Haiyan Heqing Four O’clock Days

  Chapter 89 [Can Ju Qiufeng] The cold chrysanthemum rain is constantly dew, re-climbing to visit Nanshan [Cold Dew·Fifth]

  Qianmeng finally knew it,

  Hongyan Gaofei is old and immortal.

  It’s too early to return home,

  Stunned the mountains and rivers have good colors.

——

  Hong geese pounced out of the farmland, flew into the sky, and rushed to higher places continuously. A bundle of bamboo slips flew from the chaos beyond the nine-fold sky, bearing on the back of the swan goose, and **** in front of the eyes.

  After getting closer, I realized that the bamboo slips were actually piled up into a hill, higher than the swan geese spreading their wings. I really don’t know how the group of swan geese lifted up and whirled back in the distance.

   Maybe they are all fairy geese? Kyushu thought so. Otherwise, it won't become the sesame seeds in the field in a while, and the bamboo slips that can hump dozens of bamboo slips in a while can still fly smoothly.

  The bamboo slips flew to Kyushu in turn. A large amount of content rushed into Kyushu’s mind about the history, culture, and future of Kyushu. Kyushu could not accept so much knowledge and things for a while, so I carefully organized my thoughts in my head.

  The first bamboo slip was engraved with twenty large characters and painted with pure gold paint, "If you ask where you will return, then remember where you will come; if you ask when you will return, you will remember when you will come."

  A simple twenty words answering Meng Jiuzhou’s question about when can he return to the Yanhuang land where he lives and where to return.

  The second bamboo slip tells the same story as on the stone stele and mural.

  The third bamboo slip tells the story of a group of children growing up in the land of Yanhuang, which is more prosperous than China China.

  Meng Jiuzhou knew that this should be another way forward for the Yanhuang land that she had never seen in the murals. From the perspective of this painting, it should be related to the culture of China and China and the land of Yanhuang.

  I remember my mother said: "Traditional culture is the source of cultural innovation."

  Kyushu still remembers that when her mother explained the meaning of this sentence to her, she also sighed that “taking the essence and removing the dross is not completely abandoning. If there is no cultural heritage, cultural innovation is vain and unsupported.”

  Kyushu couldn't understand the meaning of her mother's words at the time, and related to what she saw today, Kyushu thought: In this way, if you want a civilization to flourish, obviously you can’t break away from the same culture. It seems that this may be the so-called "mission" she was called to here?

  At the same time, a golden light flickered around the boundary monument of the Four Seasons Heaven.

   Seeing this change, all the immortals knew what was in the boundary monument, and they quickly blew the earth away layer by layer with their immortal force, and found an ancient book.

  The characters in the ancient books are still the same characters that were engraved on the oracle bone inscriptions thousands of years ago. The content recorded in this book is very similar to what Kyushu knows.

  After the four-hour rotation, the gate of heaven and earth can be opened, and the ability that has been accumulated for a whole year can be sent back to Kyushu with the fairy power that the spring gods can break through the earth to break through the growing barriers between the two continents.

  The place and time when Kyushu came is the time when China China and Yanhuang Land once again established contact.

And Kyushu needs to travel for a year with the Four Seasons Gods before they can be influenced by their celestial powers, and return to their own world steadily through the continents that are now divided into two parts. This is also the way that the two separate continents can be passed and reached. the power of.

  Because this is a culture that is shared by two separated lands, and this culture is a kind of bond between the two places.

  The ancient book also shows that only those who are destined for the Four Seasons can bring them to the Four Seasons Wonderland through the cultural link of these two places.

In this way, we can know why Kyushu is called so far: Kyushu’s birth day is the frosty solar term and the Double Ninth Festival, and the winter solstice solar term chants the twenty-four solar terms song and trances into a dream again. This is all four o'clock. The fate of Heavenly Wonderland.

  Now that I know the opportunity to come here and the method to return, the rest is waiting for the opportunity.

  (End of this chapter)