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Although the two film critics Neil Darcy and Chris Fair Punk did not further analyze the connotation of the film, there is no doubt about their admiration for "Inception", even if it is an "epic masterpiece" Such adjectives are also difficult to vividly describe the shock of this film to the audience and critics.

Although "The New York Times" and "Film Review", two representative magazines of the Evan-Bell supporters, failed to correctly interpret "Inception" in the first place. But the strong ones are always emerging, "The New Yorker" The magazine published a review, which became the first originator to push the film to a "magical work" after the film was released!

"If only from the perspective of theoretical framework" Inception is undoubtedly imperfect, even full of loopholes, because it does not show the most basic principle of the film: that is, a machine that allows everyone to dream together, this can What is the principle of the machine that allows everyone to enter the same dreamland? The lack of this basic principle makes the whole movie look like a high-rise building without foundation, which is not worth mentioning: but from a scientific point of view to explain the feasibility and reality of this device Sex, is not at all 'Inception, the focus of this story. For a story like this one that is full of fantasies, the frame structure is a process from zero to one, because everything must have one. For true sci-fi fans, this is a very serious There is no such thing, and there is no follow-up:

But it's just a pretext for telling a story.

It's like Newton's, the first driving force" Newton proposed the first driving force in his later years, and no one has been able to prove it for more than 300 years, including Newton himself. Whether this theory exists has also caused countless disputes. But this can't hide the brilliance of Newton's entire mechanical system.

The principle of habit, although Nolan and Bell set up a machine that can let everyone enter the same dream together, and there is no scientific explanation, but this miracle is a miracle to tell an emotional relationship. The complex and wonderful story of life, consciousness and psychology does not prevent us from raving about this film:

'The biggest difference between Inception and ordinary sci-fi movies is that the theoretical framework of sci-fi, including the ultimate task of implanting consciousness, is not the core of the movie, but serves the human emotions told in the movie and transforms the story. The overall quality is raised a notch.

Similar techniques are actually not uncommon. The most classic is the 'butterfly effect, in which one keeps going back to the past in order to redeem one's faults. This kind of plot has achieved certain results. However, the butterfly effect can only be a good work, and it is still a long way from the classics, because this kind of feeling is too straightforward, and it is constantly emphasized by repeated methods, which falls to the lower level, and is conveyed by the movie. emotions become unreal. But in Inception, Bell and Nolan wrapped the most sincere emotions in their lives in a complex and subtle shell, so that the audience had to go to great lengths to dig and experience them in order to understand, even after the movie ended. After a long recollection, such a typical "Bell method" makes the whole movie sublime from a classic position to a higher level in an instant. With, one. As, Bell and Nolan through the whole wonderful story of "Pirates of the Dream", will all The emotion has risen to the position of one hundred and one, which is perfect.

The comments about 'Pirates of Dreams, multiple dream omens are well known, but this is only to make the movie from a masterpiece to a classic, but not a magic weapon to achieve a higher level of breakthrough, in other words, if there are only multiple dreams , then this movie is only from, one, to, ninety-nine, just, not 'one hundred and one', because other people can completely design the dream structure to be more complex and esoteric, for example, the memory fragment, the tricky way , say, Mulholland Drive, the intangible changes, say, the bizarre complexity of the chili peppers.

'Inception, where dreams are set as an orderly, regular, and logical carrier, has caused a lot of controversy, because most people think that real dreams should be like 'the eternal sunshine of a beautiful mind, so Full of random and interesting changes, such bizarre images are the essence of dreams: this obviously makes sense, and we all have to admit that our dreams are very unlikely to be as logical and well-founded as in Inception. But we all ignore that in the story of Bell and Nolan, whether it is stealing consciousness or implanting ideas, it is not a dream of the free birth of an independent individual, but a dream that is designed and manipulated, so follow the pre-set dreams. Logic becomes inevitable. And the control of consciousness in the movie is even more brilliant, integrating psychology into the whole system quietly. In Inception, consciousness must move forward according to a preset track, so as to achieve the goal: the connection between psychology and dreams has been maximized in the story. This is also the wisdom hidden under the clear lines of the film's story. The dream set by Bell and Nolan is obviously different from the setting of the pioneers such as The Matrix. In the story, the dream is based on psychological logic, with daily life as a potential feature, and then built according to a certain framework. of. This makes it difficult for us to distinguish the difference between dreams and reality, and we are always in a situation of doubting whether this is a dream or reality. This has become one of the biggest highlights of the movie.

The blurred line between dreams and reality is actually one of the fundamental purposes for Nolan and Bell to tell this story. In Inception, behind this seemingly precise mechanical dream setting, there is such a blurred line as the core. , so that the bow sends out sparks one after another. All kinds of subtle and interesting details in the movie can only be found when the audience really learns to ask themselves, why, and the sparks contained in these details are endless one after another. It has also become the most effective way to influence the audience in the quietness of the huge emotional background behind the entire story:

The powerful and inherently logical detail setting attracts the audience to interpret the movie like a black hole, and unknowingly makes the audience enter a huge maze, hysterically searching for the release, but smiling happily at the same time. in it. The blurred boundary between dream and reality makes 'Inception not only describe the process of implanting ideas in the movie, but also implant ideas in the audience's head: it will make the audience have the initiative to This story fills in

The biggest highlight of the joint guidance of Nolan and Bell is that the movie is not just a labyrinth. With the emphasis on form and structure, the fullness of the characters has not been ignored. Although the movie only completely shaped the role of Cobb, but That's enough, which makes the film break through the limit of 100 from the position of '99, and achieve the unique, 101"

The blurred line between dreams and reality, in fact, the real core content is emotion, no matter how the audience fills the story with completeness, emotion cannot go around the center: in general, Nolan and Bell tell the story in the story Three and different types of emotions.

The first one is the source of people's emotions. In short, it is the affection between Fisher and his son. This is also the premise for the task of implanting ideas to be completed. The complexity and depth of human emotions; the second is the motivation to accept the task. The core idea of ​​going home runs through the whole film, and has become the only driving force to support Cobb’s efforts. This is one of the purest ideas of human beings, home. The importance of the film is infinitely magnified in the film, making people feel the warmth under the mechanical frame structure.

The third is the self-redemption of human beings, or the cycle of causality, which is also the basis for the existence of the entire film. Cobb's journey home to fly to Fisher finally accepts the implantation of ideas, which is actually a process of redemption. Cobb was remorseful, Fisher was remorseful, and it was a causal cycle. Not to mention that the reason why Cobb knew that implantation of ideas was feasible is because he had successfully implanted his wife before, and as a result, his wife could not distinguish the difference between dreams and reality, and chose suicide, which made the whole story complete a circle. The proposition of connecting and blurring the boundaries at the same time pushes the film to a whole new level.

These three different but connected emotions did not emerge at once, but were hidden in a super complex plot structure. UU Reading www.uukanshu.com advanced through every subtle link , so that people can naturally get their own experience in the process of watching movies. This is precisely the part that Bell is best at in his movies!

The audience may not be able to solve the complicated cable, but they will understand the direct feelings brought by the emotional main line of the film; at the right time, every doubt will be answered, and the audience will either be relieved because they have found a self-justifying explanation, or because Realizing all of this is just because of Cobb's inner emotional struggle and then moved, or both can be experienced, which also proves that the film has achieved a perfect integration in content, form, style and structure, and is the key to every film. The ultimate nose-hugging experience a moviegoer can only dream of!

The perfect combination of business and art, Nolan and Bell's perfect combination has pushed Inception to a whole new level, which is enough to make this movie famous in history. But if the movie just stops there, it can only win a "classic" adjective, not what the author thinks, a masterpiece"

The real will, Inception, break the limit of one hundred and win the one that is beyond the scope, it is not the intricate and delicate frame structure, not the profound and moving emotional clues, nor the perfect combination of the two, but It is the profound connotation hidden outside the whole frame of the film. This is the true value of 'Pirates of Dreams' hidden! "

Continues to explode...

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