Fairy Tale Chronicles
Lesson 8
'Hey, wait a minute!!
After receiving a report from Hiroshi, Spring Vegetables screamed unexpectedly. The cry echoed in his head, and Tatsuya, who was next to him, accidentally blushed.
"Spring vegetables, can you drop your voice for a minute, please?
"Oh, I'm sorry......"
"No, that would be Hiro's fault"
Tatsuya defends Spring Vegetables, who were immediately apologized for by Hiroshi, without this being haired again. In fact, under this circumstance of being forced to disperse, I can't help but scream unexpectedly if I'm told that I suddenly found a boss room, etc.
'So, what's the situation now?
"Break down the wall for now and turn around a bit, waiting there somewhere that looks safe or something."
"Right."
Spring vegetables and Tatsuya leaking a voice of relief for now, knowing that on the boulder, they didn't recklessly imitate the boss opponent as he did. Given the nature of this dungeon, there was no denying that it was impossible to do anything and had to start a fight.
Anyway, especially if you keep staying in the same place more than enough without doing anything, it's a dungeon where walls and passages move and push away. It's not strange that the Hongdas are forced to fight the boss.
"In the meantime, I think I'm getting a lot closer to the center of my chi, so wait a while longer."
Copy that. What about Makoto and the others?
"We're getting pretty nervous, too."
"It's too much of a range, but I caught a sign of Sister Chun and her brother."
"Look, you're already rendezvous."
"Maybe."
From the initial situation, things are getting a lot better. I feel a little painful using mass produced flame stones, but I can't use consumables. If it's gone, you just have to make it again.
'In the meantime, I don't mean to blame you that much, but I don't know how long we can pull this one into the safe zone. It would help if you hurried to the point where you were in no hurry.'
"I know."
"Most of all, I don't know what kind of structure it's in, so even if it looks close, it's not always ready to rendezvous. Well, when we get here, this dungeon lass boss won't be doing any small work other than buying some time and blocking his way out, either. '
'Whatever it is, yeah, the addition and subtraction walls are getting thicker, so it seems like it's time to go backwards. Bring it to the worst enduring battle and stick, but I'll have Alchem anyway. "
Macro's concern would be the biggest problem if, in the end, he had to enter a boss battle in this situation. It's an alchem that's never low in combat ability, but still somewhat unreachable as a total spec to the volume zone at the time of the game. On top of that, this dungeon is noticeably incompatible with bowmen overall. If the boss is the right opponent, this time it could even end up being useless all the way from start to finish.
"I'm sorry, but I can only say good luck there,"
"I get it."
Spring vegetables and Tatsuya break off the conversation that kept them from stopping for the last time, and speed up their legs even more while increasing their vigilance over their surroundings. To be clear, the current situation is undoubtedly in a critical situation. Nor is that the first direction that Spring Vegetables feared, but a genuine team disintegration and a crisis in the lives of Hon and Alchem.
"Tatsuya, do you have room for magic?
"Enough."
"Then you can do it a little bit impossibly, right?
'Cause the situation is the one.
To the boulder, I can't tell Tatsuya not to rush this time. Either way, he hasn't been able to hold up the hurry himself.
"That said, in the end, the problem is..."
Seeing the branch in front of me, Tatsuya makes an unexpected roar. It is a truly gut-bent dungeon as it pokes a wasted branch that still, in the end, makes no sense, but has a lot of effect as a time buyer in the short run.
"Current branch, which is more temporal, right"
"Right."
It is obvious that they will eventually be allowed to arrive in the boss room anyway, but to say that there are branches is considered to be one thing that will definitely make them go far. It is troublesome that the judgment material is only dull.
"But it's no use thinking about it."
Spring vegetables that gently cut off Tatsuya's problem, and move on to the darker side without even showing a thought. Tatsuya has no choice but to follow in great haste with that certain manly attitude.
"Just thinking is futile, what?
"Because I can earn quite a few distances in troubled time, and I don't even have the assurance that one of them is a shortcut in the first place"
"I see, similar to a bad idea resting,"
That's what I'm saying.
In the present situation, I don't have time to get lost if I do. I know it's a long way around, but the distance should be packed, so don't think badly and follow your instincts. Spring vegetables, whose bellies were set by the fact that the situation was getting chopped up, rather decided to act more calmly than just after entering the dungeon.
"... a monster? There's a good chance this is the right answer."
"Trying to avoid a bad fight, if it's in a pinch in the boss room, it's troublesome and dangerous, so annihilate it all with the lowest possible drain"
"Right."
It was Tatsuya who agrees with the policy of spring vegetables and begins to burn down herds of rats blocking in front of her at the Grand Napalm.
Meanwhile, True Qin and Mio.
"Here."
Copy that.
Without discussing it in particular, it was moving ahead crisp according to Mio's detection. This one seems like a policy of avoiding futile combat and earning distance by speeding up your legs anyway.
"It's a long way to go..."
"But maybe faster than fighting"
"Even if I destroy you with one blow?
"The more you can annihilate with a single blow each time, the more a series of great moves will work?
True harp answers Mio's undeniable kind of objection with silence for now.
"So, how are you feeling?
"They're definitely getting closer."
"What's the next branch?
"It's this way without the monster"
Mio shows the passage stretched from the current road to the left in response to the enquiry of the true harp. When I snort at the words, I move on without getting lost to the absence of the monster.
"Where are Honda and Spring Vegetables?
"The master's position is...... Yeah, I found it. The direction is on the right. The Spring Sisters, on the left. The distance from us has hardly changed since just now. Sometimes we stop, maybe we're fighting."
Copy that.
The distribution of moss covering the floor suddenly changes as you head down the aisle where you suddenly begin to draw large curves.
"Mio"
"There's something wrong with the space. Maybe he's warping."
"What was the degree of temper ahead?
"Darker than this one"
Apparently, it's the same pattern as the Medium Boss fight earlier. In other words, beyond here, it's strange to know the position again. At worst, it is also likely that you need to be prepared for the possibility that you will have to deal with powerful monsters again or so.
"Well, I just have to go because I can't turn back,"
"Wait. For once, I'll look into the trap."
Mio stops the true harp at once and begins checking it with a delicate touch like tickling a dungeon, from the wall to the floor to the ceiling with a ten-foot stick he promised no longer.
"I have a funny feeling. I'll poke it hard on purpose, so be careful."
"OK"
Once I warn the true harp, I'll push it all the way down where it feels unnatural. At the next moment, as if the other side was suffering from the boundary, he began to irregularly follow the entire aisle. It is a sight that would be quite catastrophic if I were treading by mistake.
"It's the first time there's been a trap in this period..."
"They're desperate, too."
A depressed passage so much that if you're in there, you're not even going to be able to get physical. Two people who look hard on boulders when they see it. Even though we went down the road without a path, how could Honda have reached the boss room safely?
"Well, what's up"
"A little more, I'll try to work small"
"I got it."
True harp, which has extremely little action that can be taken in this situation, is really left to Mio. At the very least, we need to figure out what we can do, and we'll observe the passage to the limit of our concentration. The Spring Vegetables story says that there were no signs of burning walls or floors at all, at least with normal flame-based attack magic.
The more I hear about it, the less I know how the macro hit through the wall, but even though the guy can't activate it, there's also the effect of the extra skills he acquired in Farlane, and the worse the muscle strength itself, the more likely he is to be reaching the big four-key platform. With all that muscle power, if you use a weapon that's good at structural destruction to put your skills on and hit the wall, even your primary offensive skills will make you sufficiently destructive. The fact that the weapon is switched to something made of demonic iron is also an element that cannot be missed in this case.
The current macro uses a weapon with less maneuvers due to weight and balance issues, and has only twice the magnification of primary skills, so the overall firepower is to the bottom of the inside, but the maximum firepower maintainable time and the total damage when it becomes a long battle is the impetus approaching the abolitionist of the battle system. It's getting to a point where it can no longer be called low firepower to a miscellaneous fish opponent. The flaw remains that they attack tougher opponents than a certain line.
True harp also has the average strength of melee combat abolitionists, so if you have blunt instruments, you can easily grind about normal stone walls. But in terms of this one, from the feel of a big sword and a light cut, even if you borrowed a weapon from a macro and hit the wall, it's hard to do the shortest course by pulling out the wall of this dungeon in her specs.
(The only way to break the wall is to think about it now.)
It tries to modify the thought it takes and gather up to the limit the information that can be gathered with five senses about the front path. In my sight, Mio does a lot with his bow.
(Normal magic, you mean, purification skills, or alternatives?
Around the time Mio shot an arrow into several places, a true harp comes to mind. The passage in front of you is made uninterruptible by Mio's hand, no matter how it is already raised.
"Can I give it a try?
Copy that.
With Mio's permission, I'll stick the cloth in the rest of the dwarf killing I used when I baked the mushroom, light it and throw it in. Then...
"Ugh."
"It's burning luxuriously."
Until now, the passageway, which had continued to sneak around with no fire at all, whether to shoot in a fire arrow or push a potato, is completely burned down into a sea of flames.
"Sister Makoto. Things aren't getting any worse?
"Well, I didn't think it'd turn out better."
Makoto replies honestly and honestly to Mio's penetration. In the meantime, we really can't go on like this. I'm going to do what I have to think.
"Bull Impact!
With the sheath on, swing down the sword with the intermediate skill of the hitting system, and beat down the depressed floor with all your strength as the worm drowns to death. The moment that blow strikes, a big crack runs on the floor. Cracks entering the entire floor convey the walls, covering the ceiling and lifting the blemishes. And...
"Collapsed..."
"In the meantime, you've grown up."
The cracked and torn ceiling finally collapses without supporting its own weight. The impact smashes the walls and the floor stops moving. Apparently, the fire turned widely unexpectedly, and from the boundaries ahead it was a hall of considerable size.
"... you seem to have quenched the fire"
"I still have a little fever"
"Well, that's all right."
Mio agrees with True Harp's words by gently checking the heat in the hall, and goes along with a ten-foot stick, just in case.
"So, what's the positional relationship?
"The masters have come all at once now. But maybe it's a bad thing."
"What's wrong with that?
Until now, there was a distance between you and the mood, and now you're not even a minute away from your room.
Hear Mio's explanation and understand the situation in an instant. Apparently, it's become the worst case I've ever dreaded.
"I'm in a hurry!
"I know!
Mio shouts back at the decree of Zhenqin and now runs straight to the heavily tempered one. But the two of us are in a hurry, and we need some more time before the Japanese team assembles again, but the two of us don't know that now. Now it was just the two of us throwing all we could to find a boss room a little faster.
When the spring vegetables were desperately moving on to the boss room, disaster was about to strike the waiting highs.
"Something's wrong"
"Right..."
If I had stood still in the same place long enough, apart from collecting earlier, the dungeon, which in some way depended on kicking me off the spot, is oddly dear. Until now, whenever I was about to be kicked out, for now, I had broken down the appropriate walls to secure the passage and stood around keeping it as close to the boss room as I could. Apparently, he's learned a lot about that pile, and it's getting more and more laborious to penetrate the thickness of the walls, and more jamming with his hands, starting to eject strange spores and gases.
It is this creepy silence where I thought it was time to limit myself to boulders. More than twenty minutes have already passed since I came to my current position, but I have never seen any signs of change in the dungeons.
"I don't know what it is, so I just want to..."
That's what I'm about to say, a macro who notices a change in the dungeon.
"Get out of here!
"What?"
"Come on!"
Alchem tries to keep up with the abruptly actioned macro and confused later. But the dungeon was acting really fast.
"Oh, my foot!
"Was it too late!
Before leaving the room, his feet changed like a bottomless swamp. If you sink to your knees at once, none of the boulder masons will escape easily. The two of them are slowly transported somewhere while being dragged straight into the swamp.
"Hi, Mr. Hiroshi..."
"If this happens, you don't have to panic. Keep your health warm as much as you can."
"Yes!
As we continue that conversation, the small room becomes larger at some point, and what carries us further turns from mud into poisonous colored water.
"Shit, it's poison water!
I look at the alchem, which began to weaken suddenly around a change of color, and I tongue one. If you think about the elapsed time, it would be time for the panacea to start running out. Fortunately, it seems like it's time for the end point, and the waters are starting to decrease rapidly. To protect Alchem as soon as possible, she goes up to land desperate as she is taken by the water stream and drags her up by holding her fear of the female body to death. Swing the panacea and potion as a first aid and gaze at the lump of chi.
"As expected, is the boss a tree..."
The tree was nestled there, filled with awesome temper and intimidation.
"Mr. Hiroshi..."
"Alchem rests far away. I'll hold him down."
Set up Paul Axe, control Alchem, who manages to stand up with a blue and white face on, and stand to shelter her on her back. In addition to the fact that the potion in your hand was up to Grade 5, sometimes the after-effects of the poisonous water damage that was surprisingly toxic cannot be treated with a panacea, and it may take an hour or so for the alchem to be able to move. Although the expression sequelae is quite exaggerated given that, unlike Elaine, a day or two would allow her to recover completely.
You can't hide limb tremors from your opponent's intimidation, but it's usual for your body to tremble with conditional reflexes. Besides, I don't feel so scared compared to Bardo's last blow, and there's nothing serious about this level of fear compared to chocolate in the first place.
"Well, either we run out of resources here first, or your bills run out first, or the battle."
The tree monster Ibiluent, who at the same time is the boss of this dungeon and at the same time the core, proclaims so. It was the lonely struggle of the Horn that marked the beginning.
"Spring vegetables, I think you're getting a little fucked up!
Around the same time the Hongdas were confronted with Ibruento. Zhenqin was sending communications containing a rush against the spring vegetables.
"Mr. Makoto?... Could it be!?
"Mio says the sign of a macro is in the same position as a mass of anger!
A nasty hunch I felt in correspondence from True Harp. Something cold runs down my spine against what it's done.
"What's the situation over there?!?
'They've been making me loop for a while! I'm just looking for a trick right now!
"That means I'm thoroughly running to buy time..."
Spring vegetables convinced that they were allowed to loop on about fifteen minutes of travel and Mio noticed the setup itself at about a minute. Spring vegetables were significantly faster to hook up with the trick, so the situation hasn't changed that much.
"When that happens, it's the quickest way to break down the wall and think about rendezvous,"
"Can you break it?
"I don't have a hand, but I don't have one."
That's what I'm telling you about when we broke down the corridor where we rammed. Listen to that and come up with a few ideas.
"If you ignite in the Holy Wave of Hellfire to kill Dwarf, maybe..."
"It's possible."
"Mio, what's the positional relationship between us and you?
"About a hundred meters at a straight distance. Look from that way, northwest direction."
Copy that.
There are ten Dwarf kills I have deposited. One of them says the true harp has been used up, so there are nine left to use. If you do something bad and you can use it, it can get stuck, so you have to be careful.
But before we do it carefully, we need to see if it really goes the way we think it does first. From Mio's description, if you go through the aisle against a direction of intense temper, you shouldn't have to involve the two of them for now. Make that prediction and start the experiment.
"Let's start by calling directly and burning it, shall we?
"Right."
Open an unopened bottle and gently sprinkle it on the wall, which smells like tough alcohol. A jailfire holy wave flies from Tatsuya at the same time as you leave that point with a full dash.
"... it's not bad, but it's still there."
"Sounds better to either fog it up, fill it up, explode it, or do it in a flame bottle way"
It burns up quite a bit, burns down quite a bit of range and depth to see the extinguished flames, and finalises the course of action.
"How do we fill it up, as we explode it first?
"Can't we somehow generate that fog of liquor in it, because we'll tie the line to pinch it?
"I'll try."
The magic of manipulating the specified liquid, learned in the course of learning to make potions. I try to use that to move the liquor inside the junction, putting my guts in it and changing it foggy. The gap between the junction and the junction is filled with the smell of intense liquor, and the fog that occurs closes my sight for a moment. Next Moment
"Holy Wave of Hellfire!
Tatsuya generates a holy flame that covers hell in the junction with temper. Big explosion with ignition. Take a large sweep through the walls on both sides and make a brilliant hole to the extent that each person can pass through the walls on both sides.
"You made it."
"You made it."
Confirm achievements, snort one and dive through the hole. I can't wait to do it if I don't have much and get blocked again.
"Spring vegetables, Tatsuya. How'd it go?
'I could have broken the wall. Where are you two?
"At the time of the explosion, it looks like the connection to the space changed. Distanced. '
"What about the loop?
"Confirm now"
Apparently, you're not going to do anything lukewarm enough to allow me to rendezvous like this. But anyway, now we just have to hurry towards the boss room.
'In the meantime, we'll keep going straight!
'Okay. If I get into another loop again, I'll think of something then.'
Copy that!
We just checked each other's policies, and we run through the breakthrough we just opened. For them, the boss room was close and far away.
"Come hey!!
Activate the Outface as a declaration of war and fully attract the consciousness of Ibiluent to himself. At the same time, branches stretch simultaneously from a dozen hunter trees that stood sneaky around.
"Get out of my way!
Eradicate the hunter tree in the position where the alchem may be caught, then continue to skip the provocation. There's plenty of potential to call a new perimeter, but if you care about it, you can't fight a boss or anything.
"Out of the way. Hey!
Cut down the three hunter trees that were at close range and immediately return to the front of the alchem. I don't see any signs of Hunter Tree regenerating because I cut my roots off just in case I left. But with all this concentration, there is no way you can read what or why. Anyway, safety comes first, we'll have to be thorough defense and continue to compare patience.
Pay for the branches stretched from Ibiluent, knock off the twigs and branches that the hunter tree tries to wrap around, take flying leaves with your body, and from time to time pack the distance and cut down the surroundings. With regard to this one, it feels like one set of advantages and disadvantages is that the other person is not moving.
(Although as planned, it glues beautifully...)
Because the opponent is not moving, it is not that hard to prevent an attack without moving the spot. but basically for a macro who can't move poorly from in front of Alchem, the fact that the opponent doesn't come by is that he can't fight back properly and equals. Though he has anchored his target to himself over and over again with provocation and intimidation, he doesn't have the audacity to make the choice of saying he moves from front of the escort target against the opponent who only comes with a ranged attack.
Besides, only the Dungeon Boss, and the Ibruento offense is not mild to the Macro either. Though it almost stops with protective gear, it is powerful to such an extent that it cannot be assured that it can be made no-damage without Wyburn leather armor. Even if it were unprotected, it would definitely outpace the natural healing speed, but it doesn't change the point that I'm sorry for no damage. Given that a higher-defenseless horseman is more defensive than a typical full-plate knight, there's not a single attack that such a human being is sorry for without damage if Alchem behind him eats it.
Therefore, in order to be hit hundreds or thousands of times, Hiroshi has no choice but to continue to endure without moving from this scene.
"At least if I reduce the hunter tree, I can safely get out a little before..."
Pain alone won't do any damage to you a dozen years ago. Blurry as it withstands a deceptive attack, feeling unexpected. The sense of time continues to expose me to attacks for so long that I feel crazy, and the stirring frustration is approaching its limits. I don't know if I'm going to break it, but I'm not sitting there with so much ambitious guts that I can do it without any blurring on the boulder. I've given up a long time ago on preventing all attacks, etc., and I keep intercepting only those that are likely to involve Alchem, but that's quite a hassle.
Seven steps to the nearest hunter tree left. The distance feels like it sticks slightly out of the range you can guard with a cover move is harsh. It's an important skill as a wall player, but it's tough not to be so trained because you have to dare put guard subjects at risk. Still, it extends considerably from the initial three steps. Later, we just have to figure this out and fight.
(If you do it at a distance, throwing weapons is the usual method, but Pome sucks just fine, and there are three hand axes. There are quite a few knives, but they probably don't work that well, and they're going to be too light and easily intercepted in the first place. Wherever you can handle one with a hand axe, are you stuck there)
I'm driven by the urge to throw giant pomegranates at me first, but it doesn't go out of style the day I'm intercepted at close range. If I were to do it, it would be too dangerous if I hadn't at least wiped out the surroundings.
"Just do it!
I let extra thought wander around while I was slapping for more than half an hour, and after thinking the same thing over and over, I decided to finally implement the idea that I had been able to pull in without stopping. Forcefully paying for the branches that have been stretched, he snaps them and hurries to remove the hand axe from the West Porch. Throw your best against the furthest Hunter Tree with all the simple enchants you can put on the removed hand axe. It explodes where it stabs deep into the roots and rips through the trunk to the point of another push. Throw another bottle in the chase and snap it, then throw the remaining bottle at the hunter tree next door.
From the damage to the hunter tree, I decide that if I succeed, I might be able to do even the knives, grab a few appropriately, and throw a few on all the Simple Enchants as well. Several bottles were stopped by the branches, but they were eliminated by exploding the branches that came out of the interception, so they eventually succeeded in hitting two bottles and somehow broke.
"This is the limit."
Seven Hunter Trees are left. Since there are no more decent means of ranged attack, I would even compare it with patience from here on out. Latter-day festival even if you regret that you should still have remembered Magic Brit as a priority, not a minor heel, but the weakest unchanging and unattributed attack magic before coming here. Now I feel a sense of crisis, or my movement is inhibited by a fiercer Hunter Tree attack, and I can't even move to take out an attribute stone that could be slightly damaged.
"Mr. Hiroshi......!
"Don't worry about Konjo! More than that, it's still moving!?
"I'm sorry......!
"I couldn't avoid that! More than that, now I can rest and move......!
That's about as good as it sounds, the body of a macro accidentally disappears. At the next moment, Alchem is bounced up to the wall and the macro moves to the spot. And...
"Mr. Hiroshi!!
A huge root stretched from Ibiluent had skewered the macro from its flank.
"Tatsuya, this!
"Definitely a sign that the Hiros were there."
It was just then that the macro was pierced through his belly. Breaking through the second loop with force moves, jumping across a river that was flowing to inhibit the way to go, ending a herd of monsters, close enough to say that a mass of chi was no longer close, Tatsuya and Haruyaki finally discovered traces that the Hongdas would have been there.
An hour has already passed since the Hongdas began engaging Ibruento, and the rush and frustration of their members has already peaked. It's salvation that Mio's detection shows that we're both still alive, but the other guy is the boss. Not that I know when and what kind of accidents will happen.
"I can see how upset I am. They're close!
"Yeah!"
Finally, the path I finally found. When you get here, you should slip into the boss room at once, even if it's slightly awkward. We have forcefully broken through several traps and monster populations, so the damage remains there for both of us. The magic is subtle, and I drink potions to such an extent that I am afraid of addiction. I guess we should take a break and get our attitude back together, even if we're supposed to, but we don't have as much room in our minds to do that.
Besides, after an hour, the fact that Hon and Alchem are still alive means that the situation is completely glued. If they are glued, they may be able to carry the flow by hand if they interrupt. There is an anxiety element that the magic power is halved, but it still maintains as much firepower as it can end with the surrounding degree. The rest will depend on how you do it.
"It's this way to stay away, boss, the room is this way!
"Let's hurry!
They don't even show the sleigh that holds them off, and they try to go straight into the boss room from the hole in the wall where the macro would have smashed through. At this time, because the surrounding observations were gratuitous, I had brilliantly overlooked its existence, which I would normally have noticed.
"Chem-chan - I put it on!
"Hiccup!?
The result was to allow a light unintentional blow to the mysterious creature of voices like the adorable animated girl character that uprooted the tension.
"Hey, what!?
"Chem, fuzzy ~"
"Chem, you're so thin."
"Chem Chan Punipuni ~"
The next moment I allowed an unintended blow from the first one, two more where it sprung up from. That clings to Spring Vegetable's chest and hips.
"Spring vegetables. That's what I thought was Alchem's exclusive patent..."
"I don't care. Don't comment. Help me!"
Spring vegetables that are stroked around here and there with octopus-like feet and emit SOS while being exposed to their indescribable sensation. Earlier serial air is nowhere to be found.
"If Chem is about Alchem, he's someone else, right?
"Chem, no?
"It's not Chem."
"But I smell you, Chem."
"Blonde ~. Chest Tits ~. Looks like Chem ~"
"Chem, where are you?"
What a mysterious creature that liberates spring vegetables while throwing up a discouraging dialogue and starts looking for alchem while flying around the hoof.
It had a very difficult appearance to evaluate. In other words, as a result of halfway through the adorable anthropomorphism of octopuses, the expression seems the easiest to understand. If I were to briefly explain how it looked, would I understand if I said that I had just a deformed girl on the head, shaped the tip of her hair like an octopus foot, and adjusted it so that it wouldn't be grotesque? He is a mascot character creature who doesn't seem to have a problem with his mobile strap as it is.
Normally, it looks like a seaside creature, but if you look at how the principle normally flies through the sky and makes a spatial transfer as if nothing happened, you feel like the habitat could live normally without any particular difficulty anywhere else.
"Well, spring vegetables do look like alchem, but there are so many different things about them"
"That's right. The race is fundamentally different in the first place, and my hair is straight, but Mr. Alchem's a little wavy."
"Spring vegetables have blue eyes, but alchem is green. Besides, my voice is more colorful with spring vegetables, most importantly."
"The back and chest are bigger that way"
Tatsuya and Spring Vegetables go one after the other pointing out the differences between the two. Mysterious creatures whose necks were not supposed to be in the words flock to the chest of spring vegetables to be sure.
"Heh heh heh"
"Puffy ~"
"But it's a little small."
"Yeah, small ~"
just convincing around, with mysterious creatures that liberate spring vegetables. Spring vegetables that are messed up all you want and disturb your breath, but feel fresh in the assessment that they are small. Around eating there in this situation, even now, she still has an unfortunate personality by the way.
"So, let's get back to it."
"Talk?"
"What?"
"After all, what are you guys?
Tatsuya cuts out what she wants to know. I forgot the situation for a moment after being drunk by these guys at their pace, but I can't afford to be inherently messing around too much. However, there are many things that scare me to leave this mysterious creature alone, so I will first make sure that I know who I am.
"What?"
"Race ~? Race ~?"
"Well, that's the place"
"We're Octogal."
"Alanwen-sama's pet ~"
Two people who get an unspeakable reply and wonder what's wrong with them. I guess it's true because I don't feel particularly hostile and have no reason to lie in this situation, but Alanwen's character, who keeps this as a pet, has become increasingly suspicious in an unfortunate direction.
"Why are you here? After that, what's your relationship with Alchem?
"I got caught up in a dungeon."
"I couldn't make a good transition outside, and I lived a normal life."
"Chem, you witch."
"Witch, witch."
"Nurse?"
In the meantime, I received a generally understandable reply except for the last dialogue. Around there, somehow I also understand Alanwen's thoughts on this one.
"Finally, you mean take Alchem and retrieve these guys"
"That's the place, isn't it?"
"Chem, where are you?"
"Maybe he's in the boss room up ahead."
When I hear of the boss room, the octogals, who were exercising irregularly up and down, stop perfectly.
"Boss?"
"Are you angry?"
"Yeah, the heart of the rage. There's got to be some strong monster out there."
When you start exercising up and down again on the words of spring vegetables, the octogals make some incredible moves to dance and exercise up and down side by side again, just like the first.
"Ibir Ent ~"
"Doesn't move off the spot."
"Attacks are diverse."
"They've got company."
Once again, the Octogals give a lot of information. Tatsuya realizes that there is a mixture of important information that should not be discarded, and decides to stick it in there for now.
"How many of you guys are out there saying you've got company?
"Except they're caught."
"That's all."
At the same time as that word, a number of octogals appear that just fill multiple rooms. There are definitely a hundred of them, even if I count them.
"We ~"
"Group Biology ~"
"Software Biology"
"Thirty if you have one."
"Consciousness is shared."
"Separate Combination Free and Free ~"
The two of us accidentally end up stuck with the octogals who repeatedly show the Pompous Separation Combination while saying that. Anyway, it was the biggest one, about five meters in size. Besides, I'm not halfway there because I'm just saying I can't do it for the convenience of space, and if I want to do it, I can even be bigger than a castle.
"If I could do that, I'd feel like I could take down about Ibruento?
"I can't."
"Location narrow ~"
"Surrounded ~"
"No firepower ~"
Tatsuya and Spring Vegetables are desperate to pick up important information while maintaining tension, as they are about to be flushed by loose air and a retarded way of talking. I struggle to hear as much detail as I can, and for the time being, I hear that Octogal's means of attacking me just squash away with octopus feet. I rarely die of molluscs' bodies and overwhelming magic defenses, but do I physically lose power in a size that I can merge in the boss room?
"I see. Well, it's no different from what I originally planned for him. We're just talking about going in and knocking him out."
"Right. Besides, where are you guys?
"Waiting for the rendezvous is tough. Even if I didn't, I wasted my time here."
Spring vegetables nodding to Tatsuya's objections. When you can't get in touch with Hiroshi and the True Qins are lost, you don't have time to have a conversation if you're supposed to be dealing with a mysterious creature here.
"Makoto-san?"
"Companions?"
"Who? Who?"
"What kind of person?"
Octogal eats up the words of Tatsuya and the others.
"You're one of us. There's two of them, both women."
"Girls? What kind of people?"
"One-sided is probably a bit of a tough year to say girls. Neither is that tall. One is about ten centimeters shorter than spring vegetables and has no breasts. The other one is about ten centimeters taller and has a breast to the point where you can see it by looking at it as milk."
"Okay."
"I'll bring you ~"
After hearing Tatsuya's explanation, a group of octogals who were gushing into the next room disappear. While she was stunned, she (?) Makoto and Mio appear entwined by them. I tend to be fooled by a retarded way of speaking with a distracting tone, but this clearly proves that I'm not as retarded as I was under the impression.
"Secure ~"
"Capture ~"
"Abduction, imprisonment"
"Ransom ~"
"Body abandonment ~"
"I'm not saying anything noisy, mysterious creatures!
Makoto, who has been captured in a remarkable way such as whether there was no other way to catch him, enters Octogal where he wants to make noisy things associatively. Octogal, delighted with the stunning penetration, would like to comment all he wants.
"Sparkle, Sparkle"
"No, no, no, no."
"Execution, execution"
"Body abandonment ~"
"That's why I'm telling you not to say anything noisy! Now put it down!
I deliberately release the true harp, which I can roar for feeling like I want to put on a phonetic sound called Kisher, at the height of the ceiling rinse. Makoto decides to land somewhere dangerous and unexpectedly stares at them with his jitsu eyes.
"Chitty, chitty ~"
"Growth period ~"
"Rub and nurture ~"
"Bust Up"
"Bring it up."
"What a humiliation..."
Mio is Mio, teasing her all she wants about her breasts feeling like she's finally starting to grow up in multiple octogals, shaking in humiliation with no expression on her face. Numbers of violence are ruthless.
"So, what the hell are these guys?
"Octogal, even Alanwen's pet."
"Pets, pets ~"
"Family, family ~"
"Yeah, yeah, yeah, yeah, yeah?
"In the window? In the window?"
"Somebody shut these guys up..."
Makoto accidentally leaks words like tired to the octogals who react whenever someone says something and whimper all they want and say something strange in association games. From time to time, it makes me unnecessarily tired of making endless statements about whether that word or concept makes sense in this world. Nurse, I'm wondering where you've been purchasing stuff from that seems to only lead to thick people over there, but in this case maybe the main culprit is Alanwen.
"Let's put aside about these guys. Apparently, Hiro and the others are dealing with the boss over here."
"I hear you fighting. Definitely."
"I was dealing with these guys, so I ate the extra time. Let's hurry."
"Suttop, suttop ~"
"Not yet, not yet."
Oktogal stops the Tatsuya who tried to move forward with a number of acts of violence.
"Don't interrupt me."
"Mr. Alchem is over there!?
"That's dangerous, that's dangerous."
"It's dangerous here, it's dangerous here."
"Foot attention, foot attention ~"
After purposefully pulling it off, the Octogals keep saying what they have to do. I look at the end of the aisle where I was about to go to that word, and I end up unintentionally.
"What the..."
"Maybe a bottomless swamp?
"Change to poison swamp, change to poison swamp ~"
"Swamp Expansion, Swamp Expansion"
Spring vegetables trying to understand what they want to say, change their complexion and turn back. But it's already late...
"Wow!
"Hey!
"My foot!
"This trap is terrible!
It was in an instant that their standing scaffolding turned into a bottomless swamp, dragging them all the way to the point where they were unable to escape on their own at once.
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