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Bernard Isenger looked at Evan Bell who was talking eloquently in front of him. There were a lot of thoughts in his head. He kept thinking about every word of Evan Bell. Even if he didn't want to admit it, the fact was that this The 20-year-old has endless ideas. He not only has a clear picture for the adaptation of "perfume", but also has a detailed understanding of the character. Even Bernard Isenger himself can't help but start to recall Compare the plot in the novel with what Evan Bell said. On the other hand, with Evan Bell's description, the image of Grenouille, the olfactory genius, gradually filled in Bernard Isenger's mind, which was a very magical experience.

Since the publication of the "Perfume" novel in 1985, Bernard Isenger has been passionate about adapting this novel.

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He couldn't help thinking, what kind of lens to use to bring the experience of smell to the audience, and how to tell the story of a genius who relies on smell to perceive the world but turned into a serial murderer, so that people can deeply feel, This is a lonely world of genius. Of course, what is more important is that the transformation process of the olfactory genius into a serial killer, and what sections of human nature have been shown to the audience.

Bernard Isenger knew that it would be difficult for such a work to make further breakthroughs at the box office. That year, "Seven Deadly Sins" made $130 million at the box office in North America, a record that is indeed not so easy to surpass. But the "perfume" story lives up to its name, exuding a captivating aroma, and Bernard Isenger can't stop, he knows that if the story is not put on the big screen, it will be a part of his entertainment career. The biggest regret. So, Bernard Isenger persevered. This perseverance has passed nearly twenty years, but the story of "perfume" is still quietly lying in his drawer.

Listening to the description of Evan Bell in front of him. How does he use the power of image, sound, music and color to create the atmosphere of smell, and how does he use the lens to convey the real sense of smell. Bernard Isenger couldn't help but start thinking about the picture. Then he will ask Evan Bell for every detail, sometimes Evan Bell will give an answer, but sometimes Evan Bell will say that he has no specific concept for the time being, but from the sly corner of Evan Bell's mouth smile. Bernard Isenger knew that the boy in front of him still had reservations. It seems that Evan Bell also has endless ideas for such an imaginative work as "Perfume", at least, this point. Both of them are exactly the same.

However, Bernard Isenger and Evan Bell had a disagreement about the psychological change of the male protagonist Grenouille, which led to a direct argument between the two. Bernard Isenger could no longer keep his calm posture. He had naturally joined Evan Bell's discussion. When he came back to his senses, Bernard Isenger found that he had been Evan Bell convinced.

original. Bernard Isenger thinks so. When Grenouille first entered the world of professional perfumery, he was just nostalgic for some inanimate flowers and plants, or clothes with a human smell, and dreamed of learning how to preserve the smell of all things. And once such things have no motivation for his creation, he will lose the meaning of existence. In this case, Grenouille indulged in the world of virgin, female. aroma. This made him obsessively on the road of directly killing life, just to create a unique "perfume" in the world. Desire to find the so-called "love" in such fragrances. It was this ** that made Grenouille finally go to the guillotine that ended his life.

but. Bernard Isenger's views were slammed by Evan Bell, who went so far as to say, "Mr. Suskind will be disappointed if you haven't read the book 'Perfume' at all." It violated Bernard Isenger's bottom line and directly led to a quarrel between the two.

For Evan Bell, the adaptation of Tom Tykwer in the last life was a success, but the lack of character creation made "Perfume" only stop at an excellent work, and failed to become a classic. work. This is undoubtedly a huge regret.

The role, at the heart of what Evan Bell has been emphasizing. As the only protagonist in the novel "Perfume", Grenouille's inner transformation process is the most important thing. Only after the character is three-dimensional can the whole story be propped up and become a classic.

In his last life, Tom Tykwer's choice of story adaptations was Hollywood-style, with a comic-book heroic tinge. Because of the space and the condensed adaptation, Tom Tykway omits the causes and consequences of the character formation of Grenouille, as well as the important role of the environment in it, thus shaping Grenouille into a combination of traditional hero and character growth biography body. Grenouille, who has a natural sense of smell, persistently pursues the pure and beautiful dream in the difficult life journey, from birth to discovering his own skills, from the closure of the fragile heart to the establishment of great goals, from strange and murderous actions to danger Heavy **, mixed with the recluse and tempering that traditional heroes must go through in the process of growing up, as well as the miraculous reversal and nirvana rebirth like a savior in the end. All of these elements are a must-have for a grassroots hero in Hollywood, and it's entirely possible to think of Tom Tykwer's version of "Perfume" as another variant of "Spider-Man."

Of course, it's a bit extreme to criticize Tom Tykwer's work like this, but Evan Bell is really embarrassed about the lack of Grenouille's role. "Perfume" could have been a classic. But Tom Tykway's lack of character creation also missed the real motive behind the serial murders. Why did Grenouille make such a bottle of perfume, just obsessed with beautiful things? No, in the original novel, there is a deeper meaning, and it is also Grenouille's real pursuit, which is unfortunately not found in Tom Tykaway's version of "Perfume".

In the original novel, when Patrick Suskind described the city of Paris, he used seventeen consecutive German verbs for "smelling". When Evan Bell tried to understand these German words, he did not Spend less effort. This stench is not only a simple taste, but also an olfactory characteristic of an era. And Grenouille was born in the fish market built on the stiniest St. Infant cemetery in Paris. His keen sense of smell corresponds to this environment, which means that he is destined to feel this more deeply than the average person. The world is rotten and dirty, and therefore has a more constructive or destructive impulse to smell. Therefore, talent in the novel is definitely not a prerequisite for grassroots heroes, nor is it a tool for pure pursuit of beautiful things, but a tragic setting. This setting also explains why Grenouille is so addicted to virgin body fragrance, because it is the only fragrance that is detached from the mundane in a stinky world. Of course, this may also be The most difficult taste in the world to collect and preserve.

This setting can be said to be a keynote throughout the entire novel of "Perfume", but Tom Tykwer deliberately weakened the importance of this, which also weakened the sense of time and depth of the finished film. There is also a setting, but it was taken by Tom Tykway, which has become the biggest lack of Grenouille's character. That is, Grenouille himself does not have any smell, he is a person without smell. In Tom Tykwer's version, it's only a middle-of-the-film rain that makes Grenoyer discover this fact, which leads to the second half of the movie. If you haven't read the original novel, you can't understand the meaning of this plot, and what's more, you don't know what this plot is about.

In the novel of "Perfume", nearly one-third of the plot is explained: Grenouille is a person without smell. Being born in a world filled with foul stench, without a trace of human odor, also meant that when Grenouille was born, he was in a state of opposition to this world. Without the smell of human beings, one of the inherent physiological markers of human beings is also lacking, so it is impossible to establish oneself in society. Therefore, the absence of this smell must lead to Grenouille's unintentional autism, because he is unknowingly rejected by others, he is the only exception in this world, no one can "see, smell" "he.

The absence of smell is in fact the basic culmination of Grenouille's personality damage, suffering, serial killer, the purest and deepest basis of his series of connections with the outside world, all of his pursuits and the paranoia that has followed. , madness starts here.

Grenouille's idea of ​​collecting, preserving and modulating human body odors~www.readwn.com~ comes from the lack of his own body odor. He needs a perfume that can imitate the odors of various people, so that he can get rid of the integration of the crowd. Fear, pull away from the alien without leaving a trace. The description of the perfume created by the use of human body odor and its influence on others shows that he can transform the stripping and repression of the smell on him into the control of others through the smell, which also makes Grenouille really feel his own existence.

Tom Tykway's ignorance of this setting makes the "perfume" movie more in line with Hollywood's aesthetics and more suitable for the needs of the market, but it also leads to the destruction of the soul of the novel to some extent.

Evan Bell, as a graduate student in the Department of Psychology, naturally could not accept this matter. Without the label of "no smell", Grenouille's psychological process towards serial killers would be incomplete. He believes that this is the fundamental reason why "perfume" is simply excellent, but not as classic as "Silence of the Lambs".

This time, if given the chance, Evan Bell hopes to make the film adaptation of "Perfume" a true classic through his own hands.

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