Hikigu's Godslayer Story

And Tian Congyun is so long-winded, if it wasn't for everyone living a dog together, they would be considered acquaintances, and sometimes Bikigu really wanted to use the sun to burn it to see.

Appearing silently beside Hui Na, Hikigu sat down beside Hui Na, looking at Hui Na's fair face and charming body, waiting for her to finish meditating.

After a while, Hui Na opened her eyes.

"Hachiman, why are you here?" Subconsciously, he hugged Tian Congyun tightly, and the sword body fell deeply into the ravine.

Hikigu felt that the place was obviously only suitable for him to stuff his head, um, in every sense.

"The party is over, and Komachi is back, so I'm here to find you." He looked at the shameless sword in Hui Na's arms and said, "How about cultivation?"

"Not bad, the environment here is good." Hui Na's joy was beyond words, "It's still a place without people."

"That's good." Hikigu nodded.

Well, but...you're good there, but I'm not good here.

Why don't you give me a rub first?Or should I give you a rub first?

Forget it, let him knead it first, as a man, that is, he has to strike first and be strong.

-----------------------------------------

PS: Sorry, in the second update yesterday, when I used my mobile phone to update, I entered the draft box because of an operation error, but it was not officially released, and because I was too sleepy at the time, I went home and went to take a shower. I just woke up and found out Not updated.

Well, this is not the first update today, the next chapter is the first update.

Chapter [-] Edo-Tokyo Museum

When the cherry blossom season is over, Tokyo is still a beautiful spring and sunny weather.

The first weekend in May is when Alexander and Hikigu make an appointment to meet in Tokyo.

The venue is the Edo-Tokyo Museum.

This museum in Yokohama, Sumida Ward, has 7 floors above ground and 1 floor underground. The purpose of the museum is to protect the historical heritage of Edo and Tokyo, which are facing gradual disappearance, and to review the history and culture of Tokyo.

The Tokyo Metropolitan Historical and Cultural Foundation, which is in charge of its operations, has a certain degree of relationship with the Official History Compilation Committee, as far as Hikigu knows. In other words, the investment in culture and history has always been the largest expenditure of this organization, that is, the so-called "official history". compilation work.

The museum is open from 600:300 a.m. to [-]:[-] p.m. every day. Ticket prices vary from [-] yen to [-] yen according to age. Elementary school students, preschool children, and junior high school students who study or live in the city are free.

Hikigaya arrived at Edo-Tokyo Plaza at ten o'clock, walked to the iconic boat-shaped roof, bought a ticket at the gate, walked over the imitation wooden-arched Japanese bridge, entered the museum, and then climbed to the permanent exhibition room on the upper floor.

Today there is Sakamoto Ryoma Special Exhibition.

Hikigaya is not particularly interested in the Meiji Restoration and related people in Japan, nor is it interested in the history of Edo, after all, it was a city built during the late Ming and early Qing dynasties.

Why the fat man Ieyasu Tokugawa wanted to build a new town in Edo, Hikigaya, is also very understandable. Summer in the basin in Kyoto is indeed not easy.

However, Alexander's goal was at the Ryoma Exhibition, and Hikigu also stopped by.

Walking through the entrance passage, there is a long table next to the exit of the passage, covered with a white cloth, on which is written the ticket price, the holding time and the information of the organizer.

Among them, there is one named "Suzuki Jirokichi" with a particularly large name, who is the consultant of this exhibition.

At the same time, Hikigu found that there were a lot of police around, and there were three guys who looked like police officers.

Hikigu had never participated in the Ryoma exhibition, but he did not know that the security work of such exhibitions was handled by the police.

After buying a ticket for 700 yen and entering the exhibition hall, the first thing you see is a statue of Ryoma in the same scale as a real person.

After a few casual glances, Hikigu retracted his gaze and wandered around the exhibition hall.

Most of them are things Sakamoto Ryoma used, whether in life or in battle as a reformer.

Such as wine glasses, bottles, small Buddha statues and things that look like toys, but also gun belts and knives.

However, there are no exhibits in some exhibition booths, although the space is still reserved with isolation tapes, and most of these places have police officers in action.

Hikigaya thinks there must be something going on here.

These police officers clearly care a lot about these vacancies.

After a while, he saw someone walking over with signs and inserting the signs in the vacant seats.

Hikigu heard suppressed cheers from the young female tourists.

So he walked over to take a look, and the sign read "Where the Phantom Thief Kidd Returns the Treasure".

Even if such a familiar name has traveled for so long, Hikigu immediately has memories of it, and the moment he sees it, the whole person is stunned.

He remembered that Alexander had told himself that his bald friend who owned a pub in England liked a magician named Kidd.

To be able to open such a bar, I believe that Alexander's bald friends like not a magician in the normal sense.

But it is also a good habit for Bikigu not to jump to conclusions, so he continued to look around.

Don't look up, just go down three ways to say hello, because according to the setting there, Kaitou Kid's basic friend is a primary school student who not only immortalizes himself but also brings others to immortality.

Anyway, Hikigu went from junior high school to college graduation in his last life. Finally, after ten years of service, he was able to cultivate Zhengguo and join the time-travel army. Even the producer died, but someone was still in elementary school.

No other meaning, but if that person really exists in this world, Hikigu would like to ask—you old Guigeng?

Just thinking about it, an alarm sounded in the exhibition hall.

Hikigu turned his head and saw that a man in a hat was being pulled out of the crowd by two strong men, and then went to the police officer at the door.

It looks like the police are hiding in the crowd, but this plainclothes dress is really careless, and one of them is actually dressed as a woman and wears a short skirt.