she can normally react to.

I was able to deal with it so quickly because Sylvia had excellent detection skills and grasped all the other person's behavior. Because of that, I saw the feint through tightly and was guided the other way around.

No action had been taken if it was a feint.

It was going to fill the status difference that was outweighing it, and it was letting Ira win.

I'd be feint-handed, and when I get hooked, I'd move it like I was forced to explode and take the other guy's back forcefully. That's all I can think of. Or I can do it.

"Still going on?

"No, I surrender..."

You eventually gave up. Sylvia approached me with a toe-bottomed foothold.

I guess there's something to reflect on just because it was a mock fight that made me think of everything even as her. Let me be alone for now.

"Thank you. Fighting me wouldn't have fed Sylvia, so it was just fine."

"Really?"

"Oh, because I'll be Sylvia's master. Even if you lost to me, you might have thought it was due to status or relationship."

"That sort of thing. If it helped, can I think of something I could do to repay my debt?

"No problem."

"But when I get my prize money, I'll pay for a decent meal."

If that's all I'm saying, I'll make it a treat.

"See you later"

Walk to the Magic Regiment, which leads to the eleventh basement, on the twelfth basement floor, with bags filled with the material obtained in the labyrinth.

Oh, wait a minute!

"Hey, don't you use metastatic crystals?

It is possible to use magic formations to go back up, but normal people use metastatic crystals, so they don't bother to imitate using magic formations to go back.

"Metastatic crystals?

But Ira was tilting her neck, unaware of the presence of metastatic crystals.

Apparently, he really came without gathering any information about the labyrinth.

No, I can't even tell you about people because when I first dived into the labyrinth, I didn't even know about metastatic crystals and came with little knowledge of the labyrinth.

"At the entrance of each floor, touching this is a substitute for being able to travel in an instant under the metastatic crystal I've touched before... but I don't think you've touched it."

"Haha...... I didn't know there was such a handy item, so I was feathery walking home as it was, so maybe I was going down again"

The upper layers also absorb less magic.

I don't think it's going to be enough to be cornered.

We became friends because of this, and we accompanied Ira up the labyrinth in the tunnel without using metastasis crystals.