Genocide Reality

Kumiko and the others were in front of him when he reached the first basement floor with a lift (elevator).

"Good, you came this way"

"How did you know that?"

"Because it was too late..."

That alone is commendable for Kumiko's sensitivity, which I could have predicted would come in the lift (elevator).

Did you deduce that this is the most likely place?

"Right. Actually, there was a nasty enemy and they took 'Ariadne's Yarn'. Later, the enemy may climb up in an elevator, so close it so it can't be used. Keep the door closed for now, Kumiko gum tape or something"

"I'll get it in the city."

Stationery in the classroom is transported to the city by a group of Seven Seas and Others.

At a time like this, I never thought such a thing would help, but with gum tape, I would be able to keep pushing the open button.

"Kumiko, you were fast. What, is that a duct tape?"

"If you're going to seal it off completely, it's better to be sturdy than gum tape"

The silver tape offered by Kumiko is called duct tape.

It is a strong adhesive tape that is also used to reinforce ducts, or piping.

"That's right, but who was bringing that stuff into the classroom?"

"Girls have good things. For example, but..."

That's what I recall, but I've heard of Kumiko at the time that duct tape is also used by women to make valleys with their breasts.

I don't think you have any breasts to give it to me, but if I let it go, I'm sure I'll say something about it.

"Yeah, okay, 'cause I don't listen in depth. I'm just gonna do it."

The button on the first basement floor was secured with duct tape to prevent the gondola from going downstairs.

Can I put on a banned sticker and ask the student council to turn the network around that a strong enemy is invading the basement 10th floor?

Unless there's even a suicide volunteer among the students, they won't remove the adhesive tape and force it to move.

I really wish I could be systematically shut down, but there's no way to stop a system running once.

"Next, we need to stop enemy incursions somewhere"

"Be careful with Wataru-kun. You mean an enemy that strong?

"At least, he's the one who won't get flustered."

Kumiko and Usher are leaning against me, fighting for a position and hitting me on the shoulder.

Not if you're playing.

Sure, the city is safe so far, but there's no guarantee that the negative behavior of monsters will be banned just like the players.

Everyone would think it would be safe to escape into the city, but you wouldn't have to think about what would happen if a Las Boss monster succeeded in entering the first city.

"Mahatma, use mine!

"Is it good?"

Kyoki Kizaki offers me "Ariadne's Yarn".

I'm sure you'll have to give it back, but it helped me to tell you from myself.

"Because I was bringing..."

"Oh, don't say that. Let me use it if I can."

Kizaki, who looks like she's about to cry, probably cared that I missed the run because of myself.

I totally forgot about that already, but don't hesitate to take it if it means sinning.

"Bye, Usher, Kumiko. You guys come with me, the destination is the boss's room on the seventh basement. We just had Enochigaios."

"We haven't seen the boss, but we just need to get to the Gate of the Sea God."

And when we snorted, we said, "Metastasis!" 'I shouted.

For once, Kizaki screamed with me, but I couldn't transfer. Again, I can't seem to move without an item.

I don't find that unfortunate.

If there was one item that would allow a group (party) to transfer, it was possible that the Red Knight, Carmine Death Knight, would transfer to each of the Black Knights leading them.

Even though the Red Knight "Carmine Death Knight" alone is tough, it would be hopeless if the Black Knights moved and attacked each group (party).

But why, ignoring the Genocide Reality rules, the boss on the sixteenth basement came up to the tenth basement.

What if we thought the Black Knights we fought earlier were the first scouts?

The Black Knights, led by the red knight Carmine Death Knight, were also exploring from the depths of the ground toward the upper floors, as we began our exploration from the first basement.

And our information came from four black knights (Black Death Knight) who escaped to the enemy boss.

Based on previous information, the orders the bosses on each floor are receiving from the Frenzy God (Roaring Chaos) are the defense of the dungeon.

Aware of the presence of adventurers (players) trying to attack the dungeon, the Red Knight, Carmine Death Knight, may have come on an expedition from his position deep in the ground.

They have an autonomous will. Maybe he thought nothing had to stick to his hierarchy to protect the dungeon.

"Wataru-kun, what do you do?

"Oh, there will be a large throne where this enocigaios was sitting. I can't carry this alone, but I was wondering if I could push it with you guys somehow."

You used to have games like that.

I can't lift it or pull it. But if I just push it, I think I can move it. This throne is with dungeon floors and iron lattices and is of such extreme hardness that it is almost impossible to destroy.

"Heavy Death!" "Heavy......"

"Whoa, more tense!

The three of us push beside a large throne, pushing it to the door of the Sea God and closing it.

The great throne covered the door of the Sea God softly.

"Ha ha... now, can the Black Knights come in?

"Well, I think I'll have it for a while. Thanks to the accumulation of groundwater in this area, there are no entrances or exits other than here because there are no pitfalls"

"We had quite a few enemies, didn't we? What if they push us off with the power of the masses?

"I also thought about that, because the other person seems to have wisdom working, on the contrary, a simple push of force would be the last. If you can't push it, what would Kumiko do?

"Want to pull it off?

"Well, I'd appreciate it if you pulled it off. The door here can only be simply pushed, so he might think that there's some kind of trick if you don't open it no matter how much you push."

"Oh, yeah... because this dungeon has a jealous trap"

"Right. Even out-of-the-box monsters get caught in the pit. If you can't push it, then you're not going as far as wisdom works to the simple idea of pushing it with all your might even more"

If you push as hard as you can, it's a door you can open if you know the road will open, or if you push it, it's something you can't help if you think it might end up in jail.

Human beings want to avoid acts that might end in vain. That would be with even a wise monster.

"Well, I've come up with something good. Wait a minute."

When I wondered what Kumiko would do, I picked up the iron spear and combine it cleverly with duct tape to hold onto the stick and let it bite.

Moreover, both fitted and securely secured.

The duct tape is also not damaged by the moisture on the seventh basement floor because the surface is coated with polyethylene.

It became a pretty powerful barricade.

"I see, even if this pushes the heavy throne with enough force to move, the force won't even try to pass to the door on the other side until the grasping stick breaks. That's Kumiko, you can do it..."

"Yin Ninja, that's a dirty death."

We praised Kumiko.

"You didn't compliment me on that, did you? But this shouldn't be so easy to break through."

"Now we can only reach the seventh basement floor without" Ariadne's Yarn, "but we have to give up there."

I've actually been thinking about the idea of closing this door on the throne for a long time.

It's not just a black knight measure. For good reason, I was trying to block them so they wouldn't get in the way.

At that time, I'm the only one still attacking the dungeon. I can't believe I enjoyed the game on my own.

I never thought I'd be forced into a critical situation so far.

Of course, I'm basically going to be alone, but when it's more efficient to use these guys' powers this way, I'll get help.

I can tell you I have no choice, because it seems like it's no longer a situation where you can play.

"Wataru-kun, so what?

"Well... I'll have to think about that."

The "it" Kumiko is listening to would be "what to do" that includes many meanings.

What are we going to do? What can be done against the threat that comes up from below? How do I explain it to the students' union people?

The threat of the Black Knight will already be known to the students of the city.

Anxiety may also be spreading to the city along with a move to deal with it.

In addition, even the Red Knight, Carmine Death Knight, has arrived, wondering if this critical situation should be communicated.

Perhaps there is a danger that the population will fall into a state of panic or apathy out of despair......

No, can you explain how badass the red knight Carmine Death Knight is and not tell those unfamiliar with Genoria?

Moja-head, about Mirror Ryuji.

He has experience playing, so if you hear that the Red Knight, Carmine Death Knight, has climbed up, I'll summon him and curse the God of the Game, he may fall down and fall.

That made me laugh a little bit. It's interesting to say it and see how it reacts.

I don't feel like I'm the only one being beaten down by the harshness of the situation.

Well, I really don't have time to play.

I think we have to be strong.

If the monsters are going to learn their magic and become stronger themselves, I have to be stronger.

I must remain the strongest to beat the brutal fate of Genocide Reality.

I don't want to engage with people. I can't believe I want to be diving all the way underground, not if I'm telling you.

"Wataru-kun..."

"Is it time to go back to the city because Mana has recovered? First, we should rebuild our power. Don't you?"

There is much work to be done.