Entertainment: Starting With A Net Worth Of One Trillion, I Chose To Lie Flat

Chen Mo himself didn't expect that a plan he casually proposed would trigger a huge heated discussion on the Internet.

Not an exaggeration.

The entire Weibo and even the Internet are discussing this matter.

Especially those who like to watch movies and follow the film industry, they are only curious about two things.

First, who is the first lucky winner of the Big Bad Wolf movie support program in 2011?

Second, who is the major shareholder of Jiaxing Entertainment? Why do you think so?

Apart from that, they actually don't care much about other things.

Such is human nature.

Seek good fortune and avoid misfortune, like to watch the excitement and watch hot events.

But when they really need to pay, many people's first reaction is to withdraw.

For the vast majority of viewers and netizens, they don't care about this Big Bad Wolf movie support plan. They will just go and watch a good movie when the time comes.

But for those young directors in the entire entertainment industry, it is really surprising.

Jin Province.

"It's a good thing, absolutely a good thing!"

A middle-aged man patted his thigh and said with the newspaper in his hand.

"What's wrong, Director Jia?"

The person next to me asked curiously.

"Of course it's a good thing."

The joy on the face of the man called Director Jia was beyond words. He smiled and said to the person next to him: "Go and find Old Han."

"good."

The man was a little strange, but he still followed his instructions.

Very fast.

A short middle-aged man came over.

In his thirties, he looks a bit old.

"Director Jia, look for me."

Thirty-three-year-old Han stood there with a strange look on his face.

He is Jia Zhangke's fellow screenwriter and a screenwriter who has been with him for ten years. No one knows that he is actually a director.

After all, the entertainment industry is really difficult, so Han Jie had no choice but to work under Jia Zhangke and slowly wait for opportunities.

It is not that he has never directed some short films, but unfortunately, although he won awards, they did not attract much attention.

When Han Jie was a child, her dream was to grow up and become an artist.

Because his parents were divorced and worked away from home, he lived with his grandmother since he was a child.

When Han Jie was a child, he had an extraordinary interest in painting and performing. He often used the money he saved to buy colored paintbrushes and paint pictures of his deceased grandmother, the dog at home, and window decorations on the windows.

Every time on New Year's Day or Children's Day, he would gather his friends to rehearse the program.

After that, he obeyed his parents' wishes and was admitted to the Computer Department of Chuncheng Geology School in Yunnan Province.

At that time, because two cousins ​​worked in the film company, Han Jie was able to watch a lot of white belts through them, which were also internal reference films, which made him increasingly interested in movies7

After graduating from technical secondary school in 1996, he went through a boring and confusing period, changing two or three cities and working in jobs he didn't like.

However, the idea of ​​making a movie lingered on him, so he immediately resigned from the company, studied fine arts again, and took the film major.

Finally, he was admitted to the film and television production major of the School of Art and Media of Yanjing Normal University.

In the year when Daxia graduated, his graduation work "New Year" won the Best Short Film Award in the Student Category of the Yanjing University Student Film Festival.

"check it out."

Jia Zhangke didn't waste any time and handed Han Jie a newspaper directly.

Han Jie was stunned when she saw the content about the Big Bad Wolf movie director support plan.

After a while.

He raised his head and looked at Jia Zhangke: "Director Jia, can you do it?"

"it should be OK."

Jia Zhangke said with a smile: "Zhang Yimou and Jiang Wen should not be fake."

Although he has nothing to do with Zhang Yimou, he has no objection to this director support plan.

Speaking of the grievances between Jia Zhangke and Zhang Yimou, it was a public case.

What is involved here is the grievances between the fifth generation directors and the sixth generation directors in China.

The fifth generation of directors has produced films such as "Raise the Red Lantern", "Sunny Day" and "Farewell My Concubine", leading Chinese films to usher in the blockbuster era.

That was a momentum, that was a momentum in the development of world cinema in 1994, which brought Gong Li, Zhang Yimou, and Chen Kaige to bloom on the stage of world cinema.

With the arrival of Zhang Yimou in the blockbuster era, the audience was no longer willing to hear the preaching, heaviness, and suffering in movies, so the students of the fourth generation of directors personally ended the fourth generation of movies represented by Wu Tianming, which pointed to the national spirit. .

With the support of the fourth generation of directors, the fifth generation of films ended the fourth generation of films, and the right to speak in the Chinese film market was handed over to the fifth generation.

In the blink of an eye, the sixth generation of movies has arrived. In the political environment of international struggle, they have grown up.

Different from the harmonious teacher-instructor relationship a few years ago, there was a lot of gunfire between the sixth generation and the fifth generation.

In February 1994, the Rotterdam Film Festival in the Netherlands held a press conference for the "Chinese Film Special Topic" for a domestic film "Yenjing Bastards" that was full of swear words.

More than 200 international media attended the press conference, with the theme: Securing opportunities for sixth-generation directors to make films in China.

After returning to China, the sixth-generation director was blacklisted by the Cultural Administration and criticized as: "Filmmakers who hold different ideas."

The sixth generation has turned the rules of Chinese film upside down, leaving Chinese filmmakers in an extremely awkward position with the world.

Because of fear of repercussions in China, Zhang Yimou did not dare to attend the Cannes Film Festival when he was invited to attend the movie "Alive" that he shot in the same year. An empty seat was left for Zhang Yimou in Cannes with a blank piece of paper written on it: "Director Zhang Yimou."

When "Alive" was screened at Cannes that year, the entire audience stood up and looked back at an empty seat with thunderous applause.

Later, when time went back, the sixth-generation director Jia Zhangke was interviewed by the Cultural Administration Bureau because his hometown trilogy about women, thieves, and gangsters in Fenyang, Shanxi Province was reported by his predecessors. The film was banned, and people also Banned.

Coincidentally, Section Chief Jia said that he saw the name of the informant on the office documents, and he was an old senior.

Later he wrote an article.

In the article, he pointed out that the whistleblower was Wang Chen, the literary planner of director Zhang Yimou.

As a result, the rumor that "Zhang Yimou directed his men to report Jia Zhangke" spread like wildfire.

But before things progressed further, China's film market could no longer tolerate personal grudges and began a new washout.

Global film commercialization has arrived, and the heyday of Hollywood blockbusters has arrived.

"Titanic", "Forrest Gump", and "The Shawshank Redemption" are wildly sweeping the box office at home and abroad.

China joined the World Trade Organization, and cultural globalization came.

Less than ten Hollywood movies are imported every year, taking away most of China's box office. In 1991, the domestic box office was 2.36 billion yuan, and ten years later, it was less than 900 million yuan in 2001.

When the wave subsided, I realized that someone was swimming naked.

That year, the higher authorities decided to carry out in-depth reforms to rehabilitate directors who had been relegated to the cold palace, and advocated everyone to work side by side and fight together to revive the national style of Chinese films.

Among those who were lifted from the ban was Jia Zhangke.

The policy called on everyone to cooperate, but Jia Zhangke did not forget the suffering he had suffered.

later.

"The Good Man in the Mountain Gorge" is scheduled to coincide with Zhang Yimou's "The Golden Armor".

The producer said: "Old Jia, you are simply dragging the domestic box office to die for you."

At the film's press conference, Jia Zhangke said, "There can't be only one kind of movie on the screen. Don't let blockbusters remain at the level of power worship.

At that time, Zhang Yimou and his former good brother Zhang Weiping were in the limelight, so it was hard to hear such words.

Zhang Weiping, the producer of "The Golden Armor", responded to the media: "I don't care about him at all.

Zhang Weiping also said Zhang Yimou’s original words were, “His failure was not because of our existence.

At that time, Jia Zhangke once commented on Zhang Yimou: The fifth generation has never really been with the bottom.

"In fact, the fifth generation has never really been with the bottom. They are burdened with deep scars and use movies to fight back against society. When they abandon the theme of scars

They no longer need such tools. They have an elite evaluation of the bottom: everything they look at is ignorance. "

I have to admit that Jia Zhangke’s evaluation is spot on.

After all, among the earlier fourth and even fifth generations of movies, they have always followed the line of elite culture, but they benefited from industry codes and national policies.

Art films have won awards abroad. They walked on the red carpet and created a highlight moment for Chinese film culture.

Everything looks so good.

Until a person appears and breaks the balance.

He was Feng Xiaogang. He was supported by the Huayi Brothers and the Beijing circle headed by Wang Shuo. He stood at the forefront of the times and shouted, "We want to develop cultural achievements that the people like to see and hear."

A culture that is too impersonal, even if it is great, is too far away from the people of that period.

At that time, Chen Kaige filmed "Farewell My Concubine" and Zhang Yimou filmed "Alive".

At that time, Jiang Wen filmed "Sunny Days". Ma Xiaojun's childhood was in bright sunshine, but when he grew up, it was black and white.

And now.

Jia Zhangke told Han Jie that if you want to get ahead, go to Shenghai because of Jiaxing Entertainment!

Because he knew very well that maybe this was an opportunity for Han Jie.

"Although I don't know who that person is."

Jia Zhangke looked at Han Jie and said seriously: "But believe me, if even Jiang Wen and Zhang Yimou are pulled out of the platform by him, then this person must be very powerful, powerful enough to support our circle. "

After hearing his words, Han Jie finally made up his mind to go to Shenghai and recommend himself to Jiaxing Entertainment.

He wants them to read his script.

"Hello, Mr. Tree!"

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