Great Artist

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The filming of "The Mechanical Enemy" started, but the atmosphere at the filming site was obviously a bit strange. The hero Evan Bell and the heroine Bridget Mouna seemed to be at odds with each other. The two didn't say a word since they entered the crew. , even to say hello. There are many versions passed down under the staff sī. The first version was that Bridget Mouna had an opinion on Evan Bell, thought that Evan Bell was throwing a big name, and directly expressed his dissatisfaction with Evan Bell. As a result, the relationship between the two became rigid.

However, the initial version is relatively reliable, and the subsequent versions have developed in two directions. The first direction is to say that Evan Bell became romantic and went to strike up a conversation with Bridget Mouna, but closed the door, and even had an unpleasant incident, causing the two to become strangers; the second direction was the other way around. , that Bridget Mouna tried to succeed Evan Bell: Everyone knows what happened to Heidi méng Gomery at the time, but Evan Bell completely blocked Bridget Mouna.

But judging from the atmosphere at the scene, Evan Bell and Alan Tudyk, Shia LaBeouf and other actors had a good chat, while Bridget Mouna was relatively silent. She and the staff The relationship is not bad, but when the actors are talking and laughing, they are always deliberately isolated.

Looking at his expression, Evan Bell has always been very frank and doesn't seem to have anything to hide. If he sees Bridget Mouna, he will not pull his face down deliberately, but just doesn't say hello. And Bridget Mouna is more obvious. She never hides her dislike of Evan Bell. As soon as she leaves the camera, she immediately pulls her face down. No face for Evan Bell, even if director Alex Proyas interfered. Also has no effect.

So, everyone knows: Evan Bell and Bridget Mouna are not enemies. They are already inseparable from each other. Fortunately, fortunately, Dale Spooner, played by Evan Bell, and Susan Calvin, played by Bridget Mouna, were in the show just after the start of the show. It is an antagonistic relationship. Dale is a policeman who hates robots, and Susan is a doctor who studies robot psychology and supports the life of robots. The conflict of ideas between the two makes every meeting tense. Therefore, the tension between Evan Bell and Bridget Mouna has a good substitution effect for the filming of the film, and has no impact on the filming work. Alex Proyas had to let it go.

Come to the streets of Chicago early in the morning. Today, there was only Evan Bell in the scene, which made the crew relieved. After all, every time they felt the tense atmosphere between the two leading actors, the working atmosphere was always not so comfortable. There's only Evan Bell's play today. So Bridget Mouna didn't come to the set at all, but Shia LaBeouf came to the set.

Evan Bell is standing on the overpass at this time, and the action guide Patrick Tatepoulos is standing beside Evan Bell. "Alan will run over from under the overpass in a while, and you will run over from here." Patrick -Tatepoulos gave a demonstration, jumped over the iron railing, and walked onto the road. The streets were closed at this time, although a few cars were parked. There were also some pedestrians, but everyone stood there obediently. Not confusing.

Evan Bell followed Patrick Tatepoulos across the road, walked through the parking lot, then came to the overpass at the other end, jumped directly over the railing, jumped to the middle of the stairs leading to the overpass, climbed and fell again, and fell. to the ground, then crossed the road and knocked Alan Tudyk down.

The scene was filmed where Dale Spooner began chasing the robots on the street after mistakenly believing an NS-4 robot had robbed passersby's wallets. Alan Tudyk played the NS-5 robot Sonny. This scene had nothing to do with him, but he needed a stand-in to run in front of him as Evan Bell chased, so Alan Tudyk had nothing to do with him. Just a temporary cameo.

"The route is like this. If you want to do the action, you can do it first. You feel sensitive and handsome." Patrick Tatepoulos said with a smile, his job is to make the male protagonist look handsome and handsome during the fight. , which is very important for the perspective effect of commercial films.

Although "Mechanical Enemy" is a science fiction movie, the fighting scenes in it basically account for nearly a quarter. This is also Evan Bell's first real martial arts work. "Chasing the Murderer in the White Night" is a chase scene, and several fights are just random fists and struggles; and "Sniper Phone Booth" he is simply abused and has no face-to-face contact. This time, Evan Bell finally had a chance to get in touch with the real fight scene.

When filming a martial arts scene in a movie, in order to prevent the actors from getting injured, generally speaking, before the official shooting starts, the actors will have some discussions with the martial arts instructor. Some directors like the martial arts instructor to give instructions on the routines to facilitate his shots; some Most directors prefer martial arts guidance to give a general direction, allowing the actors to play freely and make the picture look more natural and real; of course, some directors have a persistent preference for difficult scenes, and when the actors cannot complete it, they need a substitute.

Alex Proyas is the second type. He just asked Patrick Tatepoulos to give Evan Bell a direction and let Evan Bell play freely. to make adjustments.

Evan Bell has no experience in shooting fighting scenes. His experience is accumulated from street fights. He is definitely not handsome, but in terms of agility, Evan Bell has enough self-confidence.

Evan Bell stood on the spot, jumped a few times, and moved his joints. When Alex Proyas's countdown sounded, his footsteps had already begun to stay in place, ready to set off at any time, Ya. Lex Proyas counted down from five. When he counted to two, Evan Bell rushed out directly. The camera galloped on the paved track, filming Evan Bell running. attitude.

At this time, Evan Bell was standing in a second-floor parking lot, with a row of cars in front of him, and the railing facing the street on the left. Alan Tudyk stood in the street downstairs to help Evan Bell in the scene, because now it is mainly Evan Bell's scene, so Alan Tudyk just needs to jog in the street below, let Evan -Bell just has a reference. Evan Bell needs to run along the street railing, and after exiting the parking lot, turn left to the second overpass, which is the end point.

After stepping away, Evan Bell pointed to the street below with his left hand and shouted, "Stop! Stop!" Then he ran with an angry expression on his face. The cars in the parking lot are not parked in alignment, some are a little outside and some are a little bit inward. For Evan Bell, it is like a hurdle, and the barriers are unevenly distributed.

Seeing the red-colored Lamborghini in front of him, Evan Bell didn't hesitate to step on the front of the car with his left foot, and then stepped on the front of the car with his right foot. With one foot, he quickly jumped over the car. After landing, he trotted for about seven or eight yards, and another black Mercedes appeared. Evan Bell then jumped forward, like a hurdle, and jumped directly over the front of the car, still shouting, "Stop, I tell you to stop!"

This time, after only running two or three steps, another champagne BMW appeared. Evan Bell put his hands on the front of the car, and then he was used to running. Thomas was in full rotation, his feet swung from the top of the car window to draw a semi-circle, and then the whole figure flew out like a shuttlecock. After landing, using that little momentum and elasticity, the whole person flew out like a bullet.

As a result, because the momentum was too great, the whole person flew out of the camera track and rushed to the end of the parking lot. If the left hand hadn't grabbed the railing that served as the roof pillar of the parking lot in time, it was estimated that the whole person would have turned downstairs. At this time, Evan Bell pulled the railing with his left hand, leaned his waist against the railing, stuck his head out, and his feet were still hanging. Hanging from the railing with the waist as the axis, it looks like an acrobat.

The staff on the set were stunned. Evan Bell's agile skills just now looked like an actor. He was doing gymnastics or doing sports, jumping, hurdles, and difficult movements. There was a parking lot. It was about 200 yards long, and it was an obstacle course. He finished it in a blink of an eye, and it was so easy.

After everyone was stunned, it was discovered that Evan Bell was hanging on the railing, which was very dangerous. Several people ran out in a hurry, trying to save Evan Bell. However, if Evan Bell had to wait for rescue, he would have fallen down long ago. As soon as his left hand exerted force, the whole person retracted ~www.readwn.com~ and stood on the ground easily.

As soon as he turned his head, he cast his eyes on Alex Proyas, "How is it? What is the effect of the picture?" This is the most important.

Alex Proyas is not too surprised, he is completely immersed in the monitor screen, and when he sits in the director's seat, he must be completely absorbed. "Very good, but it was a long shot just now. Next, I'm going to shoot a close-up shot. Can you run at this speed again?"

Evan Bell knew that this kind of scene would not be done all at once, and he shrugged, "Even if my speed and method are different, you can edit it." This makes Alex- Proyas couldn't help laughing.

After finishing speaking, Evan Bell looked at the action instructor Patrick Tatepoulos and asked with his eyes how he was doing just now. Patrick Tatepoulos smiled and raised his two thumbs up to Evan Bell. Express appreciation.

Evan Bell smiled and clapped his hands easily, "One more time, one more time." It seems that he still has the potential to become an action actor.

Tears for a monthly pass, there will be one more later! ! .