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(Don't look at it, self-control is too bad, and I haven't made up the two chapters the day before yesterday until today.)

The secularization process in the development of Western music is actually a transition from religious music to non-religious music, that is, secular music. The biggest difference between religious music and secular music is whether the content of the music works is related to religion.

The process of secularization in the development of Western music is actually the transformation of monophonic music to polyphonic music, the transformation of polyphony to main tune, and the transformation of vocal music to instrumental music. The development of Western music mainly experienced the medieval period, the Renaissance period and the Baroque period.

The medieval period.

From the beginning of the Middle Ages to the present 11th and 12th centuries, music activities basically revolved around church worship activities. The history of Western music, at least a thousand years since the beginning of the Christian era, must be the history of Christian worship. Although various forms of secular music undoubtedly existed at this time, they have not been recorded, only worship music has been preserved. The chanting of scriptures in worship activities is called chant, that is, Gregorian chant. Gregorian chant has extremely important significance in Western history. In a certain sense, it can be said that the history of Western medieval church music is very important. It revolves around the establishment, modification, and expansion of Gregorian chants.

The production of polyphonic music is of epoch-making significance to the history of Western music. The earliest recorded polyphonic music in the West is called Olcanon, and Parallel Olcanon is the first step in Western music to move from monophonic to polyphonic music genre. This is the earliest The polyphonic music of the United States, along with the polyphonic music of Disconte, Conduktus, and Scripture Songs. These vocal polyphonic songs are the most important music genre in the Middle Ages. This process of transition from monophonic to polyphonic in Western religious music prepares for the deepening of the secularization of Western music.

Renaissance.

The Renaissance was an extremely important ideological and cultural movement in European history. After that, it had a great impact on many aspects of European culture, art, natural science, etc., and it spread deeply.

With the recovery and development of the economy, the rise of cities and the improvement of living standards, people have gradually changed their pessimistic and desperate attitude towards real life, and began to pursue the pleasures of secular life.

As one of the major categories of art, music naturally has a profound influence. Although the music of the Renaissance still maintains a close relationship with religion, it has a clear tendency to secularization.

The spirit of humanism must break through the shackles of religiousism. At this time, under the influence of the spirit of humanism, Western music has taken a breakthrough step in the process of secularization, and secular music has opened a golden age.

Since the 15th century, the French-Flemish pan-European music language has long occupied a dominant position, enriching the European music language, and their development and prosperity have gradually changed the monotonous situation of European music dominated by religious genres. Since the 16th century, instrumental music has gradually increased and developed independently. These new trends have injected new firepower into the secularization of Western music. The keynote music was born during the Renaissance.

Baroque period.

The Baroque period was an important stage in the development of the secularization of Western music. The transition from vocal-based music to instrumental-based music has been strengthened, and the transition from polyphonic music to dominant music has been promoted.

Both vocal and instrumental music developed rapidly during the Baroque period. During this period, vocal music and instrumental music developed in parallel, instead of focusing on vocal works like the Renaissance. In the field of vocal music, the most prominent developments include monophonic songs, and the birth of new genres such as opera, oratorio, cantata. Generally speaking, the drama of vocal works is constantly being strengthened, and composers seek to express the rich emotional content of lyrics more clearly and accurately with music. During this period, instrumental music rose to a new prominence, even surpassing vocal music in importance. Create specific music according to the technical characteristics of specific musical instruments, forming a set of idiomatic language of Baroque instrumental music. This kind of creation also requires the performers to have superb playing skills. Many of the most famous Baroque composers are also masters of certain instruments, such as Corelli, Vivaldi and Bach. Their passion for instrumental music led to the birth of new instrumental music forms and genres, such as fugues, sonatas, and concertos. For the first time in the history of music, instrumental music works have gained such an important position and experienced unprecedented prosperity. The "emotional theory" music aesthetics is the driving force for the deepening of the secularization of the West during the Baroque period. The transition from the western polyphonic texture to the main tone texture was also in the Baroque period.

To sum up, the secularization of Western music development began with religious church worship music in the Middle Ages, and the transition from monophonic music to polyphonic music was completed during this period. During the Renaissance, polyphonic music developed to its peak, giving birth to keynote music, which was consolidated during the Baroque period. In the Baroque period, vocal music and instrumental music developed in parallel, and instrumental music became more and more important in music. It can be seen from the above that from the Middle Ages to the Baroque period, Western music has developed a secularized development path in religious church worship music. On the second creation of the song "You Can Hear My Love"

Abstract: The song "You Can Hear My Love" is one of the episodes in the epic drama "Long March" and is one of the most classic songs. In this article, the second-degree creation of this song will try to improve the grasp of singing songs from multiple angles, and complete and outstanding second-degree creation.

Keywords: "You Can Hear My Love", second creation, folk singing, singing.

"Long March" is a large-scale epic opera that the National Centre for the Performing Arts invited director Tian Qinxin and Yang Xiaoyang, composer Yin Qing, screenwriter Zou Jingzhi, and other top domestic artists to commemorate the 80th anniversary of the victory of the Long March of the Chinese Workers and Peasants Red Army. Through the touching events of the political commissar Peng, the head of Zeng, etc., the opera expresses the long march spirit of our workers and peasants' Red Army of perseverance, courage to challenge, courage to sacrifice, and fear of hardships and dangers. The creation of "Long March" not only has the traditional Chinese national color, but also conforms to the contemporary aesthetic style. It is based on the failure of the Workers and Peasants Red Army to counter "encirclement and suppression" for the fifth time. It starts from Ruijin and narrates many important historical events during the Long March. The Red Army of Workers and Peasants crossed the grass and climbed the snow-capped mountains. The small characters and small plots in the whole play have also been portrayed vividly, making this epic opera very exciting and immersive, and their defiance of hardships and hardships and obstacles are incomparable. Shocked by it. In this epic masterpiece, there are naturally a large number of classic episodes, such as "My Love, You Can Hear", "March Peach Blossom Heart", "I Don't Know What to Say", "I Can't Bear to Leave You" and other classic songs. Beloved by the audience, they are often solo repertoires in many concerts in each capital. And this article chooses one of the classic tracks "My Love, You Can Hear" for in-depth analysis, from multiple angles, how to create the song for the second time.