Entertainment: Gufeng Song God I Shocked the World!

Page 198

From images, sounds and different ways of narrating stories, it has greatly influenced and changed the way of life and thinking of the contemporary public, and changed the public's aesthetic taste.

"The Legend of Sword and Fairy III" is a mythical fairy tale TV series. The setting of the mythical fairy tale has laid a good foundation for the richness of this TV series, and it is also combined with the audience's romantic imagination of the fairy tale.

At the same time, Fairy Sword III uses very rich narrative layers and cross layers to organize the sequence of TV pictures and story structure, which greatly satisfies the emotional needs of the audience and allows the audience to enjoy and satisfy the beauty.

By analyzing the typical narrative layering and cross-layering in Xianjian III, we can deeply understand the role of narrative layering and cross-layering in artistic expression.

And the artistic effect produced by such a narrative method is the visual enjoyment and spiritual and emotional satisfaction it brings to the audience, so that Xianjian III has become a classic of Xianxia drama and a good memory in the hearts of most audiences. "

A well-known CCTV anchor is not reluctant to follow.

"According to Mr. Zhao Yiheng's definition: "The task of the previous narrative level is to provide a narrator or narrative framework for the next level.That is to say, a character at the previous narrative level becomes the narrator of the next narrative level, or a certain plot at the high narrative level becomes the narrative behavior that produces the lower narrative level, setting a narrative framework for the low-level narrative. "

Mr. Zhao Yiheng further discussed what is the real stratification in "General Narratology":

What really happens is another narrator (for example, Ping'er tells the story of "Stone Nerd Fan?' Zi" in "A Dream of Red Mansions"), or another narrative frame (for example, the play within the play of "Hamlet") .

There are two criteria for judging the true stratification: first, change a narrator; second, change a narrative frame.

XNUMX. "The Legend of Sword and Fairy III": The narrative layering of dreaming and dreaming enhances the audience's aesthetic expectations for the TV series

The beginning of Xianjian III was unpredictable. In the first episode, a young man was flying with a sword in the air amid misty clouds. At this time, the soundtrack was just right.

At this time, an old man with a white beard and white hair appeared to show the boy a blue box. When the boy was about to see what was in the box, Mao Mao's face appeared in the camera: "Boss, boss!"

The camera hits the head of a sleeping teenager.

Then right away into the song, the subtitles, the prologue.Only then did the audience realize that the scene just now was just a teenager's dream.

In this short four minutes, the TV series has gone through three levels.On the first floor, Sedum is dreaming, and Sedum is the narrator.On the second floor, Mao Mao wakes up the dreaming Sedum.the third floor,

The song prologue at the beginning of the TV series, which is the narrative frame boundary "pushed in."

In just a few minutes, the audience experienced the dream, the reality in the TV series, and then experienced the special arrangements for the filming of the TV series.

Such a layering set up a lot of suspense, which satiated the audience's appetite and curiosity. The audience was still in the mood, and the words "The Legend of Sword and Fairy III" appeared on the screen in the ignorance.

Then the song came, and the audience seemed to come back to their senses: it turns out that this TV has just started.So I want to know the content of the TV series after the song.

The song lasted from 2 minutes 19 seconds to 3 minutes 56 seconds, and the audience was also full of interest.This TV series aroused the audience's aesthetic interest and stimulated the audience's aesthetic expectations in this way of narration.

After the song was over, the words "The Legend of Sword and Fairy III, Episode XNUMX" appeared on the screen.The first episode of the TV series has officially started.

It was still the voice of Mao Mao shouting for the boss, the camera was aimed at the sleeping boy, the screen was cut off, and a special introduction with text and voiceover came: Sedum, the world is big, the happiness is the greatest, Yong An is a friend, loves antiques, is good at piracy, dreams Become the richest man in Yuzhou.

The narrative is layered again, and this layering is very abrupt, with a sense of forced intervention, and the main narrative is once again interrupted.But it seems necessary and useful to place it here.It explained the setting of the character's name and personality characteristics, and gave the audience watching TV an overall introduction, so that the audience had a general impression of the character without being at a loss at the beginning.

Then the young man woke up with a whimper and slapped the bed board with a chubby face and Mao Mao, asking Mao Mao to compensate him for the loss of at least XNUMX taels for not catching the box in his dream.And the pawnshop clerk thinks that the young sedum interrupted the dream of Mao Mao and a girl before.

But Maomao just interrupted Sedum's dream, causing Sedum to lose XNUMX taels, so Sedum finally owed Maomao XNUMX taels.

At this time, Jing Tiancai suddenly felt that it was not worth it. He took the abacus and said, "Okay, dreaming, why are you so serious?" The reality and the dream were separated.

This dream officially ends here.

The interaction between reality and dream is integrated. Dreams, as a narrative layer, are closely related to people's daily life, and mobilize people's wish to live in beautiful dreams sometimes, and hope that beautiful dreams will come true.

At this time, the TV series has formed a close psychological connection with the audience, allowing the audience to watch the TV series with a lot of fun with their longing for a beautiful dream, and quietly plant an expectation in the hearts of the audience.

Therefore, I think the attraction of Sword and Sword III is largely due to the richness and complexity of this layering. In addition to the setting of the myth itself, the excellent actors, and the arrangement of the narrative structure of the TV series are also the most important things to make the TV series stand out. "

"?~ At 14 minutes and 26 seconds in the sixth episode of Xianjian III, the blue box and the white-bearded old man appeared again and expressed their desire to see sedum outside the dream.

On the one hand, Sedum knew that he was dreaming, but on the other hand, he was still unwilling to see the box go like this, so he still rushed towards the box, trying to grab the box Yong.

This is a very contradictory move. On the one hand, he doesn't believe in dreams, so he turns around and goes to the box in front of him. On the other hand, he believes in dreams and feels that the box in front of him is really in front of him. Yes, it belongs to him if he catches it, so he's going to pounce on that box.

The audience is a little suspicious of whether this is real or a dream when they see it.

Because the narrative frame boundary here is not obvious.

When the old man said that he saw Sedum out of his dream, the audience realized that it was a dream, but Sedum's actions made the audience very confused.It can be said that this time the layering, Sedum's Luojing enriches the reality seamlessly.

Even Sedum himself couldn't tell whether it was a dream or reality, because what happened was too unbelievable to happen in his life.

At this point I think the narrator is not distressed, but rather entertaining.

The audience and the characters in the play are placed in the alternation of reality and reality, and the reality and reality are indistinguishable.

How clever is this narrative arrangement.

Logic, reason and sensibility are all explained and connected just right. ".

Chapter XNUMX The time-space boundary of the world is so broken

There is a lot of analysis online.

Whether it is an expert or an ordinary netizen.

This can not help but let everyone feel.

Fairy Sword doesn't seem to be a simple TV series anymore.

Yes.

** TV series, when did the ratings exceed 20%.

And the results in overseas markets are also rising faster and faster.

Even more astounding.

This is not actually a TV drama filmed by a singer.

An old fashioned singer!

Before the Legend of Sword and Fairy came out, I don't know how many people were suspicious.

But now.

Those questioning voices all disappeared.

In an instant, those who questioned Qin Fei became his most loyal fans.

"On the other hand, can we also say that TV shows do not lower the audience's IQ as criticized by some scholars and the media.

On the contrary, the TV drama interacts with the audience at the imaginary level through a narrative method of sound, image and application, mobilizing the audience's thinking and emotions, and reflecting on itself in the TV drama and reflecting on all aspects of itself.

In the face of such an industrial culture, the public is not completely passive, but participates and interacts.

The reason why TV series can mobilize the audience's participation is fundamentally because it is highly compatible with the audience's aesthetic needs.

This shows that TV dramas are not acting on their own, but know the audience's expectations for watching TV dramas and the audience's aesthetic expectations for TV art.

That's why I tried my best to make full use of some of the existing attributes of the myth to build a communication between the audience and the plot.

It enables the narrator to make the narrative layered and retractable, and the effects and expressiveness of the TV series are rich and colorful. The images, sounds and narration methods coincide with the audience time and time again, so as to collide with emotional sparks. TV dramas have become classics and at the same time have greatly satisfied the public's aesthetic expectations and tastes.

In "The Legend of Sword and Fairy III", Zi Xuan's love for the third world, the cross-layer and role of the love story across the world.

Both the voice-over (beea) and the text are introduced: Zi Xuan, loves three generations, never leaves her.The mother and daughter of the earth are married, love is her persistence, and waiting is her destiny.

Such an introduction is a super-narrative setting of the character and character of the main narrator.

In order to save the seriously injured Zi Xuan, the Taoist priest of Shushan unsealed Xu Changqing's memory of his previous life and past life, opened up the past and the present, and also opened up Xu Changqing's cultivation skills in the past lives, and concentrated on Xu Changqing in the present life. Two hundred years of skill.

During Xu Changqing's healing process for Zi Xuan, Xu Changqing's past life memories and the past of the two of them appeared scene by scene before Xu Changqing's eyes.Xu Changqing finally understood his point with Zi Xuan

Bit by bit.

There is no doubt that this is a cross-layer, and the memories and skills of the past pour into the present world, making the three people who were originally separated, the three lives, merged into one.

All through.The temporal and spatial boundaries of the world of secular narratives are thus broken.

This kind of cross-layer may not only be a problem of narrative structure, but also the mysterious problem of myth itself, and Buddhism and Taoism all say that people have past and present reincarnations, which affects the way people think and view life.

This kind of cross-layer connotation becomes richer and gives people more thinking.It is more removed from the problem of narrative technique and attributed to ancient myths and legends.

It is attributed to the influence of Buddhism's thinking on life on people's own vision and way of thinking. This is also an important reason why this kind of cross-layer is not abrupt in the whole narrative, and the audience is easy to accept and like it.

The typical reason for such cross-layer success is that it is not only a narrative technique, but also a way of thinking that has influenced people’s psychology for thousands of years, allowing people to truly like and accept such stories from the bottom of their hearts from the inside out. cross-layer approach.

Jumping out of this kind of thinking, this cross-layer makes the TV series emotionally long, making people feel the difficulty and longevity of the three-life love between Zi Xuan and Xu Changqing.

This also makes watching Immortal Sword III, especially the love between Zi Xuan and Xu Chenqing, become the obsession of many Immortal Sword fans.

"The Legend of Sword and Fairy III" is a classic fairy tale drama, its classic depends not only on its theme, but also on the narrative methods and skills of the whole drama.

Among them, the classic narrative layering and cross-layering in Xianjian III has also become an indispensable and crucial part of shaping this classic.

"The Legend of Sword and Fairy III" maximally steps on the public's aesthetic expectations in terms of narration, and mobilizes the audience's thinking and imagination to participate in the TV series through the use of various narrative layers and cross-layers.

It also allows the audience to release their imagination and emotions in this way of narration, allowing the audience to achieve emotional resonance and agitation with the TV series in terms of aesthetics, thus enriching their aesthetic taste and daily life.

Here, we can also feel the respect of the classic TV series for the audience's IQ and aesthetics, as well as the audience's ability to think and judge when they aestheticize popular culture. "

This analysis should be the best in the whole network.

Many people felt he was right.

Especially after combining yesterday's plot.

Of course.

Because this analysis and interpretation was written by Qin Fei.

Looking at the lively discussion on the Internet, he couldn't help but write a paragraph.

It's just that he uses his own consumption.

Unexpectedly, there are tens of thousands of views in the blink of an eye.

In fact, Qin Fei was thinking, if these people knew that he wrote it.

I don't know if the number of readings will exceed several million.

Thinking of this, he shook his head with a smile.

"Wait for the TV series to pass, and it's time to prepare new songs."