Great Writer

　　 If only because Xu Shizhe and Zhang Wanyi had the name of a husband and wife, it would be too superficial to characterize Lu Yumeng as a junior, and then hate such a character.

In fact, before Xu Shizhe fell in love with Zhang Wanyi, he and Lu Yumeng were the most compatible "sexual partner" relationship, which is commonly known as "pao friends". They may have everything, but there is no love, so the two of them The relationship between them is very relaxed and pleasant. They can talk about art, aesthetics, poetry, etc. for a whole day, and of course they have to make love while talking.

　　 Neither of them think there is anything sacred about having sex. People have to eat and drink, and of course have sex.

Lu Yumeng does not care that Xu Shizhe has many "sexual partners", because she also has many lovers, among them, the lovers gave up their family because they fell in love with her in the process of physical communication, and wanted to marry her, but there was nothing. Doubt, was rejected by Lu Yumeng who only wanted to make his life a life without responsibility and lightness.

She is such a versatile and stunning beauty, to countless men, it is like a poppy flower, which is addictive. After being addicted, the closer you want to get to her, you find that she is like a cloud in the sky. After drifting further and further, it is clear. After being addicted to drugs, but after being forced to detox, the extreme pain...

The lover who gave up the family for her found that his past attachment to marriage was ridiculous. It was purely a superfluous assumption. Perhaps if he wants to be with Lu Yumeng forever, he must be like Xu Shizhe who can completely separate the body from the soul. people.

To sum up, "Love and Sex" on the surface looks like a love triangle between a man and two women. Various H descriptions make it a magical material for solving the desires of single dogs in this era, but in essence it is actually It is a philosophical novel. As long as readers see the essence through H, they will fall into thinking about a series of issues, such as lightness and weight, soul and flesh, emotion and sex.

　　 In the book, Wang Defu put forward a series of survival codes of love, sex, spirit, flesh, memory, weakness, etc., and corresponded with the characters one-to-one, supporting their respective living conditions, showing the duality of mind and body.

　　 And each keyword is an aspect of the different possibilities of the character.

　　 Possibility is the most positive way to fight one-off, so his H masterpiece can be regarded as the disintegration of self-righteous "absolute".

　　Because of the lack of absolute meaning, life has become unreliable and supportless, and it does not even have a definite direction like feathers flying in the wind.

Therefore, the ending of the novel, of course, will make the reader feel awkward. In order to reflect the impermanence of life, Xu Shizhe and Zhang Wanyi finally came together again, but died in a car accident. At that time, Zhang Wanyi could not bear Xu Shizhe’s behavior. When he chose to leave, Xu Shizhe finally discovered that he really cared more about "love" than "sex."

　　 It is a pity that whether they can be together satisfactorily is controlled by a pen of Wang Defu.

　　 The reason why he thought of such an ending, of course, was to end when he wanted to. The protagonist is dead, so what else to write?

　　 It can only be said that an awesome writer can make readers feel that this ending has a "profound meaning" even when it is unfinished, and it symbolizes the impermanence of life.

　　 As for Lu Yumeng, she obviously hates loyalty and any kitsch that pleases the public, but it is ironic that her profession is an actress. In her life, she rejects kitsch, but on the screen, she is always in kitsch.

　　The existence of human beings, each person pursues the meaning of life differently and in different ways.

In the book 　　, Wang Defu tried different ways of choosing the meaning of life through Xu Shizhe and Lu Yumeng. What they have in common is their rebellion against “kitsch”.

　　Wang Defu believes that kitsch is a common problem of human beings. It is an act of lying and obliterating individuality to please the public and the society.

Both Xu Shizhe and Lu Yumeng in 　　's works embody anti-kitsch.

The difference between 　　 is that Xu Shizhe denies "kitsch" with a kind of apparently concessional resistance; while Lu Yumeng is a betrayal and runaway resistance.

But in the end, they are unable to break free from "kitsch", just like his "Love and Sex". If there is no kitsch content that pleases the readers, how many people will come to read his works, what he wants to express Philosophical thinking naturally cannot be conveyed to more readers.

Of course, the pure literature of Qugao and Jiu, after all, cannot be liked by everyone. For ordinary readers, it is enough to be a book about a romantic poet. They only need to substitute the male protagonist, which is of course very cool. , Which man does not imagine that he is top-notch, talented, and has a **** his finger?

It is certainly not as easy for other writers to write the protagonist of the poet as Wang Defu, unless the writer himself is good at writing poetry, otherwise you can only use words to describe how talented the poet is, but you can't produce any works. Pressed on his head, then this description is empty.

Wang Defu directly put "Farewell to Cambridge", "Occasionally", and "A Night in the Emerald Green" on Xu Shizhe's head. In this era, those literary and artistic youths who like modern poetry would never think that they would one day Look for poetry in an H masterpiece.

It took Wang Defu a week to finally write the opening chapter of "Love and Sex". One of the highlights in it is "Farewell to Cambridge", which attracts literary and artistic youths, and for ordinary readers, the opening highlight. Of course, it is the male protagonist who is engaged in a big ocean horse abroad. He used delicate brushwork to depict a hot blonde beauty, whose style is different from that of an oriental woman on the bed, which can certainly attract readers who have never been a foreigner.

　　 After all, there are no European and American cat movies in this era, and UU reading www.uukanshu.com has not written vernacular articles about how Chinese men engage with foreign girls. This is why Wang Defu is confident that his opening chapter can attract ordinary readers.

After finishing the opening chapter, Wang Defu also thought of a pen name for himself to disguise his true identity. Although the New Culture Movement is now vigorous, his "Love and Sex" is still too explicit and may still be watched. Readers who don't understand the profound connotation of his work will curse vulgarity after finishing the work, so the pen name is necessary.

　　Wang Defu thought for a while and came up with an interesting pen name—Ms. Yiren.

　　 Don’t think this pen name is strange. In fact, the male literati in the Republic of China that Wang Defu used to have a desire for women’s clothing in their hearts, so they happily added the word "Ms." to their feminine pen name.

For example, Mao Dun has a pen name of "Ms. Feng Xu", Liu Bannong has a pen name of "Ms. Fan Nudong", Zhou Zuoren has a pen name of "Ms. Pingyun" and "Ms. Bi Luo", and Zhao Jingshen has a pen name of "Ms. Luming" "Ms. Aisi," Sun Xizhen has a pen name "Ms. Zhiyun." The most interesting thing is Liu Yazi, an old poet, who actually has a pen name "Ms. Song Ling".

Some female literati in the Republic of China probably couldn’t understand the phenomenon that some male literati used feminine pseudonyms at that time, so some real female literati gave themselves masculine pseudonyms. For example, the female writer Bing Xin, she might be Feeling this, I wrote the article under the pseudonym "Men", which is really full of personality.

　　Wang Defu pays tribute to the masters, and misses the unknown internet writer he once liked.

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　　 Two more~~~ Seeking rewards, collections, and recommended tickets~~~! !